A photograph of the house number spray-painted on the footpath in front of 390 Oxford Terrace. The photographer comments, "The numbers were spray-painted in front of all the properties in the Avon Loop in order to keep track of the property number after the mailboxes were lost or removed".
A photograph of the house number spray-painted on the footpath in front of 372 Oxford Terrace. The photographer comments, "The numbers were spray-painted in front of all the properties in the Avon Loop in order to keep track of the property number after the mailboxes were lost or removed".
A photograph of the house number spray-painted on the footpath in front of 396 Oxford Terrace. The photographer comments, "The numbers were spray-painted in front of all the properties in the Avon Loop in order to keep track of the property number after the mailboxes were lost or removed".
A photograph of the house number spray-painted on the footpath in front of 398 Oxford Terrace. The photographer comments, "The numbers were spray-painted in front of all the properties in the Avon Loop in order to keep track of the property number after the mailboxes were lost or removed".
A photograph of the house number spray-painted on the footpath in front of 422 Oxford Terrace. The photographer comments, "The numbers were spray-painted in front of all the properties in the Avon Loop in order to keep track of the property number after the mailboxes were lost or removed".
A photograph of the Locke family's partially-deconstructed house at 392 Oxford Terrace. Wire fencing has been placed around the outside of the property. The photographer comments, "The house was deconstructed over three weeks. The materials were then stored in the shipping container until the house was reconstructed at a new site".
A photograph of the house number spray-painted on the footpath in front of 424 Oxford Terrace. The photographer comments, "The numbers were spray-painted in front of all the properties in the Avon Loop in order to keep track of the property number after the mailboxes were lost or removed".
A photograph of the house number spray-painted on the footpath in front of 388 Oxford Terrace. The photographer comments, "The numbers were spray-painted in front of all the properties in the Avon Loop in order to keep track of the property number after the mailboxes were lost or removed".
The 48hr Design Challenge, run by the Christchurch City Council and held at Lincoln University, provided an opportunity for Council to gain inspiration from the design and architecture industry, while testing the draft Central City Plan currently being developed. The Challenge was a response to the recent earthquakes in Christchurch and brought together local and international talent. A total of 15 teams took part in the Challenge, with seven people in each including engineers, planners, urban designers, architects and landscape architects, as well as one student on each team. The four sites within the Red Zone included the Cathedral Square and BNZ Building; 160 Gloucester Street; the Orion NZ Building at 203 Gloucester Street; and 90 Armagh Street, including the Avon River and Victoria Square. The fifth site, which sits outside the Red Zone, is the former Christchurch Women’s Hospital at 885 Colombo Street. This is team SoLA's entry for 160 Gloucester Street.
The area beside the lower Avon River in New Brighton of Evans Avenue and Admirals Way has been cleared of houses and boundary fences (there were between 15 and 20 houses on this block) , fully fenced with post and wire and "spray on" grass applied. These were all red zone properties acquired by the crown after the land was deemed too damaged t...
A photograph of a dusty monitor in an earthquake-damaged building on Poplar Street taken during the Residential Access Project. The Residential Access Project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes after the 22 February 2011 earthquake. Dislodged bricks can also be seen around the monitor.
A photograph of workers in fluorescent vests standing in front of the earthquake damaged McKenzie and Willis Building. The photograph was taken on 29 April 2011 during the Residential Access Project which gave residents temporary access within the red-zone cordon in order to retrieve items from their homes after the 22 February 2011 earthquake.
A photograph of a carton of eggs inside the fridge of a flat on Poplar Street during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes. The contents of the fridge have gone mouldy after being left in there for three weeks.
A photograph of a Christchurch City Council completed authorization form. This form was part of the Residential Access Project which gave residents temporary access within the red-zone cordon in order to retrieve items from their homes after the 22 February 2011 earthquake. Personal information has been removed from this photograph in order to protect the individual's privacy.
A photograph of Donna Allfrey's dog Niko, sitting on the front porch of her house on Oxford Terrace. The photographer comments, "Niko found Doug Sexton, Allfrey's neighbour, after the 22 February 2011 earthquake. Sexton had a heart attack during the earthquake and could not leave his damaged house".
This report describes the earthquake hazard in Kaikoura district and gives details of historic earthquakes. It includes district-scale (1:250,000) active fault, ground shaking zone, liquefaction and landslide susceptibility maps. The report describes an earthquake scenario for a magnitude 7.0-7.3 Hope Fault earthquake near Kaikoura, and a subsequent local tsunami.
A photograph of Siobhan Murphy's house at 436 Oxford Terrace. The photograph was taken from the empty lot next door. The front of the house has been covered with plastic sheeting. Wire fencing has been placed around the outside of the property as a cordon.
A photograph of Robin Duff standing on the porch of his house at 386 Oxford Terrace. There is a sign in the window to his left depicting a bulldozer with a line through it. The photographer comments, "Avon Loop resident Donna Allfrey made this sign for Duff".
A photograph of Donna Allfrey, her husband Lex, and their two dogs, Niko and Zeus, sitting on the front steps of their house on Oxford Terrace. A green sticker on the door behind them indicates that the house has been inspected and is safe to enter.
