The title reads 'Future Christchurch CBD?...' Two people stare at numerous large featureless blocks across the Avon River. One says 'Those buildings look pretty ugly' and the other points out that they are 'just the piles'. Context: The Christchurch City Council is moving to impose urban-design etiquette and avert architectural mistakes such as clashing with the neighbours, glaring corporate colours and the long, blank walls common to most suburban shopping malls. The proposed rules will be overseen by an urban-design panel of four experts drawn from a pool of 12 architects, designers, planners and valuers. Quantity: 1 digital cartoon(s).
Buildings subject to earthquake shaking will tend to move not only horizontally but also rotate in plan. In-plan rotation is known as “building torsion” and it may occur for a variety of reasons, including stiffness and strength eccentricity and/or torsional effects from ground motions. Methods to consider torsion in structural design standards generally involve analysis of the structure in its elastic state. This is despite the fact that the structural elements can yield, thereby significantly altering the building response and the structural element demands. If demands become too large, the structure may collapse. While a number of studies have been conducted into the behavior of structures considering inelastic building torsion, there appears to be no consensus that one method is better than another and as a result, provisions within current design standards have not adopted recent proposals in the literature. However, the Canterbury Earthquakes Royal Commission recently made the recommendation that provisions to account for inelastic torsional response of buildings be introduced within New Zealand building standards. Consequently, this study examines how and to what extent the torsional response due to system eccentricity may affect the seismic performance of a building and considers what a simple design method should account for. It is concluded that new methods should be simple, be applicable to both the elastic and inelastic range of response, consider bidirectional excitation and include guidance for multi-story systems.
Slender precast concrete wall panels are currently in vogue for the construction of tall single storey warehouse type buildings. Often their height to thickness ratio exceed the present New Zealand design code (NZS 3101) limitations of 30:1. Their real performance under earthquake attack is unknown. Therefore, this study seeks to assess the dynamic performance of slender precast concrete wall panels with different base connection details. Three base connections (two fixed base and one rocking) from two wall specimens with height to thickness ratios of 60:1 were tested under dynamic loading. The two fixed based walls had longitudinal steel volumes of 1.27% to 0.54% and were tested on the University of Canterbury shaking table to investigate their proneness to out-of-plane buckling. Based on an EUler-type theoretical formula derived as part of the study, an explanation is made as to why walls with high in-plane capacity are more prone to buckling. The theory was validated against the present and past experimental evidence. The rocking base connection designed and built in accordance with a damage avoidance philosophy was tested on the shaking table in a similar fashion to the fixed base specimens. Results show that in contrast with their fixed base counterparts, rocking walls can indeed fulfil a damage-free design objective while also remaining stable under strong earthquake ground shaking.
A photograph of a workstation in Crack'd for Christchurch's workshop. The workstation includes pieces of broken china, a pair of cutters for breaking up china, a plastic container to hold china pieces, and two mosaic plans. One of the plans has a piece of mesh laid over the top. The other is being used to lay out the mosaic.Crack'd for Christchurch comments, "Marie begins the very first flower. It is so difficult and time consuming that we are all in despair. Will this take forever? No-one is getting paid and we all have jobs and lives in some chaos thanks to the earthquakes."
Since September 2010 Christchurch, New Zealand, has experienced a number of significant earthquakes. In addition to loss of life, this has resulted in significant destruction to infrastructure, including road corridors; and buildings, especially in the central city, where it has been estimated that 60% of buildings will need to be rebuilt. The rebuild and renewal of Christchurch has initially focused on the central city under the direction of the Christchurch City Council. This has seen the development of a draft Central City Plan that includes a number of initiatives that should encourage the use of the bicycle as a mode of transport. The rebuild and renewal of the remainder of the city is under the jurisdiction of a specially set up authority, the Christchurch Earthquake Recovery Authority (CERA). CERA reports to an appointed Minister for Canterbury Earthquake Recovery, who is responsible for coordinating the planning, spending, and actual rebuilding work needed for the recovery. Their plans for the renewal and rebuild of the remainder of the city are not yet known. This presentation will examine the potential role of the bicycle as a mode of transport in a rebuilt Christchurch. The presentation will start by describing the nature of damage to Christchurch as a result of the 2010 and 2011 earthquakes. It will then review the Central City Plan (the plan for the rebuild and renewal for central Christchurch) focusing particularly on those aspects that affect the role of the bicycle. The potential for the success of this plan will be assessed. It will specifically reflect on this in light of some recent research in Christchurch that examined the importance of getting infrastructure right if an aim of transport planning is to attract new people to cycle for utilitarian reasons.
