The CBD is slowly being opened up and this is the post - earthquake result of Cashel Mall. A vibrant, fresh look with high end shopping in colourful container shops. A really good step forward for the city.
The CBD is slowly being opened up and this is the post - earthquake result of Cashel Mall. A vibrant, fresh look with high end shopping in colourful container shops. A really good step forward for the city.
Christchurch's CBD as seen from the Cashmere hills, south of the city. Much of the CBD is still cordoned off and without power (as you should be able to spot) as a result of the damage caused by February's deadly earthquake.
A view after the 7.1 magnitude earthquake in Christchurch. Colombo Street South. So sad to see history die - both buildings and business. Given a bit of a HDR process to add some of what I was "feeling" at the time.
Much of the CBD will be cordoned off and without power (as you should be able to spot) for quite some time as a result of the damage caused by February's deadly earthquake.
Taken during a scenic flight over Christchurch, New Zealand, 3 months after the deadly earthquake of 22 February, 2011. Much of the inner city CBD is still cordoned off and will be for some time. About 900 buildings are set for demolition. Taken aboard the Southern DC3 www.so...
Taken during a scenic flight over Christchurch, New Zealand, 3 months after the deadly earthquake of 22 February, 2011. Much of the inner city CBD is still cordoned off and will be for some time. About 900 buildings are set for demolition. Taken aboard the Southern DC3 www.so...
Much of the CBD will be cordoned off and without power (as you should be able to spot) for quite some time as a result of the damage caused by February's deadly earthquake.
Taken during a scenic flight over Christchurch, New Zealand, 3 months after the deadly earthquake of 22 February, 2011. Much of the inner city CBD is still cordoned off and will be for some time. About 900 buildings are set for demolition. Taken aboard the Southern DC3 www.so...
The Christchurch Cathedral after loosing its tower and spire after the 6.3 quake hit Christchurch 22 February 2011. The February 22 quake cracked pillars, twisted walls, shattered stained glass, collapsed buttresses, fractured masonry and toppled the tower. The rose window in the west wall collapsed in the June aftershocks. Demolition of the Chr...
"Open Theatre" - The Odeon Built in 1883 and known as the Tuam Street Hall or Theatre and was New Zealand's oldest masonry, purpose built theatre. In 1930, it became the St. James Theatre, It became The Odeon Movie Theatre in 1960. Demolition started in September 2012 after the Christchurch earthquakes of 2010/2011 but seems to have stopped!?
North Hagley Park, Christchurch, New Zealand. Tens of thousands turned out today to mark the one year anniversary of the devastating earthquake that struck the city at 12.51pm on 22 February, 2011. 185 people lost their lives. file.stuff.co.nz/stuff/12-51/ Took 4 pa...
Taken during a scenic flight over Christchurch, New Zealand, 3 months after the deadly earthquake of 22 February, 2011. Much of the inner city CBD is still cordoned off and will be for some time. About 900 buildings are set for demolition. Taken aboard the Southern DC3 www.so...
Damage to the Hotel Grand Chancellor can be seen in the middle. At the bottom left is the lift shaft (now fully demolished) of the CTV building which claimed over 100 lives when it collapsed in the earthquake. Taken during a scenic flight over Christchurch, New Zealand, 3 months after the deadly earthquake of 22 February, 2011. Much of the inn...
Hotel Grand Chancellor - Leaning 1m to the east, demolition will start about mid June and is expected to take 10 months to complete at a cost of approx NZ$10m. It will be the biggest & tallest demolition project in New Zealand. Taken during a scenic flight over Christchurch, New Zealand, 3 months after the deadly earthquake of 22 February, ...
The current state of the Christchurch Cathedral can be seen in the middle. The spire collapsed as a result of the earthquake. Taken during a scenic flight over Christchurch, New Zealand, 3 months after the deadly earthquake of 22 February, 2011. Much of the inner city CBD is still cordoned off and will be for some time. About 900 buildings are ...
Much of the CBD is still cordoned off and without power (as you should be able to spot) as a result of the damage caused by February's deadly earthquake. This photo clearly shows the extent of the lean that the Hotel Grand Chancellor is now on. Apparently it is out by 1m at the top leaning east. Demolition will start about mid June and is expec...
Rolleston/Burnham, South Island, NZ It's been a busy few weeks! Was away on geology fieldtrips all the previous two weeks, then on Saturday morning 4th September 2010 at 4.35 am we got woken in Westport to a reasonable but very long earthquake. My husband was back in Christchurch at the time and texted me saying "are you ok?". I replied, "yes!"...
This edition of the long-running National Film Unit magazine series goes from south to north, then loops the loop. In Christchurch the cathedral and its history are toured and a service for Queen Elizabeth II is shown. Then there’s international get-togethers: a “Jaycees” congress in Rotorua; then Massey, for a Grasslands Conference. At Milson Aerodrome legless British war-hero Douglas Bader is amongst the attendees at the world’s first International Agricultural Aviation Show, and top-dressers demonstrate their “need for speed” skills above a hill country farm.
20160703_144759_GT-S7275T-04 New sea wall at Redcliffs (185/366) I went for a drive in my second car mainly to charge the battery up and forgot to take my camera gear so only had my phone. This is the new rock wall to replace the severely damaged previous one (in the February 2011 earthquake). Work is still underway on the car parking and p...
Anna Leask has worked for the New Zealand Herald since 2008 and is currently a senior reporter, covering crime and justice for the daily newspaper as well as for the Weekend Herald and Herald on Sunday. Notably she's reported on the re-investigation of Arthur Allan Thomas, 43 years after the double murders for which he served nine years in prison before being pardoned, and the Christchurch 'House of Horrors' murderer Jason Somerville, who killed his wife and buried her under his East Christchurch house a year after doing the same to his neighbour Tisha Lowery. Leask covered the Pike River Mine disaster in 2010, the 2011 Canterbury earthquakes, Fiji's Cyclone Winston in early 2016 and travelled to Gallipoli in 2015 to cover the centenary of the Anzac landings. She won a Canon Media Award for crime and justice reporting in 2014. Her first book, Behind Bars: Real-life stories from inside New Zealand prisons has just been released.
This thesis is a creative and critical exploration of how transmedia storytelling meshes with political documentary’s nature of representing social realities and goals to educate and promote social change. I explore this notion through Obrero (“worker”), my independently produced transmedia and transjournalistic documentary project that explores the conditions and context of the Filipino rebuild workers who migrated to Christchurch, New Zealand after the earthquake in 2011. While the project should appeal to New Zealanders, it is specifically targeted at an audience from the Philippines. Obrero began as a film festival documentary that co-exists with strategically refashioned Web 2.0 variants, a social network documentary and an interactive documentary (i-doc). Using data derived from the production and circulation of Obrero, I interrogate how the documentary’s variants engage with differing audiences and assess the extent to which this engagement might be effective. This thesis argues that contemporary documentary needs to re-negotiate established film aesthetics and practices to adapt in the current period of shifting technologies and fragmented audiences. Documentary’s migration to new media platforms also creates a demand for filmmakers to work with a transmedia state of mind—that is, the capacity to practise the old canons of documentary making while comfortably adjusting to new media production praxis, ethics, and aesthetics. Then Obrero itself, as the creative component of this thesis, becomes an instance of research through creative practice. It does so in two respects: adding new knowledge about the context, politics, and experiences of the Filipino workers in New Zealand; and offering up a broader model for documentary engagement, which I analyse for its efficacy in the digital age.