A PDF copy of pages 40-41 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Temporary City Libraries'. Photo: Tim Church. With permission: Christchurch City Council.
A PDF copy of pages 64-65 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Life in Vacant Spaces HQ'. Photos: Tim Bishop and LiVS
A PDF copy of pages 106-107 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'COCA Windows Project'. Photos: Ed Lust, Chloe Geoghegan. With permission: COCA Gallery.
A PDF copy of pages 212-213 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project '500 Days: Churchill Park'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A PDF copy of pages 204-205 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Four Corners Youth Space'. Page 204 photos: Irene Boles. Page 205 photos: Peter Walker, Three Chairs Photography. With permission from Student Volunteer Army Foundation.
A PDF copy of pages 58-59 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Port-A-Loos on the Pine Mound'. Photo: Elizabeth Peacock
A PDF copy of pages 170-171 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'As Far As Eye Can See'. Photos: Gap Filler
A PDF copy of pages 36-37 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Ko Taku Kupu, Ko Tau/My Word is Yours'. Page 36 photograph of writers at CPIT: Tate Tiata. Remaining photographs: Earl Tutty.
A PDF copy of pages 42-43 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Oxford Terrace Temporary Streetscape and Interpretation'. Photo: Tim Church. With permission: Christchurch City Council.
A PDF copy of pages 350-351 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Concrete Propositions'. Images: Ash Keating Concrete Propositions 2012. Acrylic house paint on concrete. Copyright the artist. Courtesy the artist and Fehily Contemporary, Melbourne Australia. Photo: John Collie.
A PDF copy of pages 274-275 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Central City Plan (Draft Central City Recovery Plan for Ministerial Approval, December 2011)'. Photos with permission: CCC
A video about the Christchurch Pops Choir which is performing at the Christchurch Arts Festival. The video includes interviews with artistic director Luke Di Somma and president Lee Harris. Di Somma and Harris talk about starting the choir after the 2010 and 2011 Canterbury earthquakes, and singing pop music. The video also includes footage of the choir singing as part of a flash mob at the Christchurch International Airport.
A PDF copy of pages 214-215 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch: A Board Game'. Photo (top): Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation. Photo (bottom): Irene Boles.
A PDF copy of pages 116-117 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'I Seem to Have Temporarily Misplaced My Sense of Humour'. Photos with permission: Gap Filler
A PDF copy of pages 50-51 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'LUXCITY'. Photographs: Bridget Anderson and Douglas Horrell
A PDF copy of pages 206-207 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Fulton Hogan BMX Pump Track'. Page 206 photos: Irene Boles. Page 207 photos: Peter Walker, Three Chairs Photography. With permission from Student Volunteer Army Foundation.
A PDF copy of pages 110-111 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Here are the People and There is the Steeple'. Photo with permission: Christchurch Art Gallery Te Puna o Waiwhetu. Photo: John Collie.
A PDF copy of pages 112-113 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'On First Looking Into Chapman's Homer'. Image: Michael Parekowhai Chapman's Homer 2011. Bronze, stainless steel. Courtesy of the artist and Michael Lett, Auckland. Photo with permission: Christchurch Art Gallery Te Puna o Waiwhetu. Photo: John Collie.
A PDF copy of pages 210-211 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'St Luke's Labyrinth'. Page 210 photos: Irene Boles. Page 211 photos: Peter Walker, Three Chairs Photography. With permission from Student Volunteer Army Foundation.
A PDF copy of pages 282-283 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Co-Location of Secondary Schools in Christchurch Post 22 February 2011 Earthquake'. Photo: Phil Arvidson. With permission: St Bede's, Marian College and the Ministry of Education.
In the aftermath of the 2010 and 2011 earthquakes, Christchurch, New Zealand is framed as a ‘transi- tional’ city, moving from its demolished past to a speculative future. The ADA Mesh Cities project asks what role media art and networks may play in the transitional city, and the practices of remembering, and reimagining space.
Andre Lovatt grew up in Christchurch and completed a masters degree in Civil Engineering at Canterbury before taking up a position in Singapore working on, among other things, the $6.7 billion Marina Bay Sands waterfront resort. After almost 10 years in Southeast Asia he has returned to his earthquake ravaged home to take on a project with a much smaller price tag. Andre is the new CEO of the Christchurch Arts Centre and his job is to oversee the $290 million dollar project that will, if it's successful, return the centre to its former glory by the end of 2019.
An entry from Maxine Bennett's blog, "Blackbird Has Spoken: Having a go at this blogging lark" (http://www.blackbirdhasspoken.com). The entry for 12 February 2013 is titled "Of sorrow and salvage. Op-Shop Show-Off Feb 12th 2013". Maxine writes, "I’m Max, an English girl in, and in love with New Zealand, and the New Zealander husband. In an almost forgotten previous life I worked as a psychotherapist and psychiatric nurse; now I’m the contented stay at home mother of Claudine who's almost 3, and the baby-boy-currently-gestating. We live a quiet life in a small rural town in our arts and crafts house, but dream of moving out to some land one day, to build our own home and enjoy a long view. I like to laugh, be outside, craft, grow, op-shop, read and cook. My little Kiwi family, learning new things, quiet, beauty and reading blogs make me the happiest of all. My blog is a record of my enthusiasms, fleeting and enduring, and a means of communication with you kindred spirits near and far." Note that the blog post has been converted to PDF format for archiving, which may have resulted in changes to the formatting and layout of the page.
Questions to Ministers Hon DAVID PARKER to the Minister of Finance: Does he stand by his statement that a publicly-owned insurer is a "dumb idea"? Dr RUSSEL NORMAN to the Prime Minister: Does he stand by all his statements regarding Government policy? Hon TAU HENARE to the Minister of Finance: What reports has he received on the economy – and especially on further signs of improving economic momentum and increasing business and consumer confidence? Hon SHANE JONES to the Prime Minister: Does he have confidence in his Ministers? Hon PETER DUNNE to the Minister of Foreign Affairs: What advice has he received on the call from Amnesty International opposing the appointment of Sri Lankan President Mahinda Rajapaksa as Chair of the Commonwealth for the next two years, and host of next week's Commonwealth Heads of Government meeting? Hon CLAYTON COSGROVE to the Minister responsible for the Earthquake Commission: Does he still believe that New Zealanders can have confidence in EQC? MARK MITCHELL to the Minister of Commerce: What steps is the Government taking to introduce more competition into the housing construction market? JAN LOGIE to the Minister of Justice: When she said, in response to whether the pre-trial and trial process precludes some sexual violence victims from complaining "quite clearly, it does not"; did she mean that few sexual violence victims are deterred from complaining by the process itself? Rt Hon WINSTON PETERS to the Prime Minister: Does he have confidence in the Minister for State Owned Enterprises? JACQUI DEAN to the Minister of Corrections: What recent announcements has she made on the redevelopment of prison facilities? PHIL TWYFORD to the Minister of Housing: Does he stand by his statement that the housing situation in Christchurch is "a challenge, not a crisis"? CHRIS AUCHINVOLE to the Minister for Arts, Culture and Heritage: How does the Government intend to mark the centenary of the First World War?