A photograph of stencilled street art on a fence beside the St Martins Road roundabout. The stencil, created by Kerry Parnell, depicts daleks and space invaders, and reads, "Now panic and freak out".
A photograph of the entrance to Gap Filler's temporary outdoor cinema on the corner of Madras and St Asaph Streets. The entranceway is made of lights on a steel frame, and leads to a painted "red carpet".
A PDF copy of pages 268-269 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'CCC Temporary Street Furniture'. Photos with permission: F3 Design
A PDF copy of pages 334-335 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Pages Rd Fulton Hogan Site Mural'. Photos: Shaun Murphy
A photograph of 'We Won't Need Legs to Stand', an installation by Sam Eng. The installation was displayed in the window of the COCA gallery when the remainder of the building was yellow-stickered.
A PDF copy of pages 246-247 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Earthquake in Chile'. Photos: Sharon Mazer. With permission from Free Theatre.
A PDF copy of pages 258-259 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Upon the Upland Road'. Photos: Trent Hiles
A PDF copy of pages 310-311 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Rotherham Clock Park'. Photos with permission from Greening the Rubble
A PDF copy of page 238 of the book Christchurch: The Transitional City Pt IV. The page documents the transitional project 'The Anglican Cathedral'. Note that images have been removed from the page for copyright reasons.
A PDF copy of pages 240-241 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'UCSA Events Centre'. Photos: Douglas Horrell
A PDF copy of pages 300-301 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Coffee Zone Mini Park'. Photos with permission from Greening the Rubble
A photograph of an installation on the corner of Manchester Street and Gloucester Street. The installation is titled "60 Lights Market", and is part of the LUXCITY event.
A PDF copy of pages 200-201 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch Coastal Pathway'. Photos: Janine Banbury
A PDF copy of pages 296-297 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Piko Shop Site'. Photos with permission from Greening the Rubble
A PDF copy of pages 52-53 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Gap Filler Summer Pallet Pavilion'. Render: Yun Kong Sung
A PDF copy of pages 126-127 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Jungle Patrol'. Photo with permission: Jungle Patrol. Tessa Borrows Photography, Rebekah Wilson.
A PDF copy of pages 208-209 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Street Football'. Photos: Eugenio Boidi
A photograph of volunteers standing in the centre of a labyrinth they have created on the former site of St Luke's church.
A PDF copy of pages 290-291 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Victoria Green'. Photos with permission from Greening the Rubble
A PDF copy of pages 32-33 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'View From the Studio'. Photo: Andrew Hewson
A PDF copy of pages 228-229 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Lions Transitional Facility'. Photos: Irene Boles
A PDF copy of pages 224-225 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Viva Project'. Photos provided by Lin Roberts. With permission from The Viva Project.
A PDF copy of pages 100-101 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project '185 Empty Chairs'. Photo: Julia Morison
A pdf copy of the second introductory panel of Guy Frederick's 'The Space Between Words' exhibition. The panel includes a collection of Guy Frederick's memories of the 2010 and 2011 Canterbury earthquakes, as well as discussion on how people experience change.
A pdf copy of the first introductory panel of Guy Frederick's 'The Space Between Words' exhibition. The panel includes a collection of Guy Frederick's memories of the 2010 and 2011 Canterbury earthquakes, as well as discussion on how people experience change.
A PDF copy of pages 164-165 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'CPIT Design/Build'. Photos: Gap Filler
A PDF copy of pages 88-89 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Christchurch Transitional Cathedral'. Photos with permission: The Anglican Church
A PDF copy of pages 114-115 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Aibohphobia'. Photo with permission: Christchurch Art Gallery Te Puna o Waiwhetu. Photo: John Collie.
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre that it didn't appear like the work of vandals, but looked quite homely and warm".
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre that it didn't appear like the work of vandals, but looked quite homely and warm".