
A photograph of a section of a piece of street art on a building outside Harrington's Beer Wine and Spirits in New Brighton. This section of the artwork depicts a scene from Doctor Who.
The effects of soil-foundation-structure interaction (SFSI) have been a topic of discussion amongst the structural and geotechnical community for many decades. The complexity of the mechanisms, as well as the need for inter-disciplinary knowledge of geotechnical and structural dynamics has plagued the advancement and the consequent inclusion of SFSI effects in design. A rigorous performance-based design methodology should not just consider the performance of the superstructure but the supporting foundation system as well. Case studies throughout history (eg. Kobe 1995, Kocaeli 1999 and Christchurch earthquakes 2010-2011) have demonstrated that a poor performance at the foundation level can result in a full demolition of the structure and, in general terms, that the extent of damage to, and repairability of, the building system as a whole, is given by the combination of the damage to the soil, foundation and superstructure. The lack of consideration of the modifying factors of SFSI and an absence of intuitive performance levels for controlling foundation and soil behaviour under seismic loads has resulted in inadequate designs for buildings sited on soft soil. For engineers to be satisfied that their designs meet the given performance levels they must first, understand how SFSI affects the overall system performance and secondly have tools available to adequately account for it in their design/assessment. This dissertation presents an integrated performance-based design procedure for buildingfoundation systems that considers all of the major mechanisms of SFSI. A new soil-foundation macro-element model was implemented into a nonlinear finite element software and validated against several experimental tests. The numerical model was used to provide insights in to the mechanisms of SFSI and statistical analysis on the results yielded simple expressions that allow the behaviour to be quantified. Particular attention was paid to the effects of shear force on the foundation response and the quantification of the rocking mode of response. The residual deformations of the superstructure and distribution of forces up the structure were also investigated. All of the major SFSI mechanisms are discussed in detail and targeted numerical studies are used to explain and demonstrate concepts. The design procedure was validated through the design and assessment of a series of concrete buildings that were designed to account for the effects of SFSI.
Churches are an important part of New Zealand's historical and architectural heritage. Various earthquakes around the world have highlighted the significant seismic vulnerability of religious buildings, with the extensive damage that occurred to stone and clay-brick unreinforced masonry churches after the 2010-2011 Canterbury earthquakes emphasising the necessity to better understand this structural type. Consequently, a country-wide inventory of unreinforced masonry churches is here identified. After a bibliographic and archival investigation, and a 10 000 km field trip, it is estimated that currently 297 unreinforced masonry churches are present throughout New Zealand, excluding 12 churches demolished in Christchurch because of heavy damage sustained during the Canterbury earthquake sequence. The compiled database includes general information about the buildings, their architectural features and structural characteristics, and any architectural and structural transformations that have occurred in the past. Statistics about the occurrence of each feature are provided and preliminary interpretations of their role on seismic vulnerability are discussed. The list of identified churches is reported in annexes, supporting their identification and providing their address.
A photograph of street art on a building between Brighton Mall and Beresford Street. The photograph was taken through a wire fence.
A photograph of street art on a building between Brighton Mall and Beresford Street. The art includes the words "Brighton Creative Quarter!".
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street.
A photograph of section of an artwork on the wall of a building between New Brighton mall and Beresford Street. The section depicts a native bird standing on a rock in front of a kowhai tree.
A photograph of street art on the wall of a building in Brighton Mall. The artwork is signed by French street artist Olivier Tenedor.
A photograph of street art on the wall of a building in Brighton Mall. The artwork is signed by French street artist Olivier Tenedor.
A photograph of street art on the wall of a building between Brighton Mall and Hawke Street. The artwork depicts cartoon characters in bubbles.
The husband of a woman who died in the CTV building during the February 2011 earthquake is encouraging the public to have their say on a memorial to honour the 185 people who lost their lives four years ago.
A photograph of a section of a piece of street art on the side of the Funky Pumpkin building in New Brighton. This section of the artwork includes the Funky Pumpkin logo and other symbols in bubbles.
A photograph of a section of a piece of street art on the side of the Funky Pumpkin building in New Brighton. This section of the artwork includes the Funky Pumpkin logo and other symbols in bubbles.
A photograph of street art on the side of the A1 Small Goods building located between Brighton Mall and Hawke Street.
A photograph of street art on the side of the A1 Small Goods building located between Brighton Mall and Hawke Street.
A photograph of street art on the side of the A1 Small Goods building located between Brighton Mall and Hawke Street.
A photograph of street art on a building between Brighton Mall and Beresford Street. There is a wire cordon fence in front of the wall.
A photograph of street art on a building between Brighton Mall and Beresford Street. There is a wire cordon fence in front of the wall.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. A message in this section reads, "Thank you , New Brighton. Transitional Economic Zone of Aotearoa".
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street.
A photograph of street art between New Brighton Mall and Hawke Street. The artwork is a mural of several pieces including tag writing, a flower, and melting icecream. There are two people on the footpath next to the building.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street. This section of the artwork depicts images and messages in bubbles.
A photograph of street art on the side of a building between Brighton Mall and Hawke Street. The artwork depicts images and messages in bubbles.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. A message in this section reads, "Thank you kia ora, New Brighton. Transitional Economic Zone of Aotearoa".
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street. The artwork includes a picture of a book, with the words "New Brighton Library" on the front.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. This section of the artwork depicts a landscape.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. This section of the artwork depicts a landscape.
A photograph of a section of a piece of street art on the wall of a building between Brighton Mall and Hawke Street. This section of the artwork depicts a landscape.
Following a damaging earthquake, the immediate emergency response is focused on individual collapsed buildings or other "hotspots" rather than the overall state of damage. This lack of attention to the global damage condition of the affected region can lead to the reporting of misinformation and generate confusion, causing difficulties when attempting to determine the level of postdisaster resources required. A pre-planned building damage survey based on the transect method is recommended as a simple tool to generate an estimate of the overall level of building damage in a city or region. A methodology for such a transect survey is suggested, and an example of a similar survey conducted in Christchurch, New Zealand, following the 22 February 2011 earthquake is presented. The transect was found to give suitably accurate estimates of building damage at a time when information was keenly sought by government authorities and the general public. VoR - Version of Record