A photograph of a sign taped to the lamp post in front of Sonya Smith Atelier on Colombo Street. The sign reads, "Danger, keep out, restricted area". A yellow sticker on the front door also indicates that access to the building is restricted. A handwritten sign on the door reads, "Cannot open safely until structure is checked. Please ring Sonya if needing any more assistance. Sonya. Keep safe".
A photograph of a sign taped to the lamp post in front of Sonya Smith Atelier on Colombo Street. The sign reads, "Danger, keep out, restricted area". A yellow sticker on the front door also indicates that access to the building is restricted. A handwritten sign on the door reads, "Cannot open safely until structure is checked. Please ring Sonya if needing any more assistance. Sonya. Keep safe".
A residential street in New Brighton. Liquefaction still lines the street, and lampposts are leaning in different directions. The photographer comments, "This is the New Brighton red zone, which is parallel to the Avon River. The area suffered serious liquefaction during the numerous earthquakes/aftershocks and the land is being bought by the government. Although the houses do not look too bad in the background they have suffered badly. On the day I took this picture the council had just hours before cut the grass, which made the area look less abandoned".
A photograph of the Thai Temple restaurant on the corner of Colombo and Peterborough Streets. A red sticker has been placed on the front door, indicating that the building is unsafe to enter. Tape has been placed around the building as a cordon. A sign reading, "Strawberry Fare, yes we are open, we are sorry for any inconvenience" has been tied to a lamp post in front.
A scanned copy of a black and white photograph belonging to University of Canterbury alumnus Colin Lau. Colin describes the photograph as follows: "A view from UCSA towards the (right side of our) Science Building. I am not sure what that target white building behind the lamp standard is. I still remember that little wooden bridge we walked across to the UCSA building & that meandering creek or stream that flows beneath it".
Over the summer on The Weekend we've been talking to recyclers and upcyclers, people who like the Wombles, are making good use of the things that they find, things that the everyday folks leave behind. This is true of Christchurch builder, artist and furniture maker, Tim McGurk. He says he works with whatever junk and materials he can find. Tim crafted several items from the materials salvaged from an earthquake damaged Christchurch house, as part of the Whole House Reuse project. He also made the news when he made a Star Wars inspired X-wing sculpture/lamp out of salvaged rimu.
An earthquake-damaged bridge, the approach to which has slumped. The photographer comments, "Due to lateral spread and the land slumping the road leading to this bridge has moved down greatly. Just imagine making the street lamps upright and how much that section of road would rise up at the end. When you go over bridges in the east side of Christchurch it is quite a climb up and a big drop down on the other side. The bridges in most cases coped very well, but not so the land leading to them".
Early Days Yet, directed by Shirley Horrocks, is a full-length documentary about New Zealand poet Allen Curnow, made in the last months of his life. The poet talks about his life and work, and visits the places of some of his most important poems. It includes interviews with other New Zealand poets about Curnow's significance as an advocate for New Zealand poetry. As Curnow famously mused in front of a moa skeleton displayed in Canterbury Museum: "Not I, some child, born in a marvellous year / Will learn the trick of standing upright here."