Search

found 310 results

Images for Future Christchurch; more images...

Images, UC QuakeStudies

A photograph of a computer monitor and tablet mounted to the wall at The Auricle Sonic Arts Gallery, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.

Images, UC QuakeStudies

A photograph of The Auricle Sonic Arts Gallery before the opening of an exhibition of stories, sounds and speculative futures for Christchurch. The exhibition was presented by Sound Sky - a geo-located audioscape and mobile phone app - as part of FESTA 2014.

Audio, Radio New Zealand

Christchurch Hospital has just celebrated its 150th anniversary. The major medical facility is in the heart of the city, beside Hagley Park, and played a key role in the February earthquake, treating the many who were seriously injured. Christchurch correspondent Katy Gosset discovers the hospital faces its own quake-related challenges as it plans for the future.

Images, UC QuakeStudies

A photograph of a poster above the staircase at The Auricle Sonic Arts Gallery on New Regent Street. The poster is advertising the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.

Images, eqnz.chch.2010

Today is the anniversary of the 7.1 magnitude earthquake that hit Canterbury on 4 September 2010, and two lights - The White Lights of Hope - were turned on this evening from the square to help fill the city's "dark heart" and remind residents to look forward to a bright future. Note: While I was capturing this image we had a ...

Images, eqnz.chch.2010

Today is the anniversary of the 7.1 magnitude earthquake that hit Canterbury on 4 September 2010, and two lights - The White Lights of Hope - were turned on this evening from the square to help fill the city's "dark heart" and remind residents to look forward to a bright future. Note: While I was capturing this image we had a ...

Images, UC QuakeStudies

A photograph of a blackboard outside The Auricle Sonic Arts Gallery on New Regent Street, advertising the opening of an exhibition of stories, sounds and speculative futures for Christchurch. The exhibition was presented by Sound Sky - a geo-located audioscape and mobile phone app - as part of FESTA 2014.

Audio, Radio New Zealand

Christchurch is home to many diverse ethnic groups whose voices have sometimes gone unheard in the aftermath of the earthquakes and the city's rebuild plans. Katy Gosset visits a gathering in Christchurch's battered eastern suburbs to hear their thoughts on post-quake life and the future of their adopted home.

Research papers, University of Canterbury Library

This is an ethnographic case study, tracking the course of arguments about the future of a city’s central iconic building, damaged following a major earthquake sequence. The thesis plots this as a social drama and examines the central discourses of the controversy. The focus of the drama is the Anglican neo-Gothic Christ Church Cathedral, which stands in the central square of Christchurch, New Zealand. A series of major earthquakes in 2010/2011 devastated much of the inner city, destroying many heritage-listed buildings. The Cathedral was severely damaged and was declared by Government officials in 2011 to be a dangerous building, which needed to be demolished. The owners are the Church Property Trustees, chaired by Bishop Victoria Matthews, a Canadian appointed in 2008. In March 2012 Matthews announced that the Cathedral, because of safety and economic factors, would be deconstructed. Important artefacts were to be salvaged and a new Cathedral built, incorporating the old and new. This decision provoked a major controversy, led by those who claimed that the building could and should be restored. Discourses of history and heritage, memory, place and identity, ownership, economics and power are all identified, along with the various actors, because of their significance. However, the thesis is primarily concerned with the differing meanings given to the Cathedral. The major argument centres on the symbolic interaction between material objects and human subjects and the various ways these are interpreted. At the end of the research period, December 2015, the Christ Church Cathedral stands as a deteriorating wreck, inhabited by pigeons and rats and shielded by protective, colourfully decorated wooden fences. The decision about its future remains unresolved at the time of writing.

Research Papers, Lincoln University

"Prior to the devastating 2010-2011 Canterbury earthquakes, the city of Christchurch was already exhibiting signs of a housing affordability crisis. The causes and symptoms were similar to those being experienced in Auckland, but the substantial damage to the housing stock caused by the earthquakes added new dimensions and impetus to the problem. Large swathes of the most affordable housing stock in the east of the city were effectively destroyed by the earthquakes. In itself this would have pushed the mean house price upwards, but compounding problems exacerbated the situation. These include the price effects of reduced supply of both rented and owned housing and increased demand from both displaced residents and an influx of rebuild workers. The need for additional temporary housing while repairs were undertaken and the associated insurance pay-outs bidding up rents with improved rental returns leading to increased interest in property investment. Land supply constraints and consenting issues inhibiting the build of new housing and political infighting and uncertainty regarding the future of parts of the city leading to a flight of development activity to peripheral locations and adjoining local authorities. Concerns that the erosion of the city council rating base combined with inadequacy of insurance cover for infrastructure will lead to large rates increases, increased development costs and reduced amenities and services in future years. These and other issuers will be elaborated on in this paper with a view to exploring the way forward for affordable housing Christchurch City."

