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Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One green glass 500ml bottle of Three Boys Brewery ‘Aftershock’ beer. The bottle has a dark green rectangular label with white writing and the brewery logo on front and back. The bottle is sealed by a brass cap with a piece of red brick on top; brick and cap are sealed in wax. Christchurch's artisan Three Boys Brewery sustained only minor damag...

Images, Canterbury Museum

One 750ml green wine bottle with red coloured metal screw cap containing Mud House 2010 Marlborough Sauvignon Blanc ‘The Day the Ground Moved Like Jelly’; the front label has a drawing of an earthquake damaged house on a white background by Bella Kingi, while the label on the reverse details the fundraising effort supported by the sale of the bo...

Images, Canterbury Museum

One landscape colour digital photograph taken on 28 April 2012 showing a painting of a red circle on a blue background. Painted on the right side of circle is a yellow crescent shaped representation of "the man in the moon". Painted in black is a word puzzle of 6 lines starting with "SCIRT" and changing one letter each line to finish with "STAR...

Images, eqnz.chch.2010

For Best View Press"L" All 23 Arts Centre heritage buildings received significant damage in the earthquake and its subsequent aftershocks, and all have been issued with a red “Unsafe” placard. As a result of the magnitude of this damage, the Arts Centre Trust Board— the body charged with ensuring this iconic precinct is preserved and pr...

Images, UC QuakeStudies

A photograph of graffiti on one of the walls of the kitchen in Donna Allfrey's house at 406 Oxford Terrace. Parts of the graffiti read, "Quakes, a national disaster", "Recovery, a national disgrace", "'It's been a lot of fun' - John Key, yeah right!", "Brownlee sucks, "Ring fn EQC, ring fn insurance", "Useless fn council", "Sideshow Bob is an idiot", "Don't let the bastards get you down", "Avon Loop - park or developers fodder?", and "Never trust a Carter". There are also shopping and to-do lists scrawled amongst these messages.

Images, UC QuakeStudies

A photograph of graffiti on one of the walls of the kitchen in Donna Allfrey's house at 406 Oxford Terrace. Parts of the graffiti read, "Quakes, a national disaster", "Recovery, a national disgrace", "'It's been a lot of fun' - John Key, yeah right!", "Brownlee sucks, "Ring fn EQC, ring fn insurance", "Useless fn council", "Sideshow Bob is an idiot", "Don't let the bastards get you down", "Avon Loop - park or developers fodder?", and "Never trust a Carter". There are also shopping and to-do lists scrawled amongst these messages.

Images, UC QuakeStudies

A photograph of graffiti on one of the walls of the kitchen in Donna Allfrey's house at 406 Oxford Terrace. Parts of the graffiti read, "Quakes, a national disaster", "Recovery, a national disgrace", "'It's been a lot of fun' - John Key, yeah right!", "Brownlee sucks, "Ring fn EQC, ring fn insurance", "Useless fn council", "Sideshow Bob is an idiot", "Don't let the bastards get you down", "Avon Loop - park or developers fodder?", and "Never trust a Carter". There are also shopping and to-do lists scrawled amongst these messages.

Images, Alexander Turnbull Library

Photographs of central Christchurch after the 2010-2012 earthquakes taken 25 February 2012 by Sean McMahon. Locations are chiefly Manchester, Saint Asaph, Cashel, Columbo and Lichfield Streets, and the Bridge of Remembrance. Images show fencing around areas closed to the public, damaged and collapsed commercial buildings, cleared sites, re-opened Cashel Street area with shops and a cafe. Source of title - Title supplied by Library Quantity: 34 digital photograph(s).

Images, eqnz.chch.2010

There are occasional sewerage spills into the Avon River while all the sewer and road repairs are carried out. This rock wall was level and well above high tide level prior to the eathquakes. All the houses that can been seen here (except for those on the distant Port Hills) are in the suburban "red zone" and are still to be demolished.

Images, eqnz.chch.2010

Kia Kaha (in the little red love-heart on the fence) can be translated from the Maori language as “Be strong and fearless!” “Be Proud!” or “Stand tall!” The term is used in many situations to give encouragement and support to family, friends and mates. Taken one week after the 6.3 magnitude quake hit Christchurch 22 February 2011. Proce...

Images, eqnz.chch.2010

Removal of the double-glazed windows is underway at my "red zone" house, now owned by the Government of New Zealand. Sold to CERA (the government agency) in October 2012 and has remained empty since, despite having little damage, apart from the tilt to the front from the land damage that occurred during the multiple earthquake events of 2010 an...

Images, Canterbury Museum

One landscape colour digital photograph taken on 27 May 2013 of a retaining wall in Sumner Road which was replaced due to earthquake damage. The original wall was created using red volcanic rock. Many walls like this were built using the Hard Labour Gang from the Lyttelton Gaol. The replacement wall has a small section of stone installed to sho...

Images, Canterbury Museum

One landscape colour digital photograph taken on 27 May 2013 of a retaining wall in Sumner Road which was replaced due to earthquake damage. The original wall was created using red volcanic rock. Many walls like this were built using the Hard Labour Gang from the Lyttelton Gaol. The replacement wall has a small section of stone installed to sho...

Audio, Radio New Zealand

A UN report warns today that the world is running out of time to make sure there is enough food, water and energy, The Government says residents forced to sell up and leave their earthquake-damaged houses in the red zones of Christchurch can't expect to be told when their former homes will be demolished. A big story in the current Atlantic Monthly concludes, after looking at many studies, that cellphone use isn't harmful to your brain.

Images, UC QuakeStudies

A scanned copy of a photograph of an optical diffraction pattern produced by the He-Ne Continuous Gas Laser used in David Lockwood's MSc research at the University of Canterbury. David explains that the photograph shows "a typical optical diffraction pattern obtained from the original red laser beam arising from a grating structure formed by the alignment of a colloid under the influence of a travelling sound wave".

Audio, Radio New Zealand

The Canterbury earthquakes have provided the opportunity to reconsider the Christchurch CBD - and arts and culture have often led the discussion. No more so than during the bold biennial weekend celebration of urban creativity which is Festa, which first gave the public access to the red zone back in in 2012. FESTA returns this Labour weekend and joining Mark Amery this week are festival director and architectural historian Doctor Jessica Halliday and Kairaranga or weaver Benita Wakefield, who is part of FESTA project Kono for Kai.

Videos, UC QuakeStudies

A video of a helicopter using a monsoon bucket to wash loose debris off a cliff in Redcliffs. The debris is from an earthquake-damaged building on the edge of the cliff which has had to be urgently demolished after wet weather and aftershocks made it unstable. The video also includes an interview with Brenden Winder, Red Zone Cordon and Access Manager at CERA, about the removal of the debris and the need to check other properties.

Images, UC QuakeStudies

Damaged workshops in the Red Bus depot on Fitzgerald Avenue. The brick walls have partially crumbled. In the background is the Cathedral of the Blessed Sacrament, with its dome partly deconstructed. The photographer comments, "This photo was taken recently on Fitzgerald Avenue. Again, it's amazing how close you can get to buildings that look like they are about to collapse. In the background, you can see that work has begun to remove the dome on top of the damaged Cathedral of he Blessed Sacrament".