A photograph of street art on Fitzgerald Avenue near Telfer Electrical. The artist is DRYPNZ.
A photograph of a street art near City Mall. The artist is BMD.
A photograph of a street art near City Mall. The artist is BMD.
A photograph of street art on Fitzgerald Avenue near Telfer Electrical. The artist is DRYPNZ.
Residents of Christchurch's flood-prone Flockton Basin say a court judgment on how the Earthquake Commission handles claims based on the increased flood risk caused by the earthquakes is bitter sweet.
A photograph of street art near Fitzgerald Avenue. The artist is Benjamin Work.
A photograph of a detail of street art near City Mall. The artist is BMD.
A project manager for a company doing home repairs in the Christchurch earthquake rebuild says it is highly likely as many as 60-thousand people have been exposed to potentially lethal asbestos fibres.
New Zealand’s stock of unreinforced masonry (URM) bearing wall buildings was principally constructed between 1880 and 1935, using fired clay bricks and lime or cement mortar. These buildings are particularly vulnerable to horizontal loadings such as those induced by seismic accelerations, due to a lack of tensile force-resisting elements in their construction. The poor seismic performance of URM buildings was recently demonstrated in the 2011 Christchurch earthquake, where a large number of URM buildings suffered irreparable damage and resulted in a significant number of fatalities and casualties. One of the predominant failure modes that occurs in URM buildings is diagonal shear cracking of masonry piers. This diagonal cracking is caused by earthquake loading orientated parallel to the wall surface and typically generates an “X” shaped crack pattern due to the reversed cyclic nature of earthquake accelerations. Engineered Cementitious Composite (ECC) is a class of fiber reinforced cement composite that exhibits a strain-hardening characteristic when loaded in tension. The tensile characteristics of ECC make it an ideal material for seismic strengthening of clay brick unreinforced masonry walls. Testing was conducted on 25 clay brick URM wallettes to investigate the increase in shear strength for a range of ECC thicknesses applied to the masonry wallettes as externally bonded shotcrete reinforcement. The results indicated that there is a diminishing return between thickness of the applied ECC overlay and the shear strength increase obtained. It was also shown that, the effectiveness of the externally bonded reinforcement remained constant for one and two leaf wallettes, but decreased rapidly for wall thicknesses greater than two leafs. The average pseudo-ductility of the strengthened wallettes was equal to 220% of that of the as-built wallettes, demonstrating that ECC shotcrete is effective at enhancing both the in-plane strength and the pseudo-ductility of URM wallettes. AM - Accepted Manuscript
To address the provocation provided by the editors I wish to reflect upon the ongoing civic and artistic responses to the earthquakes in Christchurch, New Zealand, 2010-11, in which 185 people lost their lives (largely due to poor engineering and construction practices). Whilst the example is very different in character from that of efforts to memorialize July 22, 2011, I wish to use the case to briefly respond to the issue of temporality as raised by Jacques Rancière in his critique of the ‘endless work of mourning’ produced by testimonial art. The orientation of this mourning, he argues, is always backward-looking, characterized by, ‘a reversal of the flow of time: the time turned towards an end to be accomplished – progress, emancipation or the Other – is replaced by that turned towards the catastrophe behind us.’ How might memorial practices divide their gaze between remembered pasts and possible futures? AM - Accepted Manuscript
Of what many in Christchurch know as the Millers building, but for many recent years was the home to the Christchurch City Council, till just a week or two before the first earthquake of 2010. Now, in mid-2014 it is finally being demolished after nearly 45 months empty. A bus is leaving the new (temporary) bus exchange onto Tuam Street. But n...
Class is a complicated concept, historically and in the present day. It’s difficult to define, somewhat ephemeral, and yet so clearly there in our societies and our cultures. For better or for worse, social stratification has been part of human … Continue reading →
A photograph of Julia Holden's unpainted egg artwork at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
Peter Marshall is managing director of architectural firm Warren and Mahoney, part of the team selected to carry out the task of the redesign of Christchurch after the earthquakes. (This version of the audio does not include music)
Three years on from the Canterbury earthquakes there is a huge focus on getting the central city back up and running, but some suburban shopping areas are also struggling to attract customers.
A photograph taken from Manchester Street, of street art near City Mall. The artist is BMD.
A close-up video of liquefied soil on a farm near River Road in Lincoln. Contractor Tony Fisher, of Fisher Agricultural Ltd, is jumping lightly up and down to demonstrate the soil's jelly-like structure.
A photograph of street art on the corner of Fitzgerald Avenue and Alfred Street. The artwork is signed by "DEOW" and "Paulie".
A photograph of CEISMIC Digital Content Analyst Alexandra King and the Canterbury Cultural Recovery Centre intern, Moya Sherriff, discussing the collections. In the background is material from the Kaiapoi Museum's collection.
A photograph of a tag on the side of a building on Ferry Road. The tag reads, "Move". Another tag is visible to the left.
A photograph of street art on the corner of Fitzgerald Avenue and Alfred Street. The artwork is signed by "DROWS".
A photograph of street art on the corner of Fitzgerald Avenue and Alfred Street. The artwork is signed by "DEOW" and "Paulie".
A photograph taken from Manchester Street, of street art near City Mall. The artist is BMD.
A photograph of street art on the side of Les Mills in Cashel Street. The artist is Anthony Lister.
A photograph of street art on the side of Les Mills in Cashel Street. The artist is Anthony Lister.
A photograph of street art on the back of the AJ Glass building on Fitzgerald Avenue. The artist is Freak.
A pdf copy of a post from the One Voice Te Reo Kotahi blog. The post is titled, "Forum presentation".
A photograph of Julia Holden's unpainted egg artwork at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of street art on the side of Les Mills in Cashel Street. The artist is Anthony Lister.
A photograph of street art on the corner of Fitzgerald Avenue and Alfred Street. The artwork is signed by "The Kids".