
A local resident walks to the nearest dairy for essentials after the 7.1 magnitude quake, that has caused major infrastructure damage to Christchurch City.
Photograph captioned by BeckerFraserPhotos, "The BNZ building on Armagh Street and the PWC building reflected in the Avon River".
As a man and a woman walk along the man comments that 'for 2 minutes yesterday people were joined as one in a spirit of caring and thoughtful reflection...' The woman, speaking about their personal life, wonders why they only ever manage 2 minutes of that. Context - at 12.51 pm on Tuesday 1 March 2011 (exactly a week after the catastrophic Christchurch earthquake of 22 February) all of New Zealand stopped for two minutes of silent contemplation. Quantity: 1 digital cartoon(s).
The cleared site, where 115 lost their lives in the February 22, 2011 earthquake, has been turned into a memorial garden, which is intended to be a place for reflection and rememberance.
Page 12 of Section A of the Christchurch Press, published on Friday 2 September 2011.
An abandoned cafe located in the Pavilion building on Cashel Street. Magazines and newspapers are laid out on the counter and the reflection of Les Mills Gym can be seen in the window.
Page 11 of Section A of the Christchurch Press, published on Tuesday 30 August 2011.
Page 17 of Section A of the Christchurch Press, published on Friday 9 March 2012.
Page 19 of Section A of the Christchurch Press, published on Friday 10 September 2010.
An abandoned cafe located in the Pavilion building on Cashel Street. A dead plant, magazines, and newspapers are laid out on the counter and the reflection of Les Mills Gym car park can be seen in the window.
Page 2 of Section C of the Christchurch Press, published on Saturday 24 December 2011.
Page 2 of a One Year On: Taking Stock special feature in the Christchurch Press, published on Thursday 23 February 2012.
A photograph of Mike Hewson's artwork, 'Government Life Suspension', on the side of the former Chancery Arcade. The photograph is taken from an angle such that the artwork appears to be a reflection of the Government Life building behind it.
A photograph of Mike Hewson's artwork, 'Government Life Suspension', on the side of the former Chancery Arcade. The photograph is taken from an angle such that the artwork appears to be a reflection of the Government Life building behind it.
A video of the keynote presentation by Sir John Holmes, during the first plenary of the 2016 People in Disasters Conference. Holmes is the former United Nations Under-Secretary-General for Humanitarian Affairs and Emergency Relief Coordinator, the current Director of Ditchley Foundation, and the chair of the Board of the International Rescue Committee in the UK. The presentation is titled, "The Politics of Humanity: Reflections on international aid in disasters".The abstract for this presentation reads as follows: As United Nations Under-Secretary-General for Humanitarian Affairs and Emergency Relief Coordinate from 2007-2010, Sir John Holmes was heavily involved in the coordination of air provision to countries struck by natural and man-made disasters, raising the necessary funds, and the elaboration of humanitarian policy. The international humanitarian system is fragmented and struggling to cope with rising demands from both conflicts such as that in Syria, and the growing effects of climate change. Sir John will talk about what humanitarian aid can and cannot achieve, the frustrations of getting aid through when access may be difficult or denied, and the need to ensure that assistance encompasses protection of civilians and efforts to get them back on their feet, as well as the delivery of essential short term items such as food, water, medical care and shelter. He will discuss the challenges involved in trying to make the different agencies - UN United Nations, non-government organisations and the International Red Cross/Crescent movement - work together effectively. He will reveal some of the problems in dealing with donor and recipient governments who often have their own political and security agendas, and may be little interested in the necessary neutrality and independence of humanitarian aid. He will illustrate these points by practical examples of political and other dilemmas from aid provision in natural disasters such as Cyclone Nargis in Myanmar in 2009, and the Haiti earthquake of 2010, and in conflict situations such as Darfur, Afghanistan and Sri Lanka in the past, and Syria today. He will also draw conclusions and make recommendations about how humanitarian aid might work better, and why politicians and others need to understand more clearly the impartial space required by humanitarian agencies to operate properly.
This article presents a subset of findings from a larger mixed methods CEISMIC1 funded study of twenty teachers’ earthquake experiences and post-earthquake adjustment eighteen months after a fatal earthquake struck Christchurch New Zealand, in the middle of a school day (Geonet Science, 2011; O’Toole & Friesen, 2016). This earthquake was a significant national and personal disaster with teachers’ emotional self-management as first responders being crucial to the students’ immediate safety (O’Toole & Friesen, 2016). At the beginning of their semi-structured interviews conducted eighteen months later, the teachers shared their earthquake stories (O’Toole & Friesen, 2016). They recalled the moment it struck in vivid detail, describing their experiences in terms of what they saw (destruction), heard (sonic boom, screaming children) and felt (fright and fear) as though they were back in that moment similar to flashbulb memory (Brown & Kulik, 1977). Their memories of the early aftermath were similarly vivid (Rubin & Kozin, 1984). This article focuses on how the mood meter (Brackett & Kremenitzer, 2011) was then used (with permission) to further explore the teachers’ perceived affect to enlighten their lived experiences.
An electronic copy of an account prepared by Trisha Ventom, IHC Self Advocacy Coordinator Southern Region, describing the processes put in place by IHC Advocacy following the Christchurch Earthquakes in 2011.
An article from the Media Studies Journal of Aotearoa New Zealand Volume 14, Number 1. The article is titled, "Against the Odds: community access radio broadcasting during the Canterbury earthquakes, some reflections on Plains FM 96.9". It was written by Brian Pauling and Nicki Reece.
