Photograph captioned by BeckerFraserPhotos, "Large scale roadworks at the intersection of Avonside Drive, Woodham Road, and Linwood Avenue".
A photograph of architecture students standing on the outer shell of their large-scale sculpture titled Murmur, which is part of LUXCITY.
A photograph of a large-scale sculpture titled Altitude being set up for LUXCITY, on the corner of Gloucester Street and Manchester Street.
A photograph of the installation titled Kloud at LUXCITY. Another large-scale installation titled Archrobatics can be seen in the distance across the road.
A photograph of architecture students wearing hard hats and high-visibility vests setting up the large-scale fabric installation titled Kloud, which is part of LUXCITY.
A photograph of a crane on the site of Kloud. The crane is going to be used to hold up a large-scale installation for LUXCITY.
A photograph of a vacant site on Gloucester Street. This is to be the location of Illusions, a large-scale installation which is part of LUXCITY.
A photograph of crowds on Manchester Street at LUXCITY. A large-scale, hanging sculpture titled Altitude can be seen on the right. In the distance is Archrobatics.
A photograph of a vacant site on Gloucester Street. The site is to be the location of Illusions, a large-scale installation which is part of LUXCITY.
A photograph looking across a car park on Manchester Street to crowds at LUXCITY. Part of a large-scale hanging sculpture titled Altitude can be seen on the left.
A photograph of a vacant site between Manchester Street and Latimer Square. The site is to be the location of Kloud, a large-scale installation which is part of LUXCITY.
A photograph of a vacant site between Manchester Street and Latimer Square. The site is to be the location of Kloud, a large-scale installation which is part of LUXCITY.
A photograph of a fenced-off vacant site on Gloucester Street. The site is to be the location for Silhouette Carnival, a large-scale installation which is part of LUXCITY.
A photograph of a fenced-off vacant site on Gloucester Street. The site is to be the location for Silhouette Carnival, a large-scale installation which is part of LUXCITY.
A photograph of a vacant site between Manchester Street and Latimer Square. The site is to be the location of Kloud, a large-scale installation which is part of LUXCITY.
A photograph of a vacant site on Press Lane next to the Press building. The site is to be the location of Atmosphere, a large-scale installation which is part of LUXCITY.
A photograph of a vacant site on Press Lane next to the Press building. The site is to be the location of Atmosphere, a large-scale installation which is part of LUXCITY.
A photograph of a vacant site on the corner of Manchester Street and Gloucester Street. This is to be the location of a large-scale sculpture titled Altitude, which is part of LUXCITY.
A photograph of people at the Pavilions & Lighting Devices market at LUXCITY, taken from inside one of the temporary installations. A large-scale hanging sculpture Altitude can be seen illuminated in the distance.
A photograph of people walking past the LUXCITY Pavilions & Lighting Devices market, situated on the corner of Manchester Street and Gloucester Street. A large-scale hanging sculpture Altitude can be seen illuminated in the distance.
A photograph of a vacant site on the corner of Gloucester Street and Colombo Street. The site is to be the location of In Your Face, a large-scale installation which is part of LUXCITY.
A photograph of a vacant site on the corner of Gloucester Street and Colombo Street. The site is to be the location of In Your Face, a large-scale installation which is part of LUXCITY.
A photograph of people walking past the Pavilions & Lighting Devices market at LUXCITY, situated on the corner of Manchester Street and Gloucester Street. A large-scale hanging sculpture titled Altitude can be seen illuminated in the distance.
Spud Hilton knows what it's like to feel the fear of a large scale earthquake. As the Travel Editor of the San Francisco Chronicle newspaper, he lives in a city on a fault line. Spud Hilton has just published an article in the San Francisco Chronicle about the status of Christchurch as a tourist destination and as a city that must rebuild, rethink and reinvent itself.
Ruamoko, the Earthquake God, stirs in his bed, and with a sudden yawn, wonders if it is time to awake again. Above him Christchurch City trembles. On 15 May 2012, after several months of comparatively small quakes, a 4.5 Richter Scale earthquake was registered only 10 km East of Christchurch. Quake-weary Christchurch citizens feared that another large earthquake was on its way. Quantity: 1 digital cartoon(s).
In this paper we introduce CityViewAR, a mobile outdoor Augmented Reality (AR) application for providing AR information visualization on a city scale. The CityViewAR application was developed to provide geographical information about the city of Christchurch, which was hit by several major earthquakes in 2010 and 2011. The application provides information about destroyed buildings and historical sites that were affected by the earthquakes. The geo-located content is provided in a number of formats including 2D map views, AR visualization of 3D models of buildings on-site, immersive panorama photographs, and list views. The paper describes the iterative design and implementation details of the application, and gives one of the first examples of a study comparing user response to AR and non-AR viewing in a mobile tourism application. Results show that making such information easily accessible to the public in a number of formats could help people to have richer experience about cities. We provide guidelines that will be useful for people developing mobile AR applications for city-scale tourism or outdoor guiding, and discuss how the underlying technology could be used for applications in other areas.
Increasingly, economic, political and human crises, along with natural disasters, constitute a recurrent reality around the world. The effect of large-scale disaster and economic disruption are being felt far and wide and impacting libraries in diverse ways. Libraries are casualties of natural disasters, from earthquakes to hurricanes, as well as civil unrest and wars. Sudden cuts in library budgets have resulted in severe staff reductions, privatization and even closures. The presenters share their experiences about how they have prepared for or coped with profound change.
The scale of damage from a series of earthquakes across Christchurch Otautahi in 2010 and 2011 challenged all networks in the city at a time when many individuals and communities were under severe economic pressure. Historically, Maori have drawn on traditional institutions such as whanau, marae, hapu and iwi in their endurance of past crises. This paper presents research in progress to describe how these Maori-centric networks supported both Maori and non-Maori through massive urban dislocation. Resilience to any disaster can be explained by configurations of economic, social and cultural factors. Knowing what has contributed to Maori resilience is fundamental to the strategic enhancement of future urban communities - Maori and non-Maori.
The scale of damage from a series of earthquakes across Christchurch Otautahi in 2010 and 2011 challenged all networks in the city at a time when many individuals and communities were under severe economic pressure. Historically, Maori have drawn on traditional institutions such as whanau, marae, hapu and iwi in their endurance of past crises. This paper presents research in progress to describe how these Maori-centric networks supported both Maori and non-Maori through massive urban dislocation. Resilience to any disaster can be explained by configurations of economic, social and cultural factors. Knowing what has contributed to Maori resilience is fundamental to the strategic enhancement of future urban communities - Maori and non-Maori.
The Canterbury earthquakes are unique in that the there have been a series of major earthquakes, each with their own subsequent aftershock pattern. These have extended from the first large earthquake in September 2010 to currently, at the time of writing, two years later. The last significant earthquake of over magnitude 5.0 on the Richter scale was in May on 2012, and the total number of aftershocks has exceeded 12,000. The consequences, in addition to the loss of life, significant injury and widespread damage, have been far reaching and long term, with detrimental effects and still uncertain effects for many. This provides unique challenges for individuals, communities, organisations and institutions within Canterbury. This document reviews research-based understandings of the concept of resilience. A conceptual model is developed which identifies a number of the factors that influence individual and household resilience. Guided by the model, a series of recommendations are developed for practices that will support individual and household resilience in Canterbury in the aftermath of the 2010-2011 earthquakes.