Pre-February Earthquake
The demand for a new approach to safeguarding New Zealand’s endangered historic buildings was identified as a result of the recent increase in building code and strengthening requirements following the Christchurch earthquakes of 2010-2011. The Wellington City Council identified 266 heritage buildings in the city that must be either strengthened or demolished to address these increased requirements. This thesis explores this threat as an opportunity for researching how contemporary design interventions can be challenged to both strengthen and become active participants in the ongoing history of New Zealand’s potentially endangered historic buildings. This thesis challenges the current approach of completely ‘restoring’ 19th-20th century historic buildings in New Zealand, to develop techniques that structurally reinforce historic buildings while inviting the progressive weathering of a building to remain as a testament to its history. This thesis proposes a structural intervention that is responsive to the progressive history of historic buildings, simultaneously introducing a contemporary structural intervention that both participates in and compliments the progressive historic transformations of the vehicle. This thesis argues that current historic buildings in semi-decayed states in fact enable visitors to witness multiple stages in the life of a building, while fully restored buildings only enable visitors to witness the original form of the building. This thesis proposes a model for contemporary intervention within historic buildings that draws a design intervention from seismic strengthening.The notion of layering is explored as a design approach to incorporate the contemporary with the historic as an additional layer of exposed on-going history, thereby further exposing the layers of history evident within New Zealand’s historic buildings. This thesis combines layering theories of architects Louis Kahn and Carlo Scarpa with related theories of installation artist Mary Miss. The theoretical imperatives of Scarpa and Kahn are explored as a tool of engagement for the junction between the contemporary and historic building materials, and the work of Marry Miss is explored as a design approach for developing a contemporary intervention that references the layered historic building while inviting new means of occupancy between layers. The selected vehicle for the design research investigation is the Albemarle Hotel on Ghuznee Street in Wellington. The techniques proposed in this thesis to strengthen the Albemarle Hotel suggest an approach that might be applied to New Zealand’s wider body of historic buildings that constitute New Zealand’s heritage fabric, ultimately protecting them from demolition while preserving additional layers of their historic narratives. Over all the design research experiments suggest that contemporary interventions derived from structural strengthening may be a viable and cost-effective method of re-inhabiting New Zealand’s endangered heritage buildings, avoiding demolition and securing New Zealand’s heritage for future generations. Research Questions: This thesis challenges the current economically unsustainable approach of laterally reinforcing and completely ‘restoring’ 19th-20th century historic buildings in New Zealand. This thesis argues that current historic buildings in semi-decayed states in fact enable visitors to witness multiple stages in the on-going life of a building. Can the weathered state of New Zealand's heritage buildings be proactively retained and celebrated as witnesses to their history? Can new lateral reinforcing requirements be conceived as active participants in revealing the on-going history of New Zealand's historic buildings?
A photograph of people walking through Cashel Street during FESTA 2013. In the background is an architectural sculpture, and several large-scale puppets which were constructed by Free Theatre Christchurch for the Canterbury Tales procession.
Photograph captioned by Fairfax, "Christchurch mayor Bob Parker (R) talks to media about architectural plans for Christchurch's rebuild following September 4th's earthquake. (L-R) Architects Richard Dalman and Ian Athfield with mayor Bob Parker".
A photograph of Audrey Baldwin in costume on the corner of Manchester Street and Gloucester Street.
An entry from Ruth Gardner's blog for 4 September 2010 entitled, "Our Earthquake".
A story submitted by Catherine Lee Clarke to the QuakeStories website.
A story submitted by Anonymous to the QuakeStories website.
A photograph of architect Camia Young giving an onsite talk about the Pallet Pavilion, as part of FESTA 2013.
A photograph of seating for Gap Filler's temporary outdoor cinema. The seating is stacked in a workshop.
A photograph of seating for Gap Filler's temporary outdoor cinema. The seating is stacked in a workshop.
Transcript of Stephen Symons's earthquake story, captured by the UC QuakeBox project.
Summary of oral history interview with Johanna about her experiences of the Canterbury earthquakes.
A letter written by Roz Johnson to family members overseas.
Instead of concentrating on the buildings destroyed in and after the earthquakes in Christchurch's CBD, a new event is enticing people back to explore the heritage buildings that have survived. A new organisation, Te Putahi, is behind the Open Christchurch programme that celebrates the city's surviving architecture, starting with inner-city schools throwing open their doors to the public. Architectural historian and co-founder of Te Putahi, Dr Jessica Halliday tells Lynn Freeman they hope to encourage discussion around well-designed spaces and their impacts on peoples' lives. Open Christchurch starts next Sunday with a tour of The Cathedral Grammar Junior School.
Photograph captioned by Fairfax, "Christchurch Mayor Bob Parker (right) talks to media about architectural plans for Christchurch's rebuild following the September 4th earthquake. From left, architects Richard Dalman and Ian Athfield with Mayor Bob Parker".
A photograph of a hydraulic crane arm placing a tall wooden post in Cathedral Square. The post is part of an installation titled Urban RefleXion, designed by Architectural Studies students from CPIT for Canterbury Tales.
An entry from Ruth Gardner's blog for 7 September 2010 entitled, "Labouring with Love".
An entry from Ruth Gardner's blog for 16 September 2010 entitled, "Earthquake Update 16/9".
A story submitted by Rosalee Jenkin to the QuakeStories website.
A story submitted by Tara Ridge to the QuakeStories website.
An entry from Ruth Gardner's blog for 12 March 2012 entitled, "Central CERA City".
A photograph of the Green Frame exhibition in a warehouse on Waltham Road.
A photograph of the Green Frame exhibition in a warehouse on Waltham Road.
A photograph of the Green Frame exhibition in a warehouse on Waltham Road.
A photograph of the Green Frame exhibition in a warehouse on Waltham Road.
A photograph of Coralie Winn of Gap Filler giving an onsite talk about the Pallet Pavilion, as part of FESTA 2013.
A photograph of Coralie Winn of Gap Filler giving an onsite talk about the Pallet Pavilion, as part of FESTA 2013.
The cleared building site on St Asaph Street where Gap Filler's Playtime project will be constructed, a temporary cinema called 'The Night Club'.
Benches made out of recycled material from demolished buildings. These benches will serve as seats for Gap Filler's temporary cinema, 'The Night Club'.