A photograph of Robin Duff standing on the porch of his house at 386 Oxford Terrace. There is a sign in the window to his left depicting a bulldozer with a line through it. The photographer comments, "Avon Loop resident Donna Allfrey made this sign for Duff".
A photograph of the house at 402 Oxford Terrace. The grass has been mowed, but the dead grass has not been removed. A red sticker on the door indicates that the house in unsafe to enter. In the foreground, the letterbox is sitting on an angle.
A photograph of the letterbox and a section of the fence around Donna Allfrey's property at 406 Oxford Terrace. The house number is missing from the letterbox and a picket is missing from the fence. The photographer comments, "The mail is no longer being delivered".
A damaged house perched on the edge of the cliffs above Sumner. The photographer comments, "This house has slowly gone over the edge since the big earthquake in Christchurch in February 2011. Subsequent earthquakes has caused the rock face to crumble more and more".
A photograph of two workers standing in the site of a demolished building on Tuam Street which is being used as a car park. The photograph was taken during the Residential Access Project which gave residents temporary access within the red-zone cordon in order to retrieve items from their homes after the 22 February 2011 earthquake.
A photograph of Robin Duff standing on the porch of his house at 386 Oxford Terrace. There is a sign in the window to his left depicting a bulldozer with a line through it. The photographer comments, "Avon Loop resident Donna Allfrey made this sign for Duff".
A photograph of Doug Sexton holding a memento of his house at 378 Oxford Terrace. The memento was created by artist Sarah Brown for the Shared Lines Sendai/Christchurch Art Exchange. Brown used found objects from Doug Sexton's house to create this artwork in a tobacco tin.
<b>New Zealand has experienced several strong earthquakes in its history. While an earthquake cannot be prevented from occurring, planning can reduce its consequences when it does occur. This dissertation research examines various aspects of disaster risk management policy in Aotearoa New Zealand.</b> Chapter 2 develops a method to rank and prioritise high-rise buildings for seismic retrofitting in Wellington, the earthquake-prone capital city of New Zealand. These buildings pose risks to Wellington’s long-term seismic resilience that are of clear concern to current and future policymakers. The prioritization strategy we propose, based on multi-criteria decision analysis (MCDA) methods, considers a variety of data on each building, including not only its structural characteristics, but also its location, its economic value to the city, and its social importance to the community around it. The study demonstrates how different measures, within four general criteria – life safety, geo-spatial location of the building, its economic role, and its socio-cultural role – can be operationalized into a viable framework for determining retrofitting/demolition policy priorities. Chapter 3 and chapter 4 analyse the Residential Red Zone (RRR) program that was implemented in Christchurch after the 2011 earthquake. In the program, approximately 8,000 homeowners were told that their homes were no longer permittable, and they were bought by the government (through the Canterbury Earthquake Recovery Authority). Chapter 3 examines the subjective wellbeing of the RRR residents (around 16000 people) after they were forced to move. We consider three indicators of subjective wellbeing: quality of life, stress, and emotional wellbeing. We found that demographic factors, health conditions, and the type of government compensation the residents accepted, were all significant determinants of the wellbeing of the Red Zone residents. More social relations, better financial circumstances, and the perception of better government communication were also all associated positively with a higher quality of life, less stress, and higher emotional wellbeing. Chapter 4 concentrates on the impact of this managed retreat program on RRR residents’ income. We use individual-level comprehensive, administrative, panel data from Canterbury, and difference in difference evaluation method to explore the effects of displacement on Red Zone residential residents. We found that compared to non-relocated neighbours, the displaced people experience a significant initial decrease in their wages and salaries, and their total income. The impacts vary with time spent in the Red Zone and when they moved away. Wages and salaries of those who were red-zoned and moved in 2011 were reduced by 8%, and 5.4% for those who moved in 2012. Females faced greater decreases in wages and salaries, and total income, than males. There were no discernible impacts of the relocation on people’s self-employment income.
A photograph of the house number spray-painted on the footpath in front of the Locke family's property at 392 Oxford Terrace. The photographer comments, "The numbers were spray-painted in front of all the properties in the Avon Loop in order to keep track of the property number after the mailboxes were lost or removed".
A photograph of the street number and apartment numbers at 440 Oxford Terrace spray-painted on the footpath in front. The street number is written as 466 but this is the incorrect number for this site. The photographer comments, "The numbers were spray-painted in front of all the properties in the Avon Loop in order to keep track of the property number after the mailboxes were lost or removed".
The dome of the Isaac Theatre Royal covered in sheeting and suspended in the backstage area. In the foreground, a small digger sits on the bed of a truck, and a crane is visible to the left. The photographer comments, "This is the 'dome' of the Isaac Theatre Royal's heritage stage. The front section of the theatre has stayed and so has the back, but the middle has been completely demolished. The best way to hide a secret is in plain sight. Could this really be an ancient UFO stored secretly in the old theatre for decades and now exposed by the earthquake? Is the waiting crane and transporter ready to whip it away to another secret location in the dead of night?".