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Images for heritage building; more images...

Images, UC QuakeStudies

The Cranmer Court building, on the corner of Kilmore and Montreal Streets, after the 22 February 2011 earthquake. Large pieces of the building have collapsed, including the octagonal corner section that housed Plato Creative from March 2008 to November 2009. Masonry has fallen onto the footpath and road, and the site has been enclosed in a safety fence to keep people away. The whitewashed interior walls of one of the apartments can be seen.

Images, UC QuakeStudies

A digitally manipulated photograph of the partially-demolished Ozone Hotel. The photographer comments, "As if a deadly disease is moving out from Christchurch City red zone, the heritage buildings are being put down".

Images, UC QuakeStudies

A digitally manipulated image of a damaged wooden wall. The photographer comments, "And the walls came tumbling down".

Research Papers, Lincoln University

Purpose - The purpose of this paper is to identify through the application of Actor Network Theory (ANT) the issues and impediments to the implementation of mandatory seismic retrofitting policies proposed by the New Zealand Government. In particular the tension between the heritage protection objectives contained in the Resource Management Act 1991 and the earthquake mitigation measures contained in the Building Act 2004 are examined. Design/methodology/approach - The paper uses a case study approach based on the Harcourts Building in Wellington New Zealand and the case law relating to attempts to demolish this particular building. Use is made of ANT as a 'lens' to identify and study the controversies around mandatory seismic retrofitting of heritage buildings. The concept of translation is used to draw network diagrams.

Videos, UC QuakeStudies

A video about the time capsule found in the foundations of the former Press Building in Cathedral Square. Heritage consultant Jenny May shows the contents of the time capsule, including several coins, newspaper articles, and messages. The capsule was left by the architects and the people working on the building, rather than the editors of The Press.