
A PDF copy of pages 338-339 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Inside Out Project With Central New Brighton School'. Photos: Denise Mill
A PDF copy of pages 216-217 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Foamapalooza'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A PDF copy of pages 94-95 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Buskers Festival Relocation Around the Events Village'. Photo with permission: Buskers Festival
A pdf copy of panel 12 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Wendy Griffiths about her experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Griffiths on a beach.
A PDF copy of pages 40-41 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Temporary City Libraries'. Photo: Tim Church. With permission: Christchurch City Council.
A PDF copy of pages 64-65 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Life in Vacant Spaces HQ'. Photos: Tim Bishop and LiVS
A video about the Christchurch Pops Choir which is performing at the Christchurch Arts Festival. The video includes interviews with artistic director Luke Di Somma and president Lee Harris. Di Somma and Harris talk about starting the choir after the 2010 and 2011 Canterbury earthquakes, and singing pop music. The video also includes footage of the choir singing as part of a flash mob at the Christchurch International Airport.
A pdf copy of panel 2 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Louis Harrison-Aydon about his experiences of the 22 February 2011 earthquake. Above this is an image of Harrison-Aydon sitting in a graveyard .
A PDF copy of pages 106-107 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'COCA Windows Project'. Photos: Ed Lust, Chloe Geoghegan. With permission: COCA Gallery.
A PDF copy of pages 212-213 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project '500 Days: Churchill Park'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A photograph of crowds at the LUXCITY event. The photograph shows installations on the corner of Gloucester Street and Colombo Street. In the foreground is the installation titled "In Your Face", and to the right is the installation titled "Etch-a-Sketch".
A photograph of the As Far As Eye Can See exhibition. On the left is a crocheted image of an eye, created by a group of women from Adelaide, and on the right are woven fabric artworks created by Christchurch craft artists in response.
A PDF copy of pages 204-205 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Four Corners Youth Space'. Page 204 photos: Irene Boles. Page 205 photos: Peter Walker, Three Chairs Photography. With permission from Student Volunteer Army Foundation.
A PDF copy of pages 58-59 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Port-A-Loos on the Pine Mound'. Photo: Elizabeth Peacock
A PDF copy of pages 170-171 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'As Far As Eye Can See'. Photos: Gap Filler
A PDF copy of pages 36-37 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Ko Taku Kupu, Ko Tau/My Word is Yours'. Page 36 photograph of writers at CPIT: Tate Tiata. Remaining photographs: Earl Tutty.
A PDF copy of pages 42-43 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Oxford Terrace Temporary Streetscape and Interpretation'. Photo: Tim Church. With permission: Christchurch City Council.
A PDF copy of pages 350-351 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Concrete Propositions'. Images: Ash Keating Concrete Propositions 2012. Acrylic house paint on concrete. Copyright the artist. Courtesy the artist and Fehily Contemporary, Melbourne Australia. Photo: John Collie.
A pdf copy of panel 14 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Gerard Smythe about his experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Smythe sitting outside the Cathedral of the Blessed Sacrament.
A pdf copy of panel 13 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Sophie Walton about her experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Walton on the walkway from Taylor's Mistake to Boulder Bay.
A pdf copy of panel 1 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Meredith Dyer about her experiences of the 22 February 2011 earthquake. Above this is an image of Dyer sitting on a path in the Botanical Gardens.
A pdf copy of panel 6 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Paul Jenkins about his experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Jenkins sitting in a room of his house.
A pdf copy of panel 3 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Rose Laing about her experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Laing in her earthquake-damaged and overgrown garden.
A pdf copy of panel 8 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Gwenda Michael about her experiences of the 22 February 2011 earthquake. Above this is an image of Michael sitting on the patio of her house.
A pdf copy of panel 9 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Maria Thackwell about her experiences of the 22 February 2011 earthquake. Above this is an image of Thackwell sitting in the entrance to the kitchen in her earthquake-damaged house.
A pdf copy of panel 11 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Bishnu Pokhrel about his experiences of the 22 February 2011 earthquake. Above this is an image of Bishnu Pokhrel sitting outside the main building of Hagley Community College.
A pdf copy of panel 4 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Denny Anker about her experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Anker sitting in front of the front door of her house.
A PDF copy of pages 274-275 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Central City Plan (Draft Central City Recovery Plan for Ministerial Approval, December 2011)'. Photos with permission: CCC
A video of a presentation by André Lovatt, Chair of Regenerate Christchurch, during a panel at the 2016 Seismics in the City Conference. The panel has three themes:A City on the Move: Collaboration and Regeneration: "'Christchurch is now moving rapidly from the recovery phase into a regeneration stage with Central and Local Government working with the wider community, including the business community to ensure we get optimal outcomes for greater Christchurch' (CECC)."Looking Back: Remembering and Learning: "What are the milestones? What are the millstones? What have we learnt? What have we applied?"Looking Forward: Visioning and Building: "What do we aspire to? What are the roadblocks? What is the way forward?"
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre (from left: Diana Isaac, Elisie Locke, Charles Luney and Margaret Mahy) that it didn't appear like the work of vandals, but looked quite homely and warm".