When a tragedy occurs of local or national scale throughout the world a memorial is often built to remember the victims, and to keep the tragedy fresh in the minds of generations with the conviction that this must not be repeated. Memorials to commemorate natural disasters very to the objective of a human induced tragedy in that future catastrophic events that affect the lives and livelihood of many citizens are sure to reoccur in countries that are geographically pre-disposed to the ravages of nature. This thesis examines memorial sites as case studies in New Zealand and Japan to explore the differences in how these two countries memorialise earthquakes, and tsunamis in the case of Japan, and whether there are lessons that each could learn from each other. In so doing, it draws largely on scholarly literature written about memorials commemorating war as little is written on memorials that respond to natural disasters. Visited case sites in both countries are analysed through multiple qualitative research methods with a broad view of what constitutes a memorial when the landscape is changed by the devastation of a natural disaster. How communities prepare for future events through changes in planning legislation, large scale infrastructure, tourism and preparedness for personal safety are issues addressed from the perspective of landscape architecture through spatial commemorative places. The intentions and meanings of memorials may differ but in the case of a memorial of natural disaster there is a clear message that is common to all. To reduce the severity of the number of deaths and level of destruction, education and preparedness for future events is a key aim of memorials and museums.
A photograph submitted by Raymond Morris to the QuakeStories website. The description reads, "Cathedral of the Blessed Sacrament, Barbadoes Street. The Cathedral was opened in 1905, the architect was Frank Petrie, and was designed in the Italian renaissance style as a basilica. It is not certain yet whether it will be reconstructed after the 2011 earthquakes.".
A video of architect Shigeru Ban overseeing the construction of the cardboard beams which will be used to build the Transitional Cathedral on Hereford Street. The video includes an interview with Ban about the beams, and the ways that the design has changed since the construction started.
A photograph of a Canterbury Rollercoaster fridge magnet. The Canterbury Rollercoaster was designed to raise awareness around emotional literacy in Canterbury. The photograph was uploaded as a cover photo on the All Right? Facebook page on 3 September 2014 at 6:28pm.
An image depicting the 'Canterbury Rollercoaster'. The image models how to best utilise the 'Canterbury Rollercoaster' poster and magnet set, with named carriages at different places on the roller coaster. The 'Canterbury Rollercoaster' was designed to raise awareness about emotional literacy in Canterbury.
An image designed for use as a downloadable screensaver. The image depicts 'All Righties' flying a kite accompanied by a dog. The image reads, "When did you last get caught up in the moment? It's the simple things that bring us joy".
One model of the Temple for Christchurch with a rectangular base of Jarrah and solid silver conical shapes and wave like walls representing the movement of the 22 February 2011 earthquake. Based on the Temple for Christchurch sculpture that was designed by Hippathy Valentine.
Page 3 of Section A of the Christchurch Press, published on Thursday 6 September 2012.
An image promoting the All Right? Facebook page. The image reads, "It's all right to like All Right? Like us on Facebook." The design of the image is based on similar images and resources created for phase 1 of the All Right? Campaign.
An image promoting the All Right? '#BrighterAutumn' competition, designed for the All Right? Facebook page. The competition encouraged people to upload a photograph of something good about autumn to the All Right? Facebook page or Instagram with the hashtag '#BrighterAutumn'.
The purpose of this assessment is to compare records of known inanga spawning sites in the waterways of Ōtautahi Christchurch from before and after the Canterbury earthquakes, with particular emphasis on information used in the design of planning methods for spawning site protection.
