A photograph captioned by Paul Corliss, "Fitzgerald Avenue reconstruction alongside Avon Loop".
A photograph captioned by Paul Corliss, "Fitzgerald Avenue reconstruction alongside Avon Loop".
A photograph captioned by Paul Corliss, "Fitzgerald Avenue reconstruction alongside Avon Loop".
A photograph of a sign advertising the Valley Inn.
A photograph captioned by Paul Corliss, "Fitzgerald Avenue reconstruction alongside Avon Loop".
A photograph captioned by Paul Corliss, "Fitzgerald Avenue reconstruction alongside Avon Loop".
Photograph captioned by BeckerFraserPhotos, "86-106 Manchester Street. Foundations for a new building for EPIC technology centre".
A photograph captioned by Paul Corliss, "Fitzgerald Avenue reconstruction alongside Avon Loop".
A map showing the actual construction start dates.
This thesis revisits the topic of earthquake recovery in Christchurch City more than a decade after the Canterbury earthquakes. Despite promising visions of a community reconnected and a sustainable and liveable city, significant portions of the city’s core – the Red Zone – remain dilapidated and “eerily empty”. At the same time, new developments in other areas have proven to be alienated or underutilised. Currently, the Canterbury Earthquake Recovery Authority’s plans for the rebuilding highlight the delivery of more residential housing to re-populate the city centre. However, prevalent approaches to housing development in Christchurch are ineffective for building an inclusive and active community. Hence, the central inquiry of the thesis is how the development of housing complexes can revitalise the Red Zone within the Christchurch city centre. The inquiry has been carried out through a research-through-design methodology, recognising the importance of an in-depth investigation that is contextualised and combined with the intuition and embodied knowledge of the designer. The investigation focuses on a neglected site in the Red Zone in the heart of Christchurch city, with significant Victorian and Edwardian Baroque heritage buildings, including Odeon Theatre, Lawrie & Wilson Auctioneers, and Sol Square, owned by The Regional Council Environment Canterbury. The design inquiry argues, develops, and is carried through a place-assemblage lens to housing development for city recovery, which recognizes the significance of socially responsive architecture that explores urban renewal by forging connections within the social network. Therefore, place-assemblage criteria and methods for developing socially active and meaningful housing developments are identified. Firstly, this thesis argues that co-living housing models are more focused on people relations and collective identity than the dominant developer-driven housing rebuilds, as they prioritise conduits for interaction and shared social meaning and practices. Secondly, the adaptive reuse of derelict heritage structures is proposed to reinvigorate the urban fabric, as heritage is seen to be conceived as and from a social assemblage of people. The design is realised by the principles outlined in the ICOMOS charter, which involves incorporating the material histories of existing structures and preserving the intangible heritage of the site by ensuring the continuity of cultural practices. Lastly, design processes and methods are also vital for place-sensitive results, which pay attention to the site’s unique characteristics to engage with local stakeholders and communities. The research explores place-assemblage methods of photographic extraction, the drawing of story maps, precedent studies, assemblage maps, bricolages, and paper models, which show an assembly of layers that piece together the existing heritage, social conduits, urban commons and housing to conceptualise the social network within its place.
A report created by BRANZ, the University of Auckland and Constructing Excellence New Zealand which was commissioned by the Productivity Partnership. It examines the use of KPIs by a number of rebuild organisations.
A photograph of the Rebuild Central office on Lichfield Street.
Earthquake Recovery Minister Gerry Brownlee holding a jackhammer on Kingsford Street in Burwood, as part of the opening of the Stronger Christchurch Infrastructure Rebuild Team (SCIRT).
Earthquake Recovery Minister Gerry Brownlee handling a jackhammer on Kingsford Street in Burwood, as part of the opening of the Stronger Christchurch Infrastructure Rebuild Team (SCIRT).
A digital copy of a painting by Hamish Allan. The painting is titled, 'Rebuild' and was painted in 2014. The original painting is acrylic on linen and measures 1010 X 1010mm.
Photograph captioned by BeckerFraserPhotos, "Workers up high on rebuild".
A video of a presentation by Ian Campbell, Executive General Manager of the Stronger Christchurch Rebuild Team (SCIRT), during the third plenary of the 2016 People in Disasters Conference. The presentation is titled, "Putting People at the Heart of the Rebuild".The abstract for this presentation reads: On the face of it, the Stronger Christchurch Infrastructure Rebuild Team (SCIRT) is an organisation created to engineer and carry out approximately $2B of repairs to physical infrastructure over a 5-year period. Our workforce consists primarily of engineers and constructors who came from far and wide after the earthquakes to 'help fix Christchurch'. But it was not the technical challenges that drew them all here. It was the desire and ambition expressed in the SCIRT 'what we are here for' statement: 'to create resilient infrastructure that gives people security and confidence in the future of Christchurch'. For the team at SCIRT, people are at the heart of our rebuild programme. This is recognised in the intentional approach SCIRT takes to all aspects of its work. The presentation will touch upon how SCIRT communicated with communities affected by our work and how we planned and coordinated the programme to minimise the impacts, while maximising the value for both the affected communities and the taxpayers of New Zealand and rate payers of Christchurch funding it. The presentation will outline SCIRT's very intentional approach to supporting, developing, connecting, and enabling our people to perform, individually, and collectively, in the service of providing the best outcome for the people of Christchurch and New Zealand.
Members of the public walk down High Street. The Poppy Mobile sculpture is suspended over the street.
Photograph captioned by BeckerFraserPhotos, "Substantial site development in Kennedys Bush Road, near the intersection with School Road".
A photograph captioned by Paul Corliss, "Cardboard Cathedral construction, Madras Street and Hereford Street".
A photograph captioned by Paul Corliss, "Cardboard Cathedral construction, corner Madras and Cashel Streets".
A photograph captioned by Paul Corliss, "Roofing the Cardboad Cathedral".
A photograph captioned by Paul Corliss, "Cardboard Cathedral construction, corner Madras and Cashel Streets".
A photograph captioned by Paul Corliss, "Cardboard Cathedral construction, corner Madras and Cashel Streets".
A photograph captioned by Paul Corliss, "Cardboard Cathedral construction, corner Madras and Cashel Streets".
A photograph captioned by Paul Corliss, "Cardboard Cathedral construction, corner Madras and Cashel Streets".
A photograph captioned by Paul Corliss, "Cardboard Cathedral construction, corner Madras and Cashel Streets".
A photograph captioned by Paul Corliss, "Cardboard Cathedral construction, corner Madras and Cashel Streets".
A photograph captioned by Paul Corliss, "Cardboard Cathedral construction, corner Madras and Cashel Streets".
A photograph captioned by Paul Corliss, "Cardboard Cathedral construction, Madras Street and Hereford Street".