A photograph of The Press newspapers on display in the Canterbury Quakes exhibition at the Canterbury Museum. The newspapers where discovered inside a time capsule found in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.
A photograph of The Press newspapers on display in the Canterbury Quakes exhibition at the Canterbury Museum. The newspapers where discovered inside a time capsule found in the plinth of the statue of John Robert Godley in Cathedral Square after the 22 February 2011 earthquake.
An exhibition of artworks on the cordon fence. This was a project by the Linwood Community Art Centre.
A photograph of people examining the artworks at the opening of the As Far As Eye Can See exhibition.
A photograph of people examining the artworks at the opening of the As Far As Eye Can See exhibition.
A new exhibition is simply called " 37". The show is by the photographer Doc Ross, features 37 Christchurch people captured on film using a 37 second exposure. The aim: to reflect the length of time their city shook during February 2011's devastating earthquake. Katy Gosset hears some of the stories behind the exhibition and hits the streets to record her own take on the 37 second concept.
A video compilation of visitors to Julia Holden's Inconvenience Store exhibition on Saturday 12 April talking about their favourite painting.
A video compilation of visitors to Julia Holden's Inconvenience Store exhibition on Saturday 12 April, talking about their favourite paintings.
A video compilation of visitors to Julia Holden's Inconvenience Store exhibition on Saturday 12 April talking about their favourite paintings.
A video compilation of visitors to Julia Holden's Inconvenience Store exhibition on Saturday 12 April, talking about their favourite paintings.
The ideal Victorian woman In Victorian society, a woman was to be meek, mild, virtuous and peaceful (Whiteside 2007). She was expected to marry and have children. She would stay at home, looking after her children and her husband and … Continue reading →
A photograph of a bell from the ChristChurch Cathedral, on display in the Canterbury Quakes exhibition at the Canterbury Museum.
A video compilation of visitors to Julia Holden's Inconvenience Store exhibition on Thursday 10 April 2014, talking about their favourite paintings.
A photograph of some of the craft artists who were involved in creating the As Far As Eye Can See exhibition.
A new exhibition showcases relics found underneath Christchurch's Cathedral of the Blessed Sacrament, which was badly damaged in the Christchurch earthquakes.
A photograph of a group of people plaiting fabric strips to create artworks for the As Far As Eye Can See exhibition.
A video compilation of visitors to the opening night of Julia Holden's Inconvenience Store exhibition on Tuesday 8 April 2014, talking about their favourite paintings.
Professor Andrew Barrie discusses an exhibition that comes up with ways to keep Christchurch communities together after the loss of so many earthquake damaged parish churches.
A video of an interview with Julia Holden about the ideas behind, and execution of, her 'its like now' exhibition. The video was created by Lizzy Guthrie.
A debate on the architectural way forward for earthquake hit Christchurch ahead of an exhibition and series of talks initiated by the New Zealand Institute of Architects.
With earthquake damage worse than first, gallery staff are thinking laterally, and this weekend sees the beginning of the Rolling Maul Exhibition. Director Jenny Harper gives us an update.
A copy of an 'animated painting', created from painted portraits of 50 people from the Christchurch arts community. The video was part of Julia Holden's exhibition 'its like now'.
Putting his own subversive spin on Christchurch's proliferation of post-earthquake 'no go' and other public signs has kept artist Phllip Trusttum busy for the past few years. No Go! is the name of the latest exhibition of his 'Signs' series that's about to go on show in Picton. It includes a yellow dog straining at its leash to escape a No Dogs sign, while a cyclist tries to escape a prohibitive red circle. Phillip takes Lynn Freeman back to 2011 when his fascination with signs started. Philip Trusttum's exhibition No Go! opens on Wednesday, September 25, at the Diversion Gallery in Picton, Marlborough.
Site of an exhibition and discussion series that explores Canterbury’s built environment and invites public input to identify opportunities to create a better and more liveable environment after the earthquake.
Earthquakes are one of the few natural disasters Australia seldom experiences. We find out from curator Felicity Milburn how our neighbours have responded to an exhibition of earthquake related art direct from Christchurch.
The new Wellington Venues Limited CEO discusses her ideas for the events scene in the capital, plus the addition of a new Christchurch Artists exhibition in the St James Theatre, which will raise money for artists affected by the earthquake
Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while.
Intricate and imaginative are the knits which are pearled and planed away in an exhibition at the Dowse in Lower Hutt. Artist and Christchurch earthquake refugee Jacquelyn Greenbank talks to Lynn about her wonderful and whimsical contribution from her new home in Tauranga.
Photograph captioned by Fairfax, "Canterbury Home Show exhibition sales manager Sharon Spyve has managed to organise this year's show despite the fact that her own home was wrecked by the September earthquake, causing major disruption to her personal life".
Photograph captioned by Fairfax, "Canterbury Home Show exhibition sales manager Sharon Spyve has managed to organise this year's show despite the fact that her own home was wrecked by the September earthquake, causing major disruption to her personal life".