Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre that it didn't appear like the work of vandals, but looked quite homely and warm".
A photograph of Graeme Kershaw, Technician at the University of Canterbury Department of Physics and Astronomy, scratching his head as he looks at the damaged clock drive of the Townsend Telescope. The telescope was damaged during the 22 February 2011 earthquake, when the Observatory tower at the Christchurch Arts Centre collapsed. Kershaw has been given the task of restoring the telescope.
A PDF copy of pages 104-105 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SCAPE'. Image: Ash Keating, Gardensity, 2010/11, commissioned by SCAPE with generous support from Leighs Construction and Portabuild, installed outside Christchurch Art Gallery. Photo used with permission: SCAPE.
A PDF copy of pages 98-99 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Meet Me on the Other Side'. Photo: John Collie. With permission: Christchurch Art Gallery.
A PDF copy of pages 368-369 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Transitional City Audio Tour (The People's Perspective)'. Photos: Ryan Reynolds
An artist's impression of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Daniele Abreu e Lima and Sam Stringlen; students: Chi Tran, Aria Jansen, Naomi Snelling, Rebecca Wyborn
An artist's impression of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Daniele Abreu e Lima and Michael Smith; students: Alex Heperi, Gagan Saini, Shamal Nanji, Xavier Apelinga
A photograph of bricks forming a playing square of Christchurch: A Board Game. The bricks show a picture of ChristChurch Cathedral, and read, "ChristChurch Cathedral. Skip church, move to Ferry Rd".
A PDF copy of pages 312-313 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Magna Carta Christchurch: The Great Paper Model'. Photos: TEDxEQChch
A PDF copy of pages 72-73 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Now Panic and Freak Out'. Photo: Gaby Montejo
A PDF copy of pages 234-235 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SVA - The Concert'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A PDF copy of pages 292-293 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Car Park Frontage'. Photos with permission from Greening the Rubble
A PDF copy of pages 46-47 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Central Station: Temporary Bus Exchange'. Photo: Tim Church. With permission: Christchurch City Council.
A PDF copy of pages 280-281 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Temporary Housing'. Photos: Tessa Peach
A PDF copy of pages 304-305 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Fitzgerald Ave Community Garden'. Photos with permission from Greening the Rubble
A PDF copy of pages 302-303 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Outdoor Music Room'. Photos with permission from Greening the Rubble
A PDF copy of pages 30-31 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Homage to the Lost Spaces'. Photo: Andrew Hewson
A PDF copy of pages 48-49 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Reconstruction: Conversations on a City'. Photo: Tim Church. With permission: Christchurch City Council.
A PDF copy of pages 152-153 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Arcades Project'. Drawings and Photos: Andrew Just, F3 Design, LIVS
A PDF copy of pages 322-323 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Hope Bear and Giraffing Around'.
Seismic retrofitting of unreinforced masonry buildings using posttensioning has been the topic of many recent experimental research projects. However, the performance of such retrofit designs in actual design level earthquakes has previously been poorly documented. In 1984 two stone masonry buildings within The Arts Centre of Christchurch received posttensioned seismic retrofits, which were subsequently subjected to design level seismic loads during the 2010/2011 Canterbury earthquake sequence. These 26 year old retrofits were part of a global scheme to strengthen and secure the historic building complex and were subject to considerable budgetary constraints. Given the limited resources available at the time of construction and the current degraded state of the steel posttension tendons, the posttensioned retrofits performed well in preventing major damage to the overall structure of the two buildings in the Canterbury earthquakes. When compared to other similar unretrofitted structures within The Arts Centre, it is demonstrated that the posttensioning significantly improved the in-plane and out-of-plane wall strength and the ability to limit residual wall displacements. The history of The Arts Centre buildings and the details of the Canterbury earthquakes is discussed, followed by examination of the performance of the posttension retrofits and the suitability of this technique for future retrofitting of other historic unreinforced masonry buildings. http://www.aees.org.au/downloads/conference-papers/
A PDF copy of pages 74-75 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Nom Nom and Best Demo 2012'. Photo: Reuben Woods
A PDF copy of pages 232-233 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'SVA - The Clean Up'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A photograph of installations being constructed on the corner of Gloucester Street and Colombo Street for the LUXCITY event. In the foreground is the installation titled "In Your Face", and to the right is the installation titled "Etch-a-Sketch".
A PDF copy of pages 54-55 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'River of Flowers - Te Waitohi Maumahara'. Page 54 photographs: Healthy Chch. Page 55 photograph: Mike Moss.
A PDF copy of pages 294-295 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bus Exchange Boundary Seats'. Photos with permission from Greening the Rubble
A PDF copy of pages 338-339 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Inside Out Project With Central New Brighton School'. Photos: Denise Mill
A PDF copy of pages 216-217 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Foamapalooza'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A PDF copy of pages 94-95 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Buskers Festival Relocation Around the Events Village'. Photo with permission: Buskers Festival
A pdf copy of panel 12 of Guy Frederick's 'The Space Between Words' exhibition. The panel includes text from an interview with Wendy Griffiths about her experiences of the 2010 and 2011 Canterbury earthquakes. Above this is an image of Griffiths on a beach.