The Bachelor of Youth and Community Leadership (BYCL) was launched by the University of Canterbury (UC) in 2020. The genesis of this new degree was a Stage One service-learning course that, in turn, arose from the innovative and active response of many of the university’s students in the aftermath of the Christchurch earthquakes in 2010 and 2011. That innovative action saw the formation of the Student Volunteer Army as well as the adoption of a new set of Graduate Attributes for every undergraduate at the university. The idea of a specialist undergraduate degree that captured this unique chain of events began to take form from 2016. The resulting degree was developed as a flexible, transdisciplinary programme for young (and not so young) leaders wanting an academic grounding for their passions in community leadership and social action. In 2020, the inaugural intake of students commenced their studies. In this reflection, we discuss our experience of teaching within the BYCL for the first time, using a collaborative approach to teaching that we based on what we understand, individually and collectively, to draw on principles of democratic pedagogy.
The recent Christchurch earthquakes provide a unique opportunity to better understand the relationship between pre-disaster social fault-lines and post-disaster community fracture. As a resident of Christchurch, this paper presents some of my reflections on the social structures and systems, activities, attitudes and decisions that have helped different Canterbury ‘communities’ along their road to recovery, and highlights some issues that have, unfortunately, held us back. These reflections help answer the most crucial question asked of disaster scholarship: what can recovery agencies (including local authorities) do - both before and after disaster - to promote resilience and facilitate recovery. This paper – based on three different definitions of resilience - presents a thematic account of the social recovery landscape. I argue that ‘coping’ might best be associated with adaptive capacity, however ‘thriving’ or ‘bounce forward’ versions of resilience are a function of a community’s participative capacity.
A copy of the transcript of Rev'd Peter Collier's interview for the Church in the Quakes Project. The interview was conducted by Melissa Parsons on 7 December 2012. Collier is the Priest Assistant at St John's Church in Latimer Square.
A copy of the transcript of Ps Sam Harvey's interview for the Church in the Quakes Project. The interview was conducted by Melissa Parsons on 3 October 2012. Harvey is the Pastor at the Beach Campus of Grace Vineyard Church.
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
Context of the project: On 4 September 2010, 22 February 2011, 13 June 2011 and 23 December 2011 Christchurch suffered major earthquakes and aftershocks (well over 10,000) that have left the central city in ruins and many of the eastern suburbs barely habitable even now. The earthquakes on 22 February caused catastrophic loss of life with 185 people killed. The toll this has taken on the residents of Christchurch has been considerable, not least of all for the significant psychological impact and disruption it has had on the children. As the process of rebuilding the city commenced, it became clear that the arts would play a key role in maintaining our quality of life during difficult times. For me, this started with the children and the most expressive of all the art forms – music.
This paper presents a seismic velocity model of Canterbury, New Zealand based on 3D geologic surfaces and velocities from a range of data sources. The model provides the 3D crustal structure in the region at multiple length scales for seismic wave propagation simulations, such as broadband ground motion and shallow site response analyses related to understanding the ground motions and site responses during the 2010- 2011 Canterbury earthquakes. Pre-Quaternary geologic horizons are calculated based on the reinterpretation of a comprehensive network of seismic reflection surveys from seven different campaigns over the past 50 years, as well as point constraints across an array of petroleum industry drill holes. Particular attention is given to a detailed representation of Quaternary stratigraphy, representing shallow (z<250m) near-surface layers in the model. Seismic velocities are obtained from seismic reflection processing (for Vp) and also recently performed active and passive surface wave analyses (for Vs). Over 1,700 water wells in the region are used to constrain the complex inter-bedded Quaternary stratigraphy (gravels, sands, silts, organics etc.) near the coastline, including beneath urban Christchurch, which has resulted from fluvial deposition and marine regression and transgression. For the near-surface Springston and Christchurch Formations in the Christchurch urban area (z<50m), high-spatial resolution seismic velocities (including Vs30 ) were obtained from over 13,000 cone penetration tests combined with a recently developed CPT-Vs correlation.
his poster presents the ongoing development of a 3D Canterbury seismic velocity model which will be used in physics-based hybrid broadband ground motion simulation of the 2010-2011 Canterbury earthquakes. Velocity models must sufficiently represent critical aspects of the crustal structure over multiple length scales which will influence the results of the simulations. As a result, numerous sources of data are utilized in order to provide adequate resolution where necessary. Figure 2: (a) Seismic reflection line showing P-wave velocities and significant geologic horizons (Barnes et al. 2011), and (b) Shear wave profiles at 10 locations (Stokoe et al. 2013). Figure 4: Cross sections of the current version of the Canterbury velocity model to depths of 10km as shown in Figure 1: (a) at a constant latitude value of -43.6˚, and (b) at a constant longitude value of 172.64˚. 3. Ground Surface and Geologic Horizon Models Figure 3: (a) Ground surface model derived from numerous available digital elevation models, and (b) Base of the Quaternary sediments derived from structural contours and seismic reflection line elevations. The Canterbury region has a unique and complex geology which likely has a significant impact on strong ground motions, in particular the deep and loose deposits of the Canterbury basin. The Canterbury basin has several implications on seismic wave phenomena such as long period ground motion amplification and wave guide effects. Using a realistic 3D seismic velocity model in physics-based ground motion simulation will implicitly account for such effects and the resultant simulated ground motions can be studied to gain a fundamental understanding of the salient ground motion phenomena which occurred during the Canterbury earthquakes, and the potential for repeat occurrences in the Canterbury region. Figure 1 shows the current model domain as a rectangular area between Lat=[-43.2˚,-44.0˚], and Lon=[171.5˚,173.0˚]. This essentially spans the area between the foot of the Southern Alps in the North West to Banks Peninsula in the East. Currently the model extends to a depth of 50km below sea level.