An advertising poster outside Minx Dining Room and Bar on Lichfield Street depicts Katy Perry in a bird cage. The photographer comments, "One of the sites you will see on the Christchurch CBD red zone tour".
A PDF copy of pages 266-267 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Te Ariki'. Photos: Trent Hiles
A photograph of installations being constructed on the corner of Gloucester Street and Colombo Street for the LUXCITY event. In the foreground is the installation titled "In Your Face", and to the right is the installation titled "Etch-a-Sketch".
View down Worcester Street, with Christchurch Art Gallery in the back, and next to it is Worcester Chambers, which housed the Languages International Christchurch.
Street art seen across a vacant and overgrown demolition site. On the wall are the words 'LOVE' and a girl holding a small plant.
Pipes lead into a shipping container. The photographer comments, "In Christchurch containers are so very versatile: They are used as barricades, supports, homes, shops, art galleries, artworks, Malls, pubs and bars, Thai takeaways and now sewage works".
A PDF copy of pages 370-371 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Orange Tree'. Photos, except sewing, by Joyce Majendie. Sewing photo by Pete Majendie.
A PDF copy of pages 76-77 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bag-O-Love'. Photo: Reuben Woods
A PDF copy of pages 104-105 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SCAPE'. Image: Ash Keating, Gardensity, 2010/11, commissioned by SCAPE with generous support from Leighs Construction and Portabuild, installed outside Christchurch Art Gallery. Photo used with permission: SCAPE.
A photograph of crowds at the LUXCITY event. The photograph shows installations on the corner of Gloucester Street and Colombo Street. In the foreground is the installation titled "In Your Face", and to the right is the installation titled "Etch-a-Sketch".
Photograph captioned by Fairfax, "Civil Defence centre has now moved from the Christchurch Art Gallery to the new civil offices in Hereford Street".
Photograph captioned by Fairfax, "Civil Defence centre has now moved from the Christchurch Art Gallery to the new civil offices in Hereford Street".
Photograph captioned by Fairfax, "Civil Defence centre has now moved from the Christchurch Art Gallery to the new civil offices in Hereford Street".
Photograph captioned by Fairfax, "Civil Defence centre has now moved from the Christchurch Art Gallery to the new civil offices in Hereford Street".
Photograph captioned by Fairfax, "Civil Defence centre has now moved from the Christchurch Art Gallery to the new civil offices in Hereford Street".
A digger parked in a residential street covered in snow.
A photograph of the As Far As Eye Can See exhibition. On the left is a crocheted image of an eye, created by a group of women from Adelaide, and on the right are woven fabric artworks created by Christchurch craft artists in response.
A PDF copy of pages 170-171 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'As Far As Eye Can See'. Photos: Gap Filler
The entrance to the West Avon building on Montreal Street. The photographer comments, "This very wonderful Art Deco heritage building in Christchurch had residents living in it until another visit from the building engineers re-re-checking for earthquake damage. Now it is fenced off and on the list for possible demolition".
Demolition site and street art on a wall on Colombo Street, Sydenham. The work on the left is a Gap Filler project, Wayne Youle's "I seem to have temporarily misplaced my sense of humour " (2011), a shadow-board mural which depicts things lost during the earthquake.
A graffiti-style recruitment advertisement for the NZ Police, depicting police officer Nao Yoshimizu comforting the grieving relative of an earthquake victim. The image has been further graffitied to hide the officer's uniform, and the original advertisement text ("You too can do something extraordinary. Become a cop.") altered to read "You too can do something ordinary. Become a human".
Broken windows on a building in Welles Street. The photographer comments, "Keep out of sight. The wind will cover our breathing. Is there anything to eat in here?".
A digitally manipulated image of the dome of the Cathedral of the Blessed Sacrament.
Graffiti on a brick wall reads "Pray hope and don't worry". The photographer comments, "Seen on a wall on Moorhouse Avenue, Christchurch".
A PDF copy of pages 256-257 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Crux'. Photos: Trent Hiles
Detail of street art, reading 'Life is a challenge, meet it. Life is a dream, realise it. Life is a game, play it. Life is love, share it'.
A PDF copy of pages 322-323 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Hope Bear and Giraffing Around'.
A PDF copy of pages 50-51 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'LUXCITY'. Photographs: Bridget Anderson and Douglas Horrell
New Zealand’s first skyscraper was built on the corner of Manchester and Hereford Streets between 1905 – 06 for the New Zealand Express Company. This state of the art seven storey buil…
A PDF copy of pages 116-117 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'I Seem to Have Temporarily Misplaced My Sense of Humour'. Photos with permission: Gap Filler