A photograph of the house at 466 Oxford Terrace. The house number has been spray-painted on one of the windows. Wire fencing has been placed across the front of the property as a cordon.
A photograph of the house at 468 Oxford Terrace. The grass has been mowed but the dead grass has not been removed. The house number has been spray-painted on one of the windows.
A photograph of a painting in Donna Allfrey's house at 406 Oxford Terrace. The painting depicts heritage buildings which were demolished in Christchurch, as well as the year or era in which they were built.
A photograph of a room in Donna Allfrey's house at 406 Oxford Terrace. The fireplace has been removed and boarded up with gib board. A lampshade has been placed in the corner.
A photograph of the lounge in Donna Allfrey's house at 406 Oxford Terrace. A bed has been placed in the middle of the room. Graffiti on the walls reads, "CHCH recovery, a national disgrace".
The word 'faith' has been formed by flowers on the cordon fence beside St John the Baptist Church on Latimer Square. The photographer comments, "If I remember correctly this has been on the fence surrounding the Christchurch earthquake red zone for quite a while and looks remarkably pristine".
A large crack where the foundation of a building has moved away from the adjoining carpark. The photographer comments, "The gap between Robbies restaurant and bar in New Brighton and the car park after the Christchurch Earthquake".
A photograph of a room inside a flat on Poplar Street taken during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes. The building's outer wall has crumbled leaving the room exposed.
A photograph of workers from the Residential Access Project sitting outside the Alice in Videoland Building on the corner of Tuam and High Streets. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes.
A photograph looking through the door of the front room in Donna Allfrey's house at 406 Oxford Terrace to the lounge and kitchen. A bed has been placed in the middle of the lounge.
Liquefaction and flooding in Waitaki Street, Bexley. The photographer comments, "Waitaki Street a week after the Christchurch Earthquake. Because of the damage to the drains and liquefaction in the area the streets are not drying out".
A photograph of a study area in a flat on Poplar Street taken during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes. Books and papers have been strewn across the ground.
A photograph of a room inside a flat on Poplar Street taken during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes. The building's outer wall has crumbled leaving the room exposed.
Fleur Beale is one of New Zealand's most prolific authors and the winner of many awards for children and young adult books. Her latest work is a novel that tells the story of a young girl who experienced the February 2011 Christchurch earthquake. It's part of an international series called Through my Eyes - Natural Disaster Zones, which is a series written by different authors focusing on war zones and disasters throughout the world. Fleur's book is based on real accounts of what happened in Christchurch told through the eyes of a young girl, Lyla. Fleur, who has won the Margaret Mahy Medal for her outstanding contribution to children's writing, and was awarded the New Zealand Order of Merit for services to literature, joins Kathryn to talk about her latest work, and why young adult fiction is the best and the process of getting a story right.
The recent earthquakes in Canterbury have left thousands of Christchurch residents’ homeless or facing the possibility of homelessness. The New Zealand Government, so far, have announced that 5,100 homes in Christchurch will have to be abandoned as a result of earthquake damaged land (Christchurch City Council, 2011). They have been zoned red on the Canterbury Earthquake Recovery Authority (CERA) map and there are another 10,000 that have been zoned orange, awaiting a decision (Christchurch City Council, 2011). This situation has placed pressures on land developers and local authorities to speed up the process associated with the development of proposed subdivisions in Christchurch to accommodate residents in this situation (Tarrant, 2011).
This paper provides a photographic tour of the ground-surface rupture features of the Greendale Fault, formed during the 4th September 2010 Darfield Earthquake. The fault, previously unknown, produced at least 29.5 km of strike-slip surface deformation of right-lateral (dextral) sense. Deformation, spread over a zone between 30 and 300 m wide, consisted mostly of horizontal flexure with subsidiary discrete shears, the latter only prominent where overall displacement across the zone exceeded about 1.5 m. A remarkable feature of this event was its location in an intensively farmed landscape, where a multitude of straight markers, such as fences, roads and ditches, allowed precise measurements of offsets, and permitted well-defined limits to be placed on the length and widths of the surface rupture deformation.
20120321_2397_1D3-47 Beachcomber Dairy Corner of New Brighton Road and Rawson Street, New Brighton. This diary is inside the suburban red zone and will probably be demolished some time in the future. See how the earthquakes have moved the footpath - the post and phone box used to stand straight! This is one of the Teleccom Wi-Fi hotspot boo...
Low tide on the Avon River at New Brighton/Bexley. Note the original bank and the rock wall slipage on right. The white additions were added in March and April 2011 to protect the properties behind from flooding. Ultimately this area was "red zoned" with all houses removed or to be removed and the ground left till a rehabilitation method can ...
The seismic survey truck T-Rex (from University of Texas) was in Bexley and Pacific Park a few days ago and may have left this calling card on the front lawn of my old "red zone" house. Obviously the geotechs will know what it means.
A photograph of an Urban Search and Rescue team member examining the contents of a flat on Poplar Street during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes. The buildings wall has crumbled leaving the room exposed.
A photograph of a desk and turn table taken during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes. The desk and turn table are covered in dust and rubble, and the outer wall is crumbled behind them.
A photograph of workers in fluorescent vests outside Alice in Videoland. The photograph was taken on 29 April 2011 during the Residential Access Project which gave residents temporary access within the red-zone cordon in order to retrieve items from their homes after the 22 February 2011 earthquake.
Male mammals don't stay monogamous to produce fitter offspring, instead they do it for love and to protect their partner; Edward Snowden granted temporary asylum in Russia; Parking companies in central Wellington increase fees after earthquakes; and tours of Christchurch's Red Zone started this week.
Thirty-four years ago, Spectrum producer Jack Perkins recorded his award-winning documentary capturing the life, the sounds and the personalities of Cathedral square in Christchurch. In this edition of The Vault, Deborah Nation parallels that experience with the sounds of 2011 as she is escorted through the earthquake Red Zone into the square as it is today.
As the feature length documentary When A City Falls about the Christchurch earthquakes goes on general release in New Zealand, One in Five recalls a programme from earlier in the year when Mike Gourley sneaks inside the Christchurch cordon to meet up with red zone resident, Frank Film's Gerard Smyth.
A photograph of Robin Duff's house at 386 Oxford Terrace. Weeds have grown near the fence and the grass has not been mowed. A yellow sticker on the door indicates that access to the house is restricted.
A photograph from inside a flat on Poplar Street taken during the Residential Access Project. The project gave residents temporary access within the red-zone cordon in order to retrieve items from their homes. A section of the wall has crumbled leaving the room exposed. A desk stands covered in dust and rubble.
A photograph of Donna Allfrey's house at 406 Oxford Terrace. Parts of the fence are missing and the garden has overgrown. The photographer comments, "Large section of the front fence has been stolen by looters".
A photograph of Robin Duff's house at 386 Oxford Terrace. Plastic sheeting has been placed over sections of the house to keep it water tight. One of the windows has also been boarded up with plywood.
A photograph of Doug Sexton holding a memento created by artist Sarah Brown for the Shared Lines Sendai/Christchurch Art Exchange. Brown used found objects from Doug Sexton's house to create this artwork in a tobacco tin.