A photograph of crowds at the LUXCITY event.
An artist's impression of the installation 'In Your Face', created as part of the LUXCITY event. Tutor: Fraser Horton
An artist's impression of the installation 'Atmosphere', created as part of the LUXCITY event. Tutor: Sue Hillery
A PDF copy of pages 288-289 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Greenzone'. Photo: Reuben Woods
A digitally manipulated image of a excavator claw tangled with reinforcing cable, with a damaged concrete building in the background. The photographer comments, "The monster destroying the earthquake broken buildings close to the Lyttelton tunnel".
A digitally manipulated image of a fuse box. The photographer comments, "This is a fuse box that was in the middle of a field whilst the nearby stadium building was being demolished".
A PDF copy of pages 66-67 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Capitalism Has Collapsed'. Photo: Reuben Woods
A PDF copy of pages 82-83 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Wonky Peterborough'. Photo: Reuben Woods
A PDF copy of pages 330-331 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Social Soup'. Photos: Joel Cocks
An artist's impression of the installation 'Tonic', created as part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson
A PDF copy of pages 190-191 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Gap Projects in Kaiapoi'. Photos: Gap Filler
An artist's impression of the installation 'In Your Face', created as part of the LUXCITY event. Tutor: Fraser Horton
The "Lyttelton Review" newsletter for 5 December 2011, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 6 February 2012, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Harbour Review" newsletter for 10 June 2013, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Review" newsletter for 19 March 2012, produced by the Lyttelton Harbour Information Centre.
The "Lyttelton Harbour Review" newsletter for 25 February 2013, produced by the Lyttelton Harbour Information Centre.
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This thesis looks at the protocols museums and galleries adopt for the safeguarding of art, artefacts and cultural heritage. In particular, it analyses these procedures in relation to the 2010 and 2011 earthquakes in Christchurch, and considers how these events shaped the preventative conservation measures in place in museum and gallery institutions. Through gathering, assessing, and comparing this information about Christchurch’s institutions to disaster management best practices in national and international organisations, this thesis gauges the extent to which disaster management was changed in response to the events in Christchurch. This thesis first considers the growth in disaster management as a field, before examining what are considered best practices within this sector. Finally, it looks at specific institutions in Christchurch, including the Christchurch Art Gallery Te Puna o Waiwhetu, Canterbury Museum, and the Air Force Museum of New Zealand.
A video about the restoration of the dome of the Isaac Theatre Royal. The video includes an interview with Vanessa Carswell, Associate at Warren and Mahoney, about the dimensions of the dome. Because the dome is not a perfect circle, the dome and the canvas that cover it have to be reinstalled in exactly the same way, and the dimensions have to be measured accurately so that the new steelwork fits correctly. The video also includes an interview with art restorer Carolina Izzo about restoring the canvas covering of the dome. Izzo says that the theatre lights have burnt the edges of the canvas, and some patches have been affected by mould. She also explains the process for cleaning the artwork.
A concrete block wall with a large diagonal crack running through it. The photographer comments, "This wall has fascinated me. It has cracked across in a dead straight diagonal line during one of Christchurch's many earthquakes. How could this have occurred?".
An article from Army News, March 2011 titled, "Making it Work: Teaching civilians the army way".
An artist's impression of the installation 'Etch-a-Sketch', created as part of the LUXCITY event. Tutors: Anna Tong, Chris Holmes
A montage of photographs of the installation 'Tonic', created as part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson
A PDF copy of pages 266-267 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Te Ariki'. Photos: Trent Hiles
A PDF copy of pages 244-245 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'The Arts Circus'. Renders: Pivnice
A photograph of an installation on the corner of Manchester Street and Worcester Street. The installation is titled "Archrobatics", and is part of the LUXCITY event.
A PDF copy of pages 80-81 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Roger Sutton/Man About Town'.
A PDF copy of pages 254-255 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Three Wise Men'. Photos: Trent Hiles