Search

found 739 results

Images for memorial; more images...

Images, UC QuakeStudies

A photograph of Siobhan Murphy's house at 436 Oxford Terrace. The front walls has been covered with plastic sheeting. A bow made out of curtains has been pinned to the plastic where the fireplace juts out from the wall. The photographer comments, "The bow is a memorial to Murphy's living room and her life in the house".

Images, UC QuakeStudies

A photograph of Siobhan Murphy's house at 436 Oxford Terrace. The front walls has been covered with plastic sheeting. A bow made out of curtains has been pinned to the plastic where the fireplace juts out from the wall. The photographer comments, "The bow is a memorial to Murphy's living room and her life in the house".

Audio, Radio New Zealand

The Duke of Cambridge will meet with survivors of the mosque attacks and members of the public during his second day in Christchurch today. Prince William is visiting the city to pay respects to the survivors of the massacre and those first on the scene on March the 15th. He'll also lay a wreath at the Canterbury earthquake memorial.

Images, UC QuakeStudies

A photograph of Christchurch Mayor Lianne Dalziel at a River of Flowers earthquake memorial event in the Botanic Gardens. She is standing near the Tree of Hope and holding a hand-written message. The message is written on one of the All Right? Earthquake Anniversary postcards. All Right? posted the photograph on their Facebook page on 22 February 2014 at 1:36pm.

Images, UC QuakeStudies

A photograph of Siobhan Murphy outside her house at 436 Oxford Terrace. The front walls of the house have been covered with plastic sheeting. A bow made out of curtains has been pinned to the plastic where the fireplace juts out of the closest wall. The photographer comments, "The bow is a memorial to Murphy's living room and her life in the house".

Images, UC QuakeStudies

Flowers blooming in a vacant site left by the demolition of a building at the corner of Worcester Street and Stanmore Road. A memorial poster made to commemorate Natasha Sarah Hadfield, who died at the site where the Wicks Fish business was located. On it are comments from the public and the word ' We miss you mummy' in big letters.

Videos, UC QuakeStudies

A video of the removal of the earthquake-damaged Medway Street bridge from the banks of the Avon River. The video shows members of the Stronger Christchurch Infrastructure Rebuild Team removing the bridge and preparing it for transport to the Ferrymead Heritage Park. It will remain at the park until a permanent home can be found for it as an earthquake memorial.

Images, Alexander Turnbull Library

Shows a carcass that represents the Christchurch Cathedral with many people rushing to try to save it from demolition. Context: the extremely controversial debate about whether the Christchurch Cathedral which was severely damaged in the earthquakes, should be demolished, rebuilt on the same site in the same style or partially demolished and made into a memorial. Quantity: 1 digital cartoon(s).

Images, eqnz.chch.2010

Corner of Cashel and Madras streets, with the relatively new (built 2007) Inland Revenue Building and the white chair memorial to the 185 lives lost as a result of the 22/02/11 earthquake. The chairs sit on the site of the now demolished St Pauls Pacific Chuch and is diagonally across the intersection from the CTV (Canterbury TV) building where ...

Articles, UC QuakeStudies

A copy of a letter from Hugo Kristinsson which was sent to Prince William, the Duke of Cambridge, on 2 March 2014 . The letter was sent on behalf of Empowered Christchurch, as a response to the letter read by the Prince at the official Civic Memorial Service on the 22 February 2014. Kristinsson thanks the Prince for his letter and updates him on the progress of the rebuild. He expresses his respect for King George VI and Queen Elizabeth for their compassion in the early 1940s to the victims of bombing raids during the war and acknowledge's Prince William and Prince Harry's philanthropy through The Royal Foundation of the Duke and Duchess of Cambridge and Prince Harry and The Princes' Charities Forum. Lastly he implores the Prince and the Duchess of Cambridge to visit residents from the 'low-lying seaside side of the city' who 'feel that their plight has been trivialised by the authorities in favour of prestigious big-budget projects'.

Research Papers, Lincoln University

Disasters are a critical topic for practitioners of landscape architecture. A fundamental role of the profession is disaster prevention or mitigation through practitioners having a thorough understanding of known threats. Once we reach the ‘other side’ of a disaster – the aftermath – landscape architecture plays a central response in dealing with its consequences, rebuilding of settlements and infrastructure and gaining an enhanced understanding of the causes of any failures. Landscape architecture must respond not only to the physical dimensions of disaster landscapes but also to the social, psychological and spiritual aspects. Landscape’s experiential potency is heightened in disasters in ways that may challenge and extend the spectrum of emotions. Identity is rooted in landscape, and massive transformation through the impact of a disaster can lead to ongoing psychological devastation. Memory and landscape are tightly intertwined as part of individual and collective identities, as connections to place and time. The ruptures caused by disasters present a challenge to remembering the lives lost and the prior condition of the landscape, the intimate attachments to places now gone and even the event itself.

Images, UC QuakeStudies

People stand beside the cordon fence on the Worcester Street bridge. The photographer comments, "This was some of the many people waiting for the White Lights of Hope to be turned on, but when they were we hardly noticed. Sadly it was a big disappointment".

Research papers, The University of Auckland Library

To address the provocation provided by the editors I wish to reflect upon the ongoing civic and artistic responses to the earthquakes in Christchurch, New Zealand, 2010-11, in which 185 people lost their lives (largely due to poor engineering and construction practices). Whilst the example is very different in character from that of efforts to memorialize July 22, 2011, I wish to use the case to briefly respond to the issue of temporality as raised by Jacques Rancière in his critique of the ‘endless work of mourning’ produced by testimonial art. The orientation of this mourning, he argues, is always backward-looking, characterized by, ‘a reversal of the flow of time: the time turned towards an end to be accomplished – progress, emancipation or the Other – is replaced by that turned towards the catastrophe behind us.’ How might memorial practices divide their gaze between remembered pasts and possible futures? AM - Accepted Manuscript

Research papers, University of Canterbury Library

This paper explores the scope of small-scale radio to create an auditory geography of place. It focuses on the short term art radio project The Stadium Broadcast, which was staged in November 2014 in an earthquake-damaged sports stadium in Christchurch, New Zealand. Thousands of buildings and homes in Christchurch have been demolished since the Februrary 22, 2011 earthquake, and while Lancaster Park sports stadium is still standing, it has been unused since that date and its future remains uncertain. The Stadium Broadcast constructed a radio memorial to the Park’s 130 year history through archival recordings, the memories of local people, observation of its current state, and a performed site-specificity. The Stadium Broadcast reflected on the spatiality of radio sounds and transmissions, memory, post-disaster transitionality, and the im-permanence of place.

Research papers, University of Canterbury Library

This article explores the scope of small-scale radio to create an auditory geography of place. It focuses on the short-term art radio project The Stadium Broadcast, which was staged in November 2014 in an earthquake-damaged sports stadium in Christchurch, New Zealand. Thousands of buildings and homes in Christchurch have been demolished since the February 22, 2011, earthquake, and by the time of the broadcast the stadium at Lancaster Park had been unused for three years and nine months, and its future was uncertain. The Stadium Broadcast constructed a radio memorial to the Park’s 130-year history through archival recordings, the memories of local people, observation of its current state, and a performed site-specificity. The Stadium Broadcast reflected on the spatiality of radio sounds and transmissions, memory, postdisaster transitionality, and the impermanence of place.