Industrial steel storage pallet racking systems are used extensively worldwide to store goods. Forty percent of all goods are stored on storage racks at some time during their manufactureto- consumption life. In 2017, goods worth USD 16.5 billion were carried on cold-formed steel racking systems in seismically active regions worldwide. Historically, these racks are particularly vulnerable to collapse in severe earthquakes. In the 2010/2011 Christchurch earthquakes, around NZD 100 million of pallet racking stored goods were lost, with much greater associated economic losses due to disruptions to the national supply chain. A novel component, the friction slipper baseplate, has been designed and developed to very significantly improve the seismic performance of a selective pallet racking system in both the cross-aisle and the down-aisle directions. This thesis documents the whole progress of the development of the friction slipper baseplate from the design concept development to experimental verification and incorporation into the seismic design procedure for selective pallet racking systems. The test results on the component joint tests, full-scale pull-over and snap-back tests and fullscale shaking table tests of a steel storage racking system are presented. The extensive experimental observations show that the friction slipper baseplate exhibits the best seismic performance in both the cross-aisle and the down-aisle directions compared with all the other base-connections tested. It protects the rack frame and concrete floor from damage, reduces the risk of overturning in the cross-aisle direction, and minimises the damage at beam-end connectors in the down-aisle direction, without sustaining damage to the connection itself. Moreover, this high level of seismic performance can be delivered by a simple and costeffective baseplate with almost no additional cost. The significantly reduced internal force and frame acceleration response enable the more cost-effective and safer design of the pallet racking system with minimal extra cost for the baseplate. The friction slipper baseplate also provides enhanced protection to the column base from operational impact damage compared with other seismic resisting and standard baseplates.
An interior view of the Cranmer Court building's octagonal corner section, which housed Plato Creative from March 2008 to November 2009. Although designed to house a book depot, the room was used as the principal's office while Christchurch Normal School was operating from the building. The photograph showcases its high windows and intricate wooden ceiling.
A photograph showcasing the intricate wooden ceiling of the Cranmer Court building's octagonal corner section. Although designed to house a book depot, the room was used as the principal's office while Christchurch Normal School was operating from the building. This part of the building housed Plato Creative from March 2008 to November 2009.
Photograph captioned by BeckerFraserPhotos, "The city blocks encompassed by Manchester Street, Gloucester Street, Latimer Square and Hereford Street are amongst those with the most demolished buildings in the city centre at the moment".
A photograph showcasing the intricate wooden ceiling of the Cranmer Court building's octagonal corner section. Although designed to house a book depot, the room was used as the principal's office while Christchurch Normal School was operating from the building. This part of the building housed Plato Creative from March 2008 to November 2009.
An image designed for use as a downloadable screensaver. The image depicts an 'All Rightie' balancing on a yoga mat, accompanied by a cat. The image reads, "Tried something a little different lately? Having a go at something new builds confidence and a healthy mind".
An PDF copy of a t-shirt design for Polyfest 2015. The front of the shirt includes the Polyfest Canterbury 2015 logo. The back includes the All Right? And CPH Pacific Health logos, beneath the text, "It's all right to love your Pacific culture".
A PDF copy of five 'Canterbury Rollercoaster' images. The images depict sections of the rollercoaster, and one reads, "Life's full of ups and downs. Where are you, your friends, and whanau at? Visit allright.org.nz." The 'Canterbury Rollercoaster' was designed to raise awareness about emotional literacy in Canterbury.
A PDF copy of a postcard depicting the 'Canterbury Rollercoaster'. The message of the postcard is headed, "Congratulations, you've been given a roller coaster!" and provides instructions on how to best utilise it. The 'Canterbury Rollercoaster' was designed to raise awareness about emotional literacy in Canterbury.
An image designed for use as a web button. The image depicts an 'All Rightie' in a fluorescent vest standing by a road cone and gazing at the night sky. The image is usually accompanied by the text, "When was your last moment of wonder?".
A digital copy of a concept drawing of Crack'd for Christchurch's armchair and ottoman artworks. The drawing is of an armchair and an ottoman. A written note near the bottom of the drawing reads, "Cast iron legs sources from Victorian bath tubs".
An image designed for use as a downloadable screensaver. The image depicts an 'All Rightie' going for a run accompanied by a dog. The image reads, "When did you last get your sweat on? Exercise is a proven pick-me-up - even a little bit helps a lot".
An image designed for use as a downloadable screensaver. The image depicts an 'All Rightie' trimming a hedge accompanied by a dog. The image reads, "When did you last show a little love? It's the little things that really make a difference to our family and friends".
A complaint against an engineer whose firm designed the CTV building that collapsed in the Christchurch earthquake will be heard by a disciplinary committee on Monday. One-hundred-and-fifteen people were killed when the six-storey building came down in February 2011. Dr Alan Reay lost a High Court bid to stop the hearing. Reporter Anna Sargent spoke to Corin Dann.