A photograph of Julia Holden's painting 'ChristChurch Cathedral' displayed on a billboard on the corner of Station Road and Maurice Road in Auckland.
A photograph of Julia Holden's painting 'ChristChurch Cathedral' displayed on a billboard on the corner of Station Road and Maurice Road in Auckland.
A photograph of Julia Holden's painting 'ChristChurch Cathedral' displayed on a billboard on the corner of Station Road and Maurice Road in Auckland.
A photograph of Julia Holden's painting 'ChristChurch Cathedral' displayed on a billboard on the corner of Station Road and Maurice Road in Auckland.
A photograph of Julia Holden's painting 'ChristChurch Cathedral' displayed on a billboard on the corner of Station Road and Maurice Road in Auckland.
A photograph of Julia Holden's painting 'ChristChurch Cathedral' displayed on a billboard on the corner of Station Road and Maurice Road in Auckland.
A photograph of Julia Holden's painting 'ChristChurch Cathedral' displayed on a billboard on the corner of Station Road and Maurice Road in Auckland.
A photograph of Julia Holden's painting 'ChristChurch Cathedral' displayed on a billboard on the corner of Station Road and Maurice Road in Auckland.
A photograph of Julia Holden's painting 'ChristChurch Cathedral' displayed on a billboard on the corner of Station Road and Maurice Road in Auckland.
A photograph of Julia Holden's painting 'ChristChurch Cathedral' displayed on a billboard on the corner of Station Road and Maurice Road in Auckland.
A photograph of Julia Holden's painting 'ChristChurch Cathedral' displayed on a billboard on the corner of Station Road and Maurice Road in Auckland.
A photograph of Julia Holden standing under her painting 'ChristChurch Cathedral' displayed on a billboard on the corner of Station Road and Maurice Road in Auckland.
A photograph of Julia Holden standing under her painting 'ChristChurch Cathedral' displayed on a billboard on the corner of Station Road and Maurice Road in Auckland.
Should you have been so fortunate, while wandering the streets of 1860s Christchurch, to find yourself north of the square, you may have come across an establishment bearing the name of Sydenham House and containing within its walls all manner of … Continue reading →
A photograph of Mike Hewson's installation, 'Old Public Toilets 2014'. The artwork depicts a distorted image of the surrounding buildings. The installation is part of a series titled 'Homage to the Lost Spaces'.
A photograph of Mike Hewson's installation, 'Old Public Toilets 2014'. The artwork depicts a distorted image of the surrounding buildings. The installation is part of a series titled 'Homage to the Lost Spaces'.
A video of journalist Charlie Gates introducing the 2014 World Buskers Festival. Gates revisits the performance venues for former festivals to show how the central city has changed since the 2010 and 2011 earthquakes.
Christchurch was struck by a 6.3 magnitude earthquake on the 22 February 2011. The quake devastated the city, taking lives and causing widespread damage to the inner city and suburban homes. The central city lost over half its buildings and over 7000 homes were condemned throughout Christchurch. The loss of such a great number of homes has created the requirement for new housing to replace those that were lost. Many of which were located in the eastern, less affluent, suburbs. The response to the housing shortage is the planned creation of large scale subdivisions on the outskirts of the city. Whilst this provides the required housing it creates additional sprawl to a city that does not need it. The extension of Christchurch’s existing suburban sprawl puts pressure on roading and pushes residents further out of the city, creating a disconnection between them. Christchurch’s central city had a very small residential population prior to the earthquakes with very few options for dense inner city living. The proposed rebuild of the inner city calls for a new ‘dense, vibrant and diverse central hub’. Proposing the introduction of new residential units within the central city. However the placement of the low-rise housing in a key attribute of the rebuild, the eastern green ‘Frame’, diminishes its value as open green space. The proposed housing will also be restrictive in its target market and therefore the idea of a ‘vibrant’ inner city is difficult to achieve. This thesis acts as response to the planned rebuild of inner Christchurch. Proposing the creation of a model for inner city housing which provides an alternative option to the proposed housing and existing and ongoing suburban sprawl. The design options were explored through a design-led process were the options were critiqued and developed. The ‘final’ proposal is comprises of three tall towers, aptly named the Triple Towers, which condense the proposed low-rise housing from an 11000 square metre footprint to combined footprint of 1500 square metres. The result is an expansion of the publicly available green space along the proposed eastern frame of the city. The height of the project challenges the height restrictions and is provocative in its proposal and placement. The design explores the relationships between the occupants, the building, the ‘Frame’ and the central city. The project is discussed through an exploration of the architecture of Rem Koolhaas, Renzo Piano and Oscar Niemeyer. Rather than their architecture being taken as a direct influence on which the design is based the discussion revolves around how and why each piece of comparative architecture is relevant to the designs desired outcome.