A photograph of Pippin Wright-Stow and Martin Trusttum from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of Pippin Wright-Stow and Martin Trusttum from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of Pippin Wright-Stow and Martin Trusttum from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of Architect Pippin Wright-Stow from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A PDF copy of pages 76-77 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bag-O-Love'. Photo: Reuben Woods
A PDF copy of pages 48-49 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Reconstruction: Conversations on a City'. Photo: Tim Church. With permission: Christchurch City Council.
A PDF copy of pages 104-105 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SCAPE'. Image: Ash Keating, Gardensity, 2010/11, commissioned by SCAPE with generous support from Leighs Construction and Portabuild, installed outside Christchurch Art Gallery. Photo used with permission: SCAPE.
A PDF copy of pages 350-351 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Concrete Propositions'. Images: Ash Keating Concrete Propositions 2012. Acrylic house paint on concrete. Copyright the artist. Courtesy the artist and Fehily Contemporary, Melbourne Australia. Photo: John Collie.
A video of an interview with Zak and Alasdair Cassels about the development of the historic tannery site in Woolston. The Cassels are developing the site into a Victorian-style arcade which will house up to 70 tenants, including bars, restaurants, a music venue, gift shops, fashion stores, a hair salon, a Pilates studio, a tattoo parlour, and an art gallery. The video also includes an interview with Sarah Odering, the manger of Dead Set.
During the 2010/2011 Canterbury earthquakes, several reinforced concrete (RC) walls in multi-storey buildings formed a single crack in the plastic hinge region as opposed to distributed cracking. In several cases the crack width that was required to accommodate the inelastic displacement of the building resulted in fracture of the vertical reinforcing steel. This type of failure is characteristic of RC members with low reinforcement contents, where the area of reinforcing steel is insufficient to develop the tension force required to form secondary cracks in the surrounding concrete. The minimum vertical reinforcement in RC walls was increased in NZS 3101:2006 with the equation for the minimum vertical reinforcement in beams also adopted for walls, despite differences in reinforcement arrangement and loading. A series of moment-curvature analyses were conducted for an example RC wall based on the Gallery Apartments building in Christchurch. The analysis results indicated that even when the NZS 3101:2006 minimum vertical reinforcement limit was satisfied for a known concrete strength, the wall was still susceptible to sudden failure unless a significant axial load was applied. Additionally, current equations for minimum reinforcement based on a sectional analysis approach do not adequately address the issues related to crack control and distribution of inelastic deformations in ductile walls.