A close-up photograph of a temporary installation titled Highlight in the Re:START mall car park on Cashel Street. There are images projected onto the sides of the installation. The installation was created by students from Unitec Architecture Department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
While societal messages can encourage an unhealthy strive for perfection, the notion of embracing individual flaws and openly displaying vulnerabilities can appear foreign and outlandish. However, when fallibility is acknowledged and imperfection embraced, intimate relationships built on foundations of acceptance, trust and understanding can be established. In an architectural context, similar deep-rooted connections can be formed between a people and a place through the retention of layers of historical identity. When a building is allowed to age with blemishes laid bare for all to see, an architectural work can exhibit a sense of 'humanising vulnerability' where the bruises and scars it bears are able to visually communicate its contextual narrative. This thesis explores the notion of designing to capitalise on past decay through revitalisation of the former Wood Brothers Flour Mill in Addington, Christchurch (1891). Known as one of the city's last great industrial buildings, the 130-year-old structure remains hugely impressive due to its sheer size and scale despite being abandoned and subject to vandalism for a number of years. Its condition of obsolescence ensured the retention of visible signs of wear and tear in addition to the extensive damage caused by the 2010-12 Canterbury earthquakes. In offering a challenge to renovation and reconstruction as a means of conservation, this thesis asks if 'doing less' has the potential to 'do more'. How can an understanding of architecture as an ongoing process inform a design approach to celebrate ageing and patina? While the complex is undergoing redevelopment at the time of writing, the design project embraces the condition of the historic buildings in the immediate aftermath of the earthquakes and builds upon the patina of the mill and adjacent flour and grain store in developing a design for their adaptation as a micro-distillery. Research into the traditional Japanese ideology of wabi-sabi and its practical applications form the basis for a regenerative design approach which finds value in imperfection, impermanence and incompleteness. The thesis combines a literature review, precedent review and site analysis together with a design proposal. This thesis shows that adaptive reuse projects can benefit from an active collaboration with the processes of decay. Instead of a mindset where an architectural work is considered the finished article upon completion of construction, an empathetic and sensitive design philosophy is employed in which careful thought is given to the continued preservation and evolution of a structure with the recognition that evidence of past wear, tear, patina and weathering can all contribute positively to a building's future. In this fashion, rather than simply remaining as relics of the past, buildings can allow the landscape of their urban context to shape and mould them to ensure that their architectural experience can continue to be enjoyed by generations to come.
A photograph of a temporary installation titled CHCH2061, which was created by students from the University of Auckland, in partnership with DJ Lab. CHCH2161 was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A pdf transcript of Heather Bundy's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Samuel Hope. Transcriber: Josie Hepburn.
A photograph of a temporary, inflatable structure titled Upload, which was created by students from the University of Auckland, in partnership with Chirney Coffee. Upload was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary installations titled GlowCity (left) and ING (right), which were created by students from Unitec. The installations were part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary installation titled Influx, which was created by students from Unitec, in partnership with RAD Bikes. Influx was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of part of a temporary installation, titled Influx, which was created by students from Unitec, in partnership with RAD Bikes. Influx was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary installation titled Antigravity, which was created by students from the University of Auckland, in partnership with Cakes by Anna. Antigravity was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of students wearing high visibility vests and hard hats. The students are working on a temporary installation for CityUps, titled Antigravity. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of students from the University of Auckland working on a temporary installation titled CHCH2061. The installation was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary installation titled Continuum, which was created by students from the University of Auckland, in partnership with Excuse My French Crepe Cart. Continuum was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary structure titled Equilibrium, which was created by students from the University of Auckland, in partnership with White Elephant Trust. Equilibrium was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary structure titled Equilibrium, which was created by students from the University of Auckland, in partnership with White Elephant Trust. Equilibrium was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary installation titled Aurora, which was created by students from Unitec, in partnership with Black Betty cafe. Aurora was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary installation titled GlowCity, which was created by students from Unitec, in partnership with Games Hall street games. GlowCity was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary installation titled Influx, which was created by students from Unitec, in partnership with RAD Bikes. Influx was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary structure titled CHCH2061, which was created by students from the University of Auckland, in partnership with DJ Jab. CHCH2061 was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of students wearing high visibility vests and hard hats. The students are working on a temporary installation for CityUps, titled Antigravity. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
An entry from Deb Robertson's blog for 8 August 2015 entitled, "Sociology of the City {part 1(4) Sociology 355}".The entry was downloaded on 2 November 2016.
The former Government Life building in Christchurch's Cathedral Square will be demolished. On my walk around the city May 21, 2014 Christchurch New Zealand. www.stuff.co.nz/the-press/news/christch...
Victoria Apartments demolition is under way on a walk around the city to find out what is happening in the city. Feb 17, 2014 Christchurch New Zealand. "soft-stripped", which means that any remaining belongings will be removed, as well as furnishings and internal walls.
Prior to the devastating 2010 and 2011 earthquakes, parts of the CBD of Christchurch, New Zealand were undergoing revitalisation incorporating aspects of adaptive reuse and gentrification. Such areas were often characterised by a variety of bars, restaurants, and retail outlets of an “alternative” or “bohemian” style. These early 20th century buildings also exhibited relatively low rents and a somewhat chaotic and loosely planned property development approach by small scale developers. Almost all of these buildings were demolished following the earthquakes and a cordon placed around the CBD for several years. A paper presented at the ERES conference in 2013 presented preliminary results, from observation of post-earthquake public meetings and interviews with displaced CBD retailers. This paper highlighted a strongly held fear that the rebuild of the central city, then about to begin, would result in a very different style and cost structure from that which previously existed. As a result, permanent exclusion from the CBD of the types of businesses that previously characterised the successfully revitalised areas would occur. Five years further on, new CBD retail and office buildings have been constructed, but large areas of land between them remain vacant and the new buildings completed are often having difficulty attracting tenants. This paper reports on the further development of this long-term Christchurch case study and examines if the earlier predictions of the displaced retailers are coming true, in that a new CBD that largely mimics a suburban mall in style and tenancy mix, inherently loses some of its competitive advantage?
A photograph of Architect Pippin Wright-Stow from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of Pippin Wright-Stow and Martin Trusttum from F3 Design giving a talk at Something Super during FESTA 2013. The event was held at ArtBox and included food, music, art, animation and talks about ArtBox, BeatBox and the future of Christchurch.
A photograph of a temporary installation titled Antigravity, which was created by students from the University of Auckland, in partnership with Cakes by Anna. Antigravity was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A pdf transcript of Liz Kivi's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Joshua Black. Transcriber: Josie Hepburn.
A photograph of a temporary, inflatable structure, titled Upload, being installed for CityUps - a 'city of the future for one night only', and the main event of FESTA 2014. Upload was created by students from the University of Auckland, in partnership with Chirney Coffee.
A photograph of a temporary, inflatable structure titled Upload, which was created by students from the University of Auckland, in partnership with Chirney Coffee. Upload was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary, inflatable structure, titled Upload, being installed for CityUps - a 'city of the future for one night only', and the main event of FESTA 2014. Upload was created by students from the University of Auckland, in partnership with Chirney Coffee.