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Images, UC QuakeStudies

The roof of this collapsed building on Atlas Lane has fallen almost intact on top of the rubble. The photographer comments, "Whenever I go past this place it reminds me of a sinking ship".

Images, UC QuakeStudies

A montage of photographs of the creation of the installation 'Tonic'. The installation is part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson

Images, UC QuakeStudies

A photograph of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Jeongbin Ok, Tiago Rorke, Jonathan Coates; student: Tom Hall

Images, UC QuakeStudies

A photograph of crowds at the LUXCITY event. The photograph shows an installation on Worcester Street, with the new Press building in the background. The installation is titled "Murmur".

Images, UC QuakeStudies

A damaged concrete tilt-slab building. The slabs have separated and tilted, and are supported by steel bracing. The photographer comments, "This house in Christchurch was made by bolting 4 slabs of concrete together. A fantastic idea in a country prone to earthquakes".

Images, UC QuakeStudies

Liquefaction silt. The photographer comments, "After the earthquake in Christchurch New Zealand, liquefaction covered the streets, but after it had risen from below ground whilst the ground was shaking it the liquid in the liquefaction wanted to drain away".

Images, UC QuakeStudies

A photograph of an installation on the corner of Gloucester Street and Colombo Street. The installation is titled "Etch-a-Sketch", and is part of the LUXCITY event.

Images, UC QuakeStudies

A digitally manipulated photograph of the partially-demolished Ozone Hotel. The photographer comments, "As if a deadly disease is moving out from Christchurch City red zone, the heritage buildings are being put down".

Research papers, University of Canterbury Library

This thesis looks at the protocols museums and galleries adopt for the safeguarding of art, artefacts and cultural heritage. In particular, it analyses these procedures in relation to the 2010 and 2011 earthquakes in Christchurch, and considers how these events shaped the preventative conservation measures in place in museum and gallery institutions. Through gathering, assessing, and comparing this information about Christchurch’s institutions to disaster management best practices in national and international organisations, this thesis gauges the extent to which disaster management was changed in response to the events in Christchurch. This thesis first considers the growth in disaster management as a field, before examining what are considered best practices within this sector. Finally, it looks at specific institutions in Christchurch, including the Christchurch Art Gallery Te Puna o Waiwhetu, Canterbury Museum, and the Air Force Museum of New Zealand.

Videos, UC QuakeStudies

A video of journalist Charlie Gates introducing the 2014 World Buskers Festival. Gates revisits the performance venues for former festivals to show how the central city has changed since the 2010 and 2011 earthquakes.

Images, UC QuakeStudies

A photograph of an installation on the corner of Manchester Street and Gloucester Street. The installation is titled "60 Lights Market", and is part of the LUXCITY event.