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Images, Canterbury Museum

One black wristband with the words ‘Band 4 Hope’ machine inscribed. These wristbands were designed as a fundraiser following the 22 February 2011 earthquake. This wristband was left as a tribute at the Canterbury Television (CTV) building which collapsed during the 22 February 2011 earthquake killing 115 people. It is one of three identical bla...

Images, Canterbury Museum

One black wristband with the words ‘Band 4 Hope’ machine inscribed. These wristbands were designed as a fundraiser following the 22 February 2011 earthquake. This wristband was left as a tribute at the Canterbury Television (CTV) building which collapsed during the 22 February 2011 earthquake killing 115 people. It is one of three identical bla...

Images, Canterbury Museum

One black wristband with the words ‘Band 4 Hope’ machine inscribed. These wristbands were designed as a fundraiser following the 22 February 2011 earthquake. This wristband was left as a tribute at the Canterbury Television (CTV) building which collapsed during the 22 February 2011 earthquake killing 115 people. It is one of three identical bla...

Images, Canterbury Museum

One red wristband with the words ‘Band 4 Hope’ machine inscribed. These wristbands were designed as a fundraiser following the 22 February 2011 earthquake. This wristband was left as a tribute at the Canterbury Television (CTV) building which collapsed during the 22 February 2011 earthquake killing 115 people. It is the only red wristband left ...

Images, Alexander Turnbull Library

A man and woman read the paper and watch the news on television. The man says 'Roll on 2011' after reading the long list of disasters in New Zealand in 2010. They are 'Blizzards, South Canterbury Finance, Earthquakes, kiwifruit, Pike River' The TV announcer is discussing 'road deaths'. Quantity: 1 digital cartoon(s).

Videos, NZ On Screen

This TVNZ doco chronicles New Zealand’s participation in 18 Empire and Commonwealth Games — beginning at Hamilton, Canada in 1930 when a Kiwi team of 18 participated in four sports. A cavalcade of gold medallists (including Yvette Williams, Dick Tayler, Anna Simcic and Neroli Fairhall) recall their glory days at the event which was set up to be “merrier and less stern” than The Olympics. Special emphasis is placed on the three New Zealand-hosted Games: at Auckland in 1950 and 1990, and Christchurch in 1974 (which hastened the local arrival of colour television).

Images, eqnz.chch.2010

The sign reads: The CTV Building was headquarters of Canterbury Television (CTV) and also housed King’s Education language School, a medical clinic, Hair Consultants, Relationship Services and a nursing school. On February 22nd 2011 the building collapsed as a result of a major earthquake. Sadly, 115 people who were in the building lost their l...

Images, Canterbury Museum

One circular metal and plastic badge featuring an image of a girl and the words 'We [heart] you Weng'. This personalised badge featuring an image of a girl and a personal message of love, was left at the site of the Canterbury Television (CTV) building after the 22 February 2011 earthquake. It was most likely left in commemoration of someone wh...

Images, Canterbury Museum

One red cap with Hawkes Bay softball logo at centre front; cap has been has been decorated with signatures and messages from the Hawkes Bay Under-19s Softball Team. This red cap, featuring the logo of the Hawkes Bay under 19s softball team, has been decorated with signatures and messages. The cap was left at the Canterbury Television (CTV) site...

Images, Canterbury Museum

One pair of Mizuno track and field shoes, size UK 9 1/2, in blue, yellow and grey. Amongst the items left at the site of the Canterbury Television (CTV) building, which collapsed during the 22 February 2011 earthquake, was this pair of shoes. They may have been left in remembrance of someone who died in the building or perhaps for someone to us...

Images, Alexander Turnbull Library

The cartoon shows a room full of dying electronic gadgets like television, sound systems, a digital phone, a computer etc. and a wood burning stove, a candle, an analogue phone and a barbecue that are old technology and so very useful after the Christchurch earthquake of 22 February 2011. The barbecue says 'How can we retire? These youngsters can't cut it!' Published in The Press Quantity: 1 digital cartoon(s).

Research papers, University of Canterbury Library

This article discusses the use of radio after major earthquakes in Christchurch, New Zealand, in 2010 and 2011. It draws on archival sources to retrospectively research post-quake audiences in the terms people used during and soon after the earthquakes through personal narratives and Twitter. Retrospective narratives of earthquake experiences affirm the value of radio for communicating the scale of disaster and comforting listeners during dislocation from safe home spaces. In the narratives radio is often compared with television, which signifies electricity supply and associated comfort but also visually confirms the city’s destruction. Twitter provides insights into radio use from within the disaster period, but its more global reach facilitates reflection on online and international radio from outside the disaster-affected area. This research demonstrates the value of archival audience research, and finds that the combination of online radio and Twitter enables a new form of participatory disaster spectatorship from afar.

Images, eqnz.chch.2010

Damage to the Hotel Grand Chancellor can be seen in the middle. At the bottom left is the lift shaft (now fully demolished) of the CTV building which claimed over 100 lives when it collapsed in the earthquake. Taken during a scenic flight over Christchurch, New Zealand, 3 months after the deadly earthquake of 22 February, 2011. Much of the inn...

Videos, NZ On Screen

This NZBC religious programme goes where TV cameras had never gone before: behind the walls of the Carmelite monastery in Christchurch. There, it finds a community of 16 Catholic nuns, members of a 400-year-old order, who have shut themselves off from the outside world to lead lives devoted to prayer, contemplation and simple manual work. Despite their seclusion, the sisters are unphased by the intrusion and happy to discuss their lives and their beliefs; while the simplicity and ceremony of their world provides fertile ground for the monochrome camerawork.