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Research papers, University of Canterbury Library

This thesis investigates the relationship between the apocalyptic narrative and the postmodern novel. It explores and builds on Patricia Waugh‟s hypothesis in Practising Postmodernism: Reading Modernism (1992) which suggests that that the postmodern is characterised by an apocalyptic sense of crisis, and argues that there is in fact a strong relationship between the apocalyptic and the postmodern. It does so through an exploration of apocalyptic narratives and themes in five postmodern novels. It also draws on additional supporting material which includes literary and cultural theory and criticism, as well as historical theory. In using the novel as a medium through which to explore apocalyptic narratives, this thesis both assumes and affirms the novel‟s importance as a cultural artefact which reflects the concerns of the age in which it is written. I suggest that each of the novels discussed in this thesis demonstrates the close relationship between the apocalyptic and the postmodern through society‟s concern over the direction of history, the validity of meta-narratives, and other cultural phenomenon, such as war, the development of nuclear weaponry, and terrorism. Although the scope of this thesis is largely confined to the historical-cultural epoch known as postmodernity, it also draws on literature and cultural criticism from earlier periods so as to provide a more comprehensive framework for investigating apocalyptic ideas and their importance inside the postmodern novel. A number of modernist writers are therefore referred to or quoted throughout this thesis, as are other important thinkers from preceding periods whose ideas are especially pertinent. The present thesis was researched and written between March 2010 and August 2011 and is dedicated to all of those people who lost their lives in the apocalyptic events of the February 22nd Christchurch earthquake.

Images, eqnz.chch.2010

Facade of the Repertory Theatre ended on the ground following the magnitude 7.1 earthquake in Christchurch on Saturday 4-9-2010.

Images, eqnz.chch.2010

Facade of the Repertory Theatre ended on the ground following the magnitude 7.1 earthquake in Christchurch on Saturday 4-9-2010.

Articles, UC QuakeStudies

A photograph captioned, "So we're just sitting here not knowing. And okay, sooner or later it will come to an end, eventually it has to. It's the not knowing that kills you".

Research papers, University of Canterbury Library

Over 6.3 million waste tyres are produced annually in New Zealand (Tyrewise, 2021), leading to socioeconomic and environmental concerns. The 2010-11 Canterbury Earthquake Sequence inflicted extensive damage to ~6,000 residential buildings, highlighting the need to improve the seismic resilience of the residential housing sector. A cost-effective and sustainable eco-rubber geotechnical seismic isolation (ERGSI) foundation system for new low-rise buildings was developed by the authors. The ERGSI system integrates a horizontal geotechnical seismic isolation (GSI) layer i.e., a deformable seismic energy dissipative filter made of granulated tyre rubber (GTR) and gravel (G) – and a flexible rubberised concrete raft footing. Geotechnical experimental and numerical investigations demonstrated the effectiveness of the ERGSI system in reducing the seismic demand at the foundation level (i.e., reduced peak ground acceleration) (Hernandez et al., 2019; Tasalloti et al., 2021). However, it is essential to ensure that the ERGSI system has minimal leaching attributes and does not result in long-term negative impacts on the environment.

Images, eqnz.chch.2010

One Month after the Christchurch Earthquake. This is in Kaiapoi at the north end of Christchurch. A view down the walkway next to the river Twitter | Facebook |

Images, UC QuakeStudies

Liquefaction and buckled tarmac on a residential street in North New Brighton. The photographer comments, "In the February 2011 earthquake in Christchurch the kerb at the end of my road was pushed from both ends. This caused it to move away from the grass verge and push itself under the tarmac. The tarmac would normally have been 3 inches below the top of the kerb. Between the kerb and the grass can be seen the colour of the liquefaction that spewed out from the ground. The tarmac in the area seemed to flow downhill".