Search

found 668 results

Images for Archives New Zealand; more images...

Images, Alexander Turnbull Library

A woman sits reading a newspaper with reports about the Japanese earthquake and the latest news on Christchurch post-earthquake. Her husband has just put a Jerry Lee Lewis record on the turntable and the song 'Whole lotta shakin' goin' on' is playing; he says Didn't I always say this guy was ahead of his time?' Context - The Christchurch earthquakes of September 4 2010 and February 22 2011 as well as the Japanese earthquake and tsunami of 11 March 2011. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

Cartoon shows a mechanic asking his boss for a pay rise. Text reads 'Like the Christchurch Council CEO - I've also been working hard. Would I be cheeky to ask for a $68,000 pay rise?'. Context: Christchurch City Council Chief Executive Officer Tony Marryatt ended up turning down a pay rise of $68,000 following the outcry when the fact was made public. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

MP Jim Anderton who is standing for Mayor of Christchurch in the coming local body elections (9th October) stands up to his chest in a crack in the road waving a sign that reads 'Jim Anderton for mayor' and yelling "I'm still here!' Refers to the very high profile that his rival the standing mayor Bob Parker has enjoyed in the aftermath of the Christchurch earthquake of 4th September 2010. Jim Anderton has rather faded out of the limelight by comparison. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

A woman chats over her garden wall to a passerby who is curious about a huge container-like structure labeled 'emergency kit' that has been built beside the house. She says that in the event of a natural disaster Harold wants to ensure that they will have enough provisions to see them through the Rugby World Cup. Refers to the Christchurch earthquake that occurred 4th September 2010. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

A man chats over the fence with a newcomer to the area who is digging a vegetable patch. The newcomer is wearing a red and black striped jersey, his dog wears a red and black dog-coat and there are red and black curtains in the windows of the house. The passer-by wonders where the newcomer has located to the Waikato from. The colours make it obvious that he is from Christchurch. Context - People moving away from Christchurch following the earthquake of 22 February 2011. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

The cartoon is a spoof of Rodin's famous sculpture 'The thinker' and shows it with a globe for its head. It holds a newspaper that reads 'Massive 'quake in Japan - ChCh. 'quake, China 'quake, Aus. Floods fires etc. etc.' The thinker ponders 'What's with all these disasters?..' Context - The massive earthquake in Japan that led to a devastating tsunami and now threats from several damaged nuclear power stations, the earthquakes in Christchurch on 4 September 2010 and 22 February 2011, the 5.8-magnitude earthquake in Yingjiang County, southwest China's Yunnan Province on March 15, 2011, and the January floods in Queensland, Australia, as well as bush fires on the outskirts of the Western Australia capital Perth. Quantity: 1 digital cartoon(s).

Other, National Library of New Zealand

website of the Residents Association and Community Group representatives from the earthquake-affected neighbourhoods of Canterbury. Includes sections on insurance, legal and financial information, and business support.

Research papers, Lincoln University

This research investigates creativity in a post-disaster setting. The data explore creativity at the intersection of the affected community of Christchurch, New Zealand and the social processes that followed the earthquakes of 2010 - 2012. Personal and contextual influences on creative ideas implemented for community or commercial benefit are also examined. Viewed as creative, unique approaches to post-disaster problem solving were celebrated locally, nationally and internationally (Bergman, 2014; Wesener, 2015; Cloke & Conradson, 2018). Much has been written about creativity, particularly creativity in organisations and in business. However, little is known with regards to who creates after a disaster, why individuals choose to do so and what impact the post-disaster context has on their creative activity. This exploratory study draws on the literature from the fields of creativity, disasters, psychology, sociology and entrepreneurship to interpret first-hand accounts of people who acted on creative ideas in a physically and socially altered environment. A mixed method - albeit predominantly qualitative - approach to data gathering was adopted that included interviews (n=45) with participants who had been the primary drivers of creative ideas implemented in Christchurch after September 2010 – the first major (7.1 magnitude) earthquake in a prolonged sequence of thousands of aftershocks. Key findings include that a specific type of creativity results from the ‘collision’ between individuals and social processes activated by a disaster situation. This type of creativity could be best categorised as ‘little c’ or socially adaptive and emerges through a prosocial filter. There is wide consensus amongst creativity researchers - principally social psychologists - that for output to be considered creative it must be both novel and useful (Runco & Jaegar, 2012). There is greater tolerance for the novelty component after a disaster as novelty itself has greater utility, either as a distraction or because alternatives are few. Existing creativity models show context as input – an additional component of the creative process – but after a disaster the event itself becomes the catalyst for social processes that result in the creativity seen. Most participants demonstrated characteristics commonly associated with creativity and could be categorised as either a ‘free thinker’ and/or an ‘opportunist’. Some appear preadapted to create and thrive in unstable circumstances. Findings from participants’ completion of a Ten Item Personality Inventory (TIPI) showed an apparent reduced need for extraversion in relation to implementing creative ventures in society. This factor, along with higher levels of agreeableness may indicate a potentially detrimental effect on the success of creative ideas established after a disaster, despite earnest intentions. Three new models are presented to illustrate the key findings of this study. The models imply that disasters enhance both the perceived value of creativity and the desire to act creatively for prosocial ends. The models also indicate that these disaster influenced changes are likely to be temporary.

