A photograph of an Urban Search and Rescue team member examining the contents of a flat on Poplar Street during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes. The buildings wall has crumbled leaving the room exposed.
A photograph of a desk and turn table taken during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes. The desk and turn table are covered in dust and rubble, and the outer wall is crumbled behind them.
A photograph of workers in fluorescent vests outside Alice in Videoland. The photograph was taken on 29 April 2011 during the Residential Access Project which gave residents temporary access within the red-zone cordon in order to retrieve items from their homes after the 22 February 2011 earthquake.
Male mammals don't stay monogamous to produce fitter offspring, instead they do it for love and to protect their partner; Edward Snowden granted temporary asylum in Russia; Parking companies in central Wellington increase fees after earthquakes; and tours of Christchurch's Red Zone started this week.
Thirty-four years ago, Spectrum producer Jack Perkins recorded his award-winning documentary capturing the life, the sounds and the personalities of Cathedral square in Christchurch. In this edition of The Vault, Deborah Nation parallels that experience with the sounds of 2011 as she is escorted through the earthquake Red Zone into the square as it is today.
As the feature length documentary When A City Falls about the Christchurch earthquakes goes on general release in New Zealand, One in Five recalls a programme from earlier in the year when Mike Gourley sneaks inside the Christchurch cordon to meet up with red zone resident, Frank Film's Gerard Smyth.
A photograph of Robin Duff's house at 386 Oxford Terrace. Weeds have grown near the fence and the grass has not been mowed. A yellow sticker on the door indicates that access to the house is restricted.
A photograph from inside a flat on Poplar Street taken during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes. A section of the wall has crumbled leaving the room exposed. A desk stands covered in dust and rubble.
A photograph of Donna Allfrey's house at 406 Oxford Terrace. Parts of the fence are missing and the garden has overgrown. The photographer comments, "Large section of the front fence has been stolen by looters".
A photograph of Robin Duff's house at 386 Oxford Terrace. Plastic sheeting has been placed over sections of the house to keep it water tight. One of the windows has also been boarded up with plywood.
A photograph of Donna Allfrey's house at 406 Oxford Terrace. Parts of the fence are missing and the garden has overgrown. The photographer comments, "Large section of the front fence has been stolen by looters".
A photograph of a cardboard sign outside St Paul's Church in Dallington. The sign reads, "St Paul's Parish Mass, Sunday 10am, Marian College Hall, North Parade". In the background police tape is draped around the building.
A photograph of Elizabeth Ackermann removing a poster from the kitchen of a flat on Poplar Street. This was part of the Residential Access Project which gave residents temporary access within the red-zone cordon in order to retrieve items from their homes after the 22 February 2011 earthquake.
Reverend Peter Beck leading a prayer at the Stronger Christchurch Infrastructure Rebuild Team (SCIRT) opening. Mayor Bob Parker is standing to the right of Reverend Peter Beck. The ceremony was held in Burwood Park.
A photograph of the Wellington Emergency Management Office, taking photos of St Paul's Church in Dallington. The church was severely damaged after the 4 September earthquake. Police emergency tape can be seen around the building, keeping people away.
A photograph of Robin Duff's house at 386 Oxford Terrace. Weeds have grown near the fence and the grass has not been mowed. A yellow sticker on the door indicates that the access to the house is restricted.
Page 5 of Section O of the Christchurch Press, published on Wednesday 23 February 2011.
USCA President, Kohan McNab, and leader of the Student Volunteer Army, Sam Johnston, being filmed on top of the ENSOC fire engine. Below, students from the University of Canterbury are enjoying a barbeque lunch break. The students have volunteered to dig up liquefaction as part of the Student Volunteer Army.
A photograph of Ashleigh (left), Nigel (back), Chantal (front) and Kadyn Palmer (right) in front of their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Robin Duff's house at 386 Oxford Terrace. The garden is overgrown and one of the windows has been boarded up with plywood. A yellow sticker on the door indicates that the access to the house is restricted.
A video of students at Banks Avenue School participating in the nationwide ShakeOut earthquake drill. The ShakeOut earthquake drill was held on 29 September 2012 to help people prepare for an earthquake. More than 1.3 million New Zealanders participated in 2012.
A photograph of Gillian Rayner (right) with her father Harry Stanton (left) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Arline Grimshaw at her former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Chris Paterson (left) and Helen Swain (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Dee (left), Nicole (middle-left), Marc (middle-right) and Thomas Brocherie (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Barbara Townsend (right) and Jackson (left) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Lana (middle), Dan (back-left) and the rest of the McLean family in front of their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Talia (left), Ky'a (right) and Luana Belworthy (back-middle-left), Nico and Ezra Mataki (front-middle), and TeTumu Rolleston (back-middle-right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Gretta (left) and Brian Morris (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Daniel (back-left), Keith (back-right), Roisin (left), Trish (middle) and Kelly Evans (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.