A photograph of a temporary structure, titled GlowCity, being installed for CityUps. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
A PDF copy of pages 324-325 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Scaffold Pavilion'.
A PDF copy of pages 28-29 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Infogap'. Photos: Barnaby Bennett
A photograph of students from Unitec working on a temporary installation titled ING. ING was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a crowd gathered on the corner of St Asaph Street and Madras Street for a public talk about ArtBox gallery by Andrew Just and Martin Trusttum. The talk was part of FESTA 2012.
A photograph of a crowd gathered on the corner of St Asaph Street and Madras Street for a public talk about ArtBox gallery by Andrew Just and Martin Trusttum. The talk was part of FESTA 2012.
Transcript of Trisha Jacobsen's earthquake story, captured by the UC QuakeBox project.
Transcript of Liza's earthquake story, captured by the UC QuakeBox project.
Demolition underway on the old Government Life building on a walk around the city September 7, 2014 Christchurch New Zealand.
A photograph of scaffolding being erected in the Re:START mall car park on Cashel Street, as the frame for a temporary installation titled Highlight. The installation was created by students from Unitec Architecture Department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a crowd of people in front of a temporary installation titled Highlight, in the Re:START mall car park on Cashel Street. The installation was created by students from Unitec Architecture Department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of scaffolding being erected in the Re:START mall car park on Cashel Street, as the frame for a temporary installation titled Highlight. The installation was created by students from Unitec Architecture Department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of six CPIT Architectural Studies students wearing orange high-vis vests and hard hats in Cathedral Square. They are about to start installing Urban RefleXion, a large-scale sculpture for Canterbury Tales. Canterbury Tales was a carnivalesque procession and the main event of FESTA 2013.
A photograph of six CPIT Architectural Studies students wearing orange high-vis vests and hard hats in Cathedral Square. They are about to start installing Urban RefleXion, a large-scale sculpture for Canterbury Tales. Canterbury Tales was a carnivalesque procession and the main event of FESTA 2013.
A photograph of six CPIT Architectural Studies students wearing orange high-vis vests and hard hats in Cathedral Square. They are about to start installing Urban RefleXion, a large-scale sculpture for Canterbury Tales. Canterbury Tales was a carnivalesque procession and the main event of FESTA 2013.
The 48hr Design Challenge, run by the Christchurch City Council and held at Lincoln University, provided an opportunity for Council to gain inspiration from the design and architecture industry, while testing the draft Central City Plan currently being developed. The Challenge was a response to the recent earthquakes in Christchurch and brought together local and international talent. A total of 15 teams took part in the Challenge, with seven people in each including engineers, planners, urban designers, architects and landscape architects, as well as one student on each team. The four sites within the Red Zone included the Cathedral Square and BNZ Building; 160 Gloucester Street; the Orion NZ Building at 203 Gloucester Street; and 90 Armagh Street, including the Avon River and Victoria Square. The fifth site, which sits outside the Red Zone, is the former Christchurch Women’s Hospital at 885 Colombo Street. This is team SoLA's entry for 160 Gloucester Street.
Throughout 2010 and 2011, the city of Christchurch, New Zealand, suffered a series of devastating earthquakes that caused serious damage to the city. This study examines the effect these earthquakes have had on the sport of swimming in Christchurch. It specifically focuses on three different aspects of the swimming industry: indoor competitive swimming, open water swimming and learning to swim. It reports on the industry prior to the earthquakes before examining the developments subsequent to the shakes. The effects on both facilities and participation numbers were examined. Results showed that many indoor swimming facilities were lost which had significant flow-on effects. In addition, many beaches were out of bounds and almost half of the schools in Canterbury lost the use of their own swimming pools. In terms of participation numbers, results showed that while there was a decrease in the number of indoor competitive swimmers, Canterbury clubs were still highly competitive and their rankings at events either remained similar or bettered during and after the period of the earthquakes. On the other hand, an increase in the number of participants was seen in swimming lessons as temporary pools were constructed and subsidies were offered to cover transport and lesson costs. Open water swimming, however, seems to have been relatively unaffected by the earthquakes.This report was made possible through Lincoln University’s Summer Scholarship programme. The authors would also like to acknowledge those anonymous interviewees who provided some valuable insight into the swimming industry in Christchurch.
A series of earthquakes has forced Christchurch to re-plan and rebuild. Discussions about rebuilding strategies have emphasized the intention of making it a city for the future, sustainable and vibrant. This paper discusses the relationship between microclimate and urban culture in Christchurch based upon the concept of urban comfort. It explores the relationships between environment, people and culture to help understand the local requirements for urban landscape design. In this paper we claim that cultural requirements also should be taken into account when looking for sustainable strategies. A distinctive feature of this research is its focus on the way people are adapting to both surviving prequake and new post‐quake environments. Preliminary findings from the first year of field work using participant observation and 61 in‐depth interviews with Christchurch residents are presented. The interviews were carried out in a variety of urban settings including: established sites (places sustaining relatively little damage) and emerging sites (those requiring rebuilding) during 2011‐2012. Evidence from the interviews highlight future challenges regarding sustainability and urban comfort issues. Post‐quake Christchurch presents a remarkable opportunity to design an urban landscape which provides environmental, economic, social and cultural sustainability. However, to achieve successful outcomes it is fundamental to respond to the local culture. Field data suggest that the strong connections between urban and rural settings present in local culture, lifestyle and landscape generate a particular aesthetic and recreation preference for urban spaces, which should be considered in the urban landscape design strategies.
A photograph of Johnny McFarlane of Beca and Jessica Halliday of FESTA in the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. A tour of the Cathedral took place as part of FESTA 2013, which included a talk by Johnny McFarlane about project management of transitional architecture.
A photograph of visitors to CityUps playing with a large inflatable ball. The ball is part of an installation titled CHCH2061, created by architecture students from the University of Auckland. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary installation titled Highlight in the Re:START mall car park on Cashel Street. There are images projected onto the sides of the installation. Highlightwas created by students from Unitec Architecture Department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of Andrew Just from F3 Design (left) and Martin Trusttum, CPIT Faculty of Creative Arts, giving a talk about ArtBox on the corner of St Asaph Street and Madras Street. The public talk was part of FESTA 2012.
A photograph of students from Unitec on the site of their temporary structure titled Aurora. The structure is being created for CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A story submitted by Gaynor James to the QuakeStories website.
A story submitted by Tracy to the QuakeStories website.
A photograph of students from Unitec constructing a temporary installation titled ScopeCity, which was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary installation titled ING, which was created by students from Unitec. ING was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary installation titled Influx, which was created by students from Unitec, in partnership with RAD Bikes. Influx was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A PDF copy of pages 12-13 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Tati/Playtime'. Photos: Barnaby Bennett
A PDF copy of pages 108-109 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Silver Bulletin'. Photo: Matthew Galloway