Images, Alexander Turnbull Library

Debbie says brightly that Christchurch has 'demonstrated the classic Kiwi quality of stoicism and behaving decently towards each other!' Jaimee replies that it's the same stoicism that means we complain a lot about our problems but never really do anything and Debbie tells her that applies just to her. Refers to the Christchurch earthquake of 4th September. Quantity: 1 digital cartoon(s).

Research papers, Lincoln University

This report presents research on the affects of the Ōtautahi/Christchurch earthquakes of 2010 to 2012 on the city’s Tangata Whaiora community, ‘people seeking health’ as Māori frame mental health clients. Drawing on the voices of 39 participants of a Kaupapa Māori provider (Te Awa o te Ora), this report presents extended quotes from Tangata Whaiora, their support staff (many of whom are Tangata Whaiora), and managers as they speak of the events, their experiences, and support that sustained them in recoveries of well-being through the worse disaster in Aotearoa/New Zealand in three generations. Ōtautahi contains a significant urban Māori population, many living in suburbs that were seriously impacted by the earthquakes that began before dawn on September 4th, 2010, and continued throughout 2011 and 2012. The most damaging event occurred on February 22nd, 2011, and killed 185 people and severely damaged the CBD as well as many thousands of homes. The thousands of aftershocks delayed the rebuilding of homes and infrastructure and exacerbated the stress and dislocation felt by residents. The tensions and disorder continue for numerous residents into 2014 and it will be many years before full social and physical recovery can be expected. This report presents extended excerpts from the interviews of Tangata Whaiora and their support staff. Their stories of survival through the disaster reinforce themes of community and whānau while emphasising the reality that a significant number of Tangata Whaiora do not or cannot draw on this supports. The ongoing need for focused responses in the area of housing and accommodation, sufficiently resourced psycho-social support, and the value of Kaupapa Māori provision for Māori and non-Māori mental health clients cannot be overstated. The report also collates advice from participants to other Tangata Whaiora, their whānau, providers and indeed all residents of places subject to irregular but potentially devastating disaster. Much of this advice is relevant for more daily challenges and should not be underestimated despite its simplicity.

Other, National Library of New Zealand

Site of Anglican Diocese of Christchurch. Includes news and information on the diocese, its schools and churches, diocesan events, social and social justice issues, and the cathedral rebuild process.

Other, National Library of New Zealand

Blog of Sandy Lees, a genealogist, taphophiliac, and ephemera collector. Reflects her interest in Canterbury history. Includes a section on the insurance woes the blogger had after the Christchurch earthquakes.

Other, National Library of New Zealand

An initiative by the CPIT Faculty of Creative Industries to establish gallery and studio spaces for Christchurch artists following the Christchurch earthquake, by using flexible, adaptable cube modules.

Images, Alexander Turnbull Library

The cartoon shows the Christchurch Anglican Cathedral tower in ruins and without its steeple. Above the drawing is the date '22.2.11'. A second version shows a huge magnitude 6.3 earthquake tremor on a seismic graph on top of which is the date '22.2.11'. Context - On 22 February 2011 at 12:51 pm (NZDT), Christchurch experienced a major magnitude 6.3 earthquake, which resulted in severe damage and many casualties. A National State of Emergency has been declared. The cathedral tower has collapsed and there has been devastating damage to the remaining structure. The Cathedral is one of around six sites of extreme concern around the city where many are believed to still be trapped. This earthquake followed on from an original magnitude 7.1 earthquake on 4 September 2010 which did far less damage and in which no-one died. Two versions of this cartoon are available Quantity: 2 digital cartoon(s).