A photograph of participants at the Weaving Our Community event, organised as part of the All Right? mental health campaign.
A photograph of the audience at the Canterbury Tales symposium held at Black Betty cafe as part of FESTA 2013.
Fences made from old metal bed heads enclosing the space of Gap Filler's "Film in the Gap" project in Beckenham. The audience are seated on folding chairs, garden swing seats and an antique bed as they watch Lyttelton band, Runaround Sue, perform. In the background, a yellow porta-loo provides sanitary facilities for the audience.
Gap Filler Creative Director, Coralie Winn, converses with an audience member at Gap Filler's "Film in the Gap!" project in Beckenham.
A photograph of a woman reading poetry to an audience. She is standing in front of the Poetica Urban Poetry wall.
A scanned copy of a photograph depicting the audience gathered on the set of a play titled 'Star Fleet'. The photograph is from 1983.
A photograph of audience members watching a presentation. The photograph was taken at the All Right? Campaign Launch at the Pallet Pavilion.
A photograph of audience members watching a presentation. The photograph was taken at the All Right? Campaign Launch at the Pallet Pavilion.
The Southern Espresso Rescue coffee van, which sold coffees to the audience at Gap Filler's "Film in the Gap!" project in Beckenham.
This article discusses the use of radio after major earthquakes in Christchurch, New Zealand, in 2010 and 2011. It draws on archival sources to retrospectively research post-quake audiences in the terms people used during and soon after the earthquakes through personal narratives and Twitter. Retrospective narratives of earthquake experiences affirm the value of radio for communicating the scale of disaster and comforting listeners during dislocation from safe home spaces. In the narratives radio is often compared with television, which signifies electricity supply and associated comfort but also visually confirms the city’s destruction. Twitter provides insights into radio use from within the disaster period, but its more global reach facilitates reflection on online and international radio from outside the disaster-affected area. This research demonstrates the value of archival audience research, and finds that the combination of online radio and Twitter enables a new form of participatory disaster spectatorship from afar.
To Christchurch now, where the people most affected by the region's earthquakes are getting a chance to tell their stories to a wider audience.
A physical theatre troupe performing at Gap Filler's "Film in the Gap!" project in Beckenham. The audience are seated on cushions and picnic blankets.
A physical theatre troupe performing at Gap Filler's "Film in the Gap!" project in Beckenham. The audience are seated on cushions and picnic blankets.
A physical theatre troupe performing at Gap Filler's "Film in the Gap!" project in Beckenham. The audience are seated on cushions and picnic blankets.
From 1919 until 1963, New Zealand audiences were guaranteed ‘snappy scenes, bright singing, excellent dancing and sparkling comedy’ when attending a Stan Lawson Production.
A photograph of Ryan Reynolds in the audience at the Canterbury Tales symposium. The symposium was held at Black Betty cafe as part of FESTA 2013.
A black and white photograph of performers at the Songs For Christchurch launch. In the foreground, an audience member gives the thumbs up to the camera.
A photograph of a member of the audience at the Canterbury Tales symposium. The symposium was held at Black Betty cafe as part of FESTA 2013.
A Salvation Army volunteer selling warm, recycled clothing to audience members at Gap Filler's "Film in the Gap!" project. Beside her, a visitor tries on a pair of gloves.
A photograph of the audience at the launch of Sound Garden, during FESTA 2013. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials.
A photograph of audience members watching Ryan Reynolds speak about Gap Filler and the Pallet Pavilion. The photograph was taken at the All Right? Campaign Launch at the Pallet Pavilion.
A photograph of the audience at the launch of Sound Garden, during FESTA 2013. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials.
A photograph of the audience at the launch of Sound Garden, during FESTA 2013. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials.
A photograph of the audience at the launch of Sound Garden, during FESTA 2013. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials.
A photograph of the audience at the launch of Sound Garden, during FESTA 2013. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials.
A photograph of the audience at the launch of Sound Garden, during FESTA 2013. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials.
A photograph of the audience at the launch of Sound Garden, during FESTA 2013. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials.
A photograph of the audience at the launch of Sound Garden, during FESTA 2013. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials.
A photograph of the audience at the launch of Sound Garden, during FESTA 2013. Sound Garden was a Greening the Rubble project created by local artist-musicians from recycled materials.
A photograph of audience members watching Mike Moss speak about the importance of mental health and wellbeing. The photograph was taken at the All Right? Campaign Launch at the Pallet Pavilion.