Photograph captioned by BeckerFraserPhotos, "The Retour Restaurant in Edmonds Band Rotunda on Cambridge Terrace. This was added to the CERA demo list on 5 March 2012".
Photograph captioned by BeckerFraserPhotos, "A detail of the new Christchurch Press building. This facade is a replica of the previous Press building's facade which was badly damaged in the 22 February 2011 earthquake".
A photograph of a section of a piece of street art on Manchester Street. This section of the artwork is of an elephant. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. This section of the artwork depicts two elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. The artwork is of four elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. The artwork is of four elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of street art on the wall of a building on Manchester Street. The artwork depicts four elephants. The photograph believes that the artwork was created by the artist Owen Dippie.
A photograph of an advertising image in the window of Sugar Hair and Beauty, on the ground floor of the Inland Revenue Building. There are search and rescue codes spray-painted on the window, and a pile of rubble on the footpath in front.
An aerial photograph of the Christchurch central city. The photograph is captioned by BeckerFraserPhotos, "BDO Lumley House which is in the process of being demolished. Knox Church is visible on the right hand side of the photo".
A photograph of the first page of a copy of a Level 1 Rapid Assessment Form. The form was used by the Civil Defence to document the earthquake damage to buildings in central Christchurch after the 22 February 2011 earthquake.
A photograph of the second page of a copy of a Level 2 Rapid Assessment Form. The form was used by the Civil Defence to document the earthquake damage to buildings in central Christchurch after the 22 February 2011 earthquake.
A photograph of the third page of a copy of a Level 2 Rapid Assessment Form. The form was used by the Civil Defence to document the earthquake damage to buildings in central Christchurch after the 22 February 2011 earthquake.
A photograph of the first page of a copy of a Level 2 Rapid Assessment Form. The form was used by the Civil Defence to document the earthquake damage to buildings in central Christchurch after the 22 February 2011 earthquake.
A photograph of a group of tents set up in Latimer Square next to the USAID tent. The tents were used as temporary accommodation for emergency management personnel after the 22 February 2011 earthquake.
A photograph of the earthquake damage to a property in the Christchurch central city. Part of the roof of the property has collapsed, spilling material onto the balcony below. A sign in the foreground reads, "Wots your councillor doing for your water?".
A photograph of street art on the side of a building on Manchester Street, facing onto High Street. The artwork is signed by Jacob Yikes.
A photograph a box with supplies on top. These include tarpaulins, duct tape, a sledgehammer, a box of screws, and a brush and shovel.
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of emergency management personnel exiting the car park of the earthquake-damaged Press House on Gloucester Street. One of the team is pushing a wheelbarrow full of various supplies.
A PDF copy of the site map for Canterbury Tales. Canterbury Tales was the main event of FESTA 2013; a carnivalesque procession through the central city, led by Free Theatre Christchurch. Sculptural installations and performances were part of the procession, which started at the Bridge of Remembrance and ended in Cathedral Square.
A photograph of the earthquake damage to the back of the Canterbury Provincial Chambers, taken from Oxford Terrace across the Avon River.
A photograph of a paste-up on a wall on Peterborough Street. The paste-up depicts an excavator picking up demolition material, with a speech bubble reading, "Nom nom".
A photograph of a paste-up on a wall on Peterborough Street. The paste-up depicts an excavator picking up demolition material, with a speech bubble reading, "Nom nom".
The increase in urban population has required cities to rethink their strategies for minimising greenhouse gas impacts and adapting to climate change. While urban design and planning policy have been guided by principles such as walkability (to reduce the dependence on cars) and green infrastructure (to enhance the quality of open spaces to support conservation and human values), there have been conflicting views on what spatial strategies will best prepare cities for a challenging future. Researchers supporting compact cities based upon public Transit Oriented Development have claimed that walkability, higher density and mixed-uses make cities more sustainable (Owen, 2009) and that, while green spaces in cities are necessary, they are dull in comparison with shopfronts and street vendors (Speck, 2012, p 250). Other researchers claim that green infrastructure is fundamental to improving urban sustainability and attracting public space users with improved urban comfort, consequently encouraging walkability (Pitman and Ely, 2013). Landscape architects tend to assume that ‘the greener the better’; however, the efficiency of urban greenery in relation to urban comfort and urbanity depends on its density, distribution and the services provided. Green infrastructure can take many forms (from urban forests to street trees) and provide varied services (amended microclimate, aesthetics, ecology and so forth). In this paper, we evaluate the relevance of current policy in Christchurch regarding both best practice in green infrastructure and urban comfort (Tavares, 2015). We focus on the Christchurch Blueprint for rebuilding the central city, and critically examine the post-earthquake paths the city is following regarding its green and grey infrastructures and the resulting urban environment. We discuss the performance and appropriateness of the current Blueprint in post-earthquake Christchurch, particularly as it relates to the challenges that climate change is creating for cities worldwide.
Photograph captioned by BeckerFraserPhotos, "Looking from Gloucester Street across the demolition site of the Coachman and Canterbury Times (Christchurch Star?) buildings with Heritage Hotel on the left and Novotel in the centre".
Photograph captioned by BeckerFraserPhotos, "Looking from Gloucester Street across the demolition site of the Coachman and Canterbury Times (Christchurch Star?) buildings with Heritage Hotel on the left and Novotel in the centre".
Photograph captioned by BeckerFraserPhotos, "Looking from Gloucester Street across the demolition site of the Coachman and Canterbury Times (Christchurch Star?) buildings with Heritage Hotel on the left and Novotel in the centre".