A PDF copy of pages 190-191 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Gap Projects in Kaiapoi'. Photos: Gap Filler
A PDF copy of pages 108-109 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Silver Bulletin'. Photo: Matthew Galloway
A PDF copy of pages 76-77 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bag-O-Love'. Photo: Reuben Woods
A PDF copy of pages 50-51 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'LUXCITY'. Photographs: Bridget Anderson and Douglas Horrell
A PDF copy of pages 60-61 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Port-A-Loos Sumner'. Photos: Katherine C'Ailceta
A PDF copy of pages 350-351 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Concrete Propositions'. Images: Ash Keating Concrete Propositions 2012. Acrylic house paint on concrete. Copyright the artist. Courtesy the artist and Fehily Contemporary, Melbourne Australia. Photo: John Collie.
A PDF copy of pages 322-323 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Hope Bear and Giraffing Around'.
A PDF copy of pages 354-355 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'End of the Line'. Photos: Gaby Montejo
A PDF copy of pages 260-261 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Light Inspiration for Lyttelton'. Photos: Alan Povall
A PDF copy of pages 80-81 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Roger Sutton/Man About Town'.
A PDF copy of pages 258-259 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Upon the Upland Road'. Photos: Trent Hiles
A PDF copy of pages 106-107 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'COCA Windows Project'. Photos: Ed Lust, Chloe Geoghegan. With permission: COCA Gallery.
A video of an interview with Julia Morison, a Christchurch-based artist, about her sculptures in a vacant site on the Christchurch central city. The artwork, titled 'Tree Houses for Swamp Dwellers', took over a year to make and will act as a centrepiece for the Scape Public Art festival, which begins on 27 September 2013. The sculpture was designed to provide a playground for children and a shady spot for workers on their lunch breaks. Morison also talks about how the sculpture was designed to be relocated and reconfigured so that it can be moved to a new location when construction begins on the vacant site.
A PDF copy of pages 58-59 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Port-A-Loos on the Pine Mound'. Photo: Elizabeth Peacock
A photograph of children's paintings attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
A photograph of children's paintings attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
A photograph of a child's painting attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
A photograph of a child's painting attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
A photograph of a child's painting attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
A PDF copy of pages 68-69 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Why is This Real Not That?'. Photo: Reuben Woods
A PDF copy of pages 334-335 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Pages Rd Fulton Hogan Site Mural'. Photos: Shaun Murphy
A photograph of children's paintings attached to a cordon fence. The photograph is captioned by Paul Corliss, "Manchester and Tuam Streets, botanical preservation site".
What I found on a walk around the city Christchurch November 20, 2013 New Zealand. www.isaactheatreroyal.co.nz/ en.wikipedia.org/wiki/2011_Christchurch_earthquake
A PDF copy of pages 74-75 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Nom Nom and Best Demo 2012'. Photo: Reuben Woods
Maddie Leach and Jem Noble, collaborators on I was using six watts when you Received me... The broadcast of sounds that are special to the city but were lost after the earthquakes are part of the SCAPE Public Art Biennial which starts in Christchurch this Friday.
A PDF copy of pages 342-343 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch: See Through My Eyes (UNICEF Children's Photographs)'. UNICEF Children's Photos as supplied by Canterbury Museum and Jacqui Southey
A couple in a red-zoned dog kennel, completing the dwelling census. Their accommodation has one room;, their only heating is by body heat and burning furniture; their rent is $1000 per week. Two years after the earthquakes, the living conditions of many in the 'red zones' of Christchurch was poor, owing to local body, government and insurance companies' tardiness. Quantity: 1 digital cartoon(s).
A signpost pointing 'West' and 'East'. The sign pointing West is intact; that indicating East is broken and barely hanging on to the post. Refers to the condition of Christchurch City after the earthquakes of 2010 and 2011; the western wealthier suburbs were less damaged than the poorer Eastern suburbs. Also, progress on repair and rehabilitation of eastern housing had been slow. The redesign of the city centre seemed to be a western suburb priority which ignored the poverty and misery of living conditions on the east. Quantity: 1 digital cartoon(s).
A video of an interview with Shaun Gladwell, a London-based artist, about the sculptures he designed for the Christchurch central city. Gladwell talks about how the sculptures are based on skateboard forms and have been designed to be used by skateboarders. He also talks about being inspired by YouTube videos of Christchurch skateboarders who used the damaged landscape in Christchurch as a skate park after the 22 February 2011 earthquake. The video includes clips from some of these YouTube videos.