Transcript of Graham Harris's earthquake story, captured by the UC QuakeBox project.
Transcript of Wezley's earthquake story, captured by the UC QuakeBox project.
Transcript of Nicky's earthquake story, captured by the UC QuakeBox project.
Transcript of Kerry O'Neill's earthquake story, captured by the UC QuakeBox project.
Transcript of Debbie's earthquake story, captured by the UC QuakeBox project.
Transcript of Benjamin Tapper's earthquake story, captured by the UC QuakeBox project.
Transcript of Angelina Burgess's earthquake story, captured by the UC QuakeBox project.
Transcript of Kathryn's earthquake story, captured by the UC QuakeBox project.
Transcript of Vernon Ching's earthquake story, captured by the UC QuakeBox project.
Transcript of Brian Priestley's earthquake story, captured by the UC QuakeBox project.
Transcript of Gilly's earthquake story, captured by the UC QuakeBox project.
Transcript of Lois Mathie's earthquake story, captured by the UC QuakeBox project.
Transcript of Henare's earthquake story, captured by the UC QuakeBox project.
Transcript of H J Knapman's earthquake story, captured by the UC QuakeBox project.
Transcript of Gordon Proctor's earthquake story, captured by the UC QuakeBox project.
Transcript of Kate Spackman's earthquake story, captured by the UC QuakeBox project.
An entry from Deb Robertson's blog for 2 March 2011 entitled, "the new normal...".
Transcript of John Le Riche's earthquake story, captured by the UC QuakeBox project.
Creativity that is driven by a need for physical or economic survival, which disasters are likely to inspire, raises the question of whether such creativity fits with conventional theories and perspectives of creativity. In this paper we use the opportunity afforded by the 2010-2013 Christchurch, New Zealand earthquakes to follow and assess the creative practices and responses of a number of groups and individuals. We use in-depth interviews to tease out motivations and read these against a range of theoretical propositions about creativity. In particular, we focus on the construct of “elite panic” and the degree to which this appeared to be evident in the Christchurch earthquakes context. Bureaucratic attempts to control or limit creativity were present but they did not produce a completely blanket dampening effect. Certain individuals and groups seemed to be pre-equipped to navigate or ignore potential blocks to creativity. We argue, using Geir Kaufmann’s novelty-creativity matrix and aspects of Teresa Amabile’s and Michael G. Pratt’s revised componential theory of creativity that a special form of disaster creativity does exist.
© 2018 The Authors. Published by Elsevier Ltd. Governance is understood to have considerable influence on the success of recoveries following a natural disaster. What constitutes good governance and successful recovery in these circumstances? This question is discussed in relation to two recent recovery processes. Sri Lanka has, for all intents and purposes, recovered from the tsunami that struck there and other parts of southern Asia in 2004. Christchurch, New Zealand was devastated by a sequence of earthquakes during 2010 and 2011 and recovery there is now well under way. The paper discusses the governance structures that have guided these two recoveries. While it is understood that the effects of disasters could potentially be life long and recovery from them complex, compatibility of the process and outcomes in relation to cultural norms and the critical issue of housing are the key issues discussed across the two cases.
Transcript of participant number UC604YW's earthquake story, captured by the UC QuakeBox project.
An entry from Deb Robertson's blog for 12 May 2011 entitled, "Another Quilt on another fence...".
An entry from Jennifer Middendorf's blog for 6 June 2011 entitled, "Assorted things".
An entry from Jennifer Middendorf's blog for 5 March 2011 entitled, "Twiddling my fingers".
A story submitted by Brenda Greene to the QuakeStories website.
A story submitted by Brenda Greene to the QuakeStories website.
A story submitted by Jo Wicken to the QuakeStories website.
A story submitted by Mike Ryan to the QuakeStories website.
A story submitted by Rosie Belton to the QuakeStories website.
A story submitted by Camille O'Donoghue to the QuakeStories website.