Images, Alexander Turnbull Library

The cartoon depicts a rose window set in a stone wall. The glass circles each contain a dollar sign. Refers to the future of the Christchurch Cathedral after the Canterbury earthquakes of 2010 and 2011. The Anglican Church seemed to only consider the money in arguing that it would be too expensive to be repaired or rebuilt. Title from file name Quantity: 1 digital cartoon(s).

Images, Canterbury Museum

One landscape colour digital photograph taken on 26 May 2013 of Lyttelton Main School. The photograph is taken from St Davids Street looking northwest. One of the broader consequences of the 2010-2011 Canterbury earthquakes has been the Ministry of Education’s Shaping Education – Future Direction Review of Schools in the Greater Christchurch Ar...

Research papers, The University of Auckland Library

The seismic tremor that shook Christchurch on February 22, 2011, not only shattered buildings but also the spirit of the city’s residents. Amidst the ruins, this design-focused thesis unravels two intertwining narratives, each essential to the city’s resurrection. At its core, this thesis probes the preservation of Christchurch’s memory and character, meticulously chronicling the lost heritage architecture and the subsequent urban metamorphosis. Beyond bricks and mortar, it also confronts the silent aftershocks - the pervasive mental health challenges stemming from personal losses and the disfigured cityscape. As a native of Christchurch, intimately connected to its fabric, my lens reflects not just on the architectural reconstruction but also on the emotional reconstruction. My experience as an autistic individual, a recently discovered facet of my identity, infuses this design journey with a distinct prism through which I perceive and interact with the world. The colourful sketches that drive the design process aren’t mere illustrations but manifestations of my interpretation of spaces and concepts, evoking joy and vitality—a testament to embracing diversity in design. Drawing parallels between healing my own traumas with my colourful and joyful neurodivergent worldview, I’ve woven this concept into proposals aimed at healing the city through whimsy, joy, and vibrant colours. Personal experiences during and post-earthquakes profoundly shape my design proposals. Having navigated the labyrinth of my own mental health amid the altered cityscape, I seek avenues for reconciliation, both personal and communal. The vibrant sketches and designs presented in this thesis encapsulate this vision—a fusion of vivid, unconventional interpretations and a dedication to preserving the essence of the original cityscape while still encouraging movement into the future.

Research papers, University of Canterbury Library

A large number of businesses that used to be in the centre of Christchurch relocated after the earthquakes. Are they satisfied with their new locations and do they intend to return to the central city? We questioned 209 relocated businesses about their relocation history, present circumstances and future intentions. Many businesses were content with their new premises, despite having encountered a range of problems; those businesses that were questioned later in our survey period were more content. The average business in our sample rated the chances of moving back to the central city as around 50 %, but this varies with the type of business. Building height did not emerge as a major issue, but rents may be. The mix of types of business is likely to be different in the new city centre.

Articles, UC QuakeStudies

A document that outlines how timely and accurate information relating to estimating, actual project costs, future commitments, and total forecast cost, will be managed and reported for each project phase in the programme.

Other, National Library of New Zealand

An initiative developed by the Christchurch City Council in which the community can share their ideas on a new vision for the future development of the central city following the Canterbury earthquakes.

Audio, Radio New Zealand

A lecturer at Canterbury University's School of Forestry, Justin Morgenroth on new research into the lifesaving role played by trees in the Christchurch earthquakes - and the importance of urban forests for the future of the city.

Images, eqnz.chch.2010

External stairs on the Forsyth Barr building in Christchurch. Portions of the internal stairwell collapsed during the earthquake of February 22nd 2011, necessitating use of various means of getting people out of the building. Was the fourth highest building in the city pre earthquakes, but it's future is uncertain. Was for sale "as is, where ...

Research papers, University of Canterbury Library

Over 900 buildings in the Christchurch central business district and 10,000 residential homes were demolished following the 22nd of February 2011 Canterbury earthquake, significantly disrupting the rebuild progress. This study looks to quantify the time required for demolitions during this event which will be useful for future earthquake recovery planning. This was done using the Canterbury Earthquake Recovery Authority (CERA) demolition database, which allowed an in-depth look into the duration of each phase of the demolition process. The effect of building location, building height, and the stakeholder which initiated the demolition process (i.e. building owner or CERA) was investigated. The demolition process comprises of five phases; (i) decision making, (ii) procurement and planning, (iii) demolition, (iv) site clean-up, and (v) completion certification. It was found that the time required to decide to demolish the building made up majority of the total demolition duration. Demolition projects initiated by CERA had longer procurement and planning durations, but was quicker in other phases. Demolished buildings in the suburbs had a longer decision making duration, but had little effect on other phases of the demolition process. The decision making and procurement and planning phases of the demolition process were shorter for taller buildings, though the other phases took longer. Fragility functions for the duration of each phase in the demolition process are provided for the various categories of buildings for use in future studies.