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Images, Alexander Turnbull Library

The top frame shows the barbed wire and watch tower of a prison. There is a comment about someone wanting the warmth of a prison cell. The second frame shows prison staff chatting at cross purposes about a petition from Christchurch with homes wrecked by earthquake pleading to be allowed to live in prison and the sentence imposed on the Bridgecorp directors who have been accused of defrauding investors. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

A policeman and his dog stop outside a house wrecked in the Christchurch earthquake and phone for assistance saying 'Have found signs of low-life' because he can see 'Christchurch looting in progress'. Context - on 22 February 2011 a 6.3 magnitude earthquake struck in Christchurch, which has probably killed more than 200 people (at this point the number is still not known) and caused very severe damage. The courage, generosity and 'can do' attitude of the people has been wonderful apart from the antisocial behaviour of a few looters and others taking advantage of the situation. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

The cartoon shows a daffodil blooming in an earthquake fissure with the wrecked buildings of Christchurch in the background. Context: September 4th is the anniversary of the first quake. Many people in Christchurch are still living in houses that may yet be red stickered (condemned) and many city buildings are still out of bounds, either condemned to destruction or rebuilt after the earthquakes of September 4th 2010 and February 22nd and June 13th 2011. But the return of spring maybe brings a sense of encouragement and hope. Title provided by librarian Quantity: 1 digital cartoon(s).

Research papers, University of Canterbury Library

On February 22, 2011, Christchurch-based journalists were jolted out of their normal work routine by a large 6.3 magnitude earthquake that killed 185 people, wrecked the city and forced reporters to reappraise their journalism. This study considers how the earthquake affected journalists’ relationship to the community, their use of sources and news selection. A theory of collective trauma is used to explain the changes that journalists made to their reporting practice. Specifically, Christchurch journalists had a greater identification and attachment to their audience post-earthquake. Journalists viewed themselves as part of the earthquake story, which prompted them to view sources differently, use those sources differently and see advocacy as a keystone of their news work after the disaster. This study adds to a growing scholarship about journalists and trauma, but focuses on what the event meant for local reporters’ choice of sources and news selection rather than measuring rates of psychological distress.

Images, Alexander Turnbull Library

It is the middle of the night and a man wearing his dressing-gown runs out of his house towards a portaloo clutching a toilet roll and saying 'Try me'. The neighbourhood is wrecked by earthquakes. On the ground is a newspaper with a headline that reads 'New Delhi athletes substandard accomodation facilities'. A second newspaper reads 'Given the choice many prefer to stay home'. Context: The first Christchurch earthquake shook the city on early morning of the 4th September 2010. The destruction of sewage infrastructure has meant portaloos and long-drops have become de rigeur as a consequence. There was a desperate rush to get the village ready for the influx of athletes before the opening of the Commonwealth Games on 3rd October 2010 and there was a fear that unsatisfactory sanitation systems might cause health and safety problems. Quantity: 1 digital cartoon(s).

Audio, Radio New Zealand

The loss of her home in an earthquake then the loss of her daughter - for New Zealander Linda Collins, one loss shook her physical foundations; the other shook her very being. Told by Denise O'Connell [image:147046:full] [audio_play] [image:151581:half] Linda Collins has a BA in English from Massey University and is a copyeditor on the political desk of The Straits Times in Singapore, where her much-loved daughter, Victoria, took her life four years ago aged 17.  Linda, husband Malcolm McLeod and Victoria were living in Singapore when the 2011 earthquake struck Christchurch, wrecking the house they owned there. Amid insurer and builder delays, the replacement house was only finally completed three years after Victoria’s death.  Linda’s memoir, Loss Adjustment, is her first foray into writing a book, although she is copyeditor of the Lee Kuan Yew international best-seller, Hard Truths to Keep Singapore Going, and used to write for The Expat Files column in Singapore’s Sunday Times.  Earlier this year, she was shortlisted for publisher Hachette’s mentorship programme, based on the submission of her Not Ash chapter from Loss Adjustment. Poetry is a new passion, meanwhile, and she is studying it at La Salle College of the Arts, Singapore. The photo is from her work pass.

Research papers, University of Canterbury Library

This is an ethnographic case study, tracking the course of arguments about the future of a city’s central iconic building, damaged following a major earthquake sequence. The thesis plots this as a social drama and examines the central discourses of the controversy. The focus of the drama is the Anglican neo-Gothic Christ Church Cathedral, which stands in the central square of Christchurch, New Zealand. A series of major earthquakes in 2010/2011 devastated much of the inner city, destroying many heritage-listed buildings. The Cathedral was severely damaged and was declared by Government officials in 2011 to be a dangerous building, which needed to be demolished. The owners are the Church Property Trustees, chaired by Bishop Victoria Matthews, a Canadian appointed in 2008. In March 2012 Matthews announced that the Cathedral, because of safety and economic factors, would be deconstructed. Important artefacts were to be salvaged and a new Cathedral built, incorporating the old and new. This decision provoked a major controversy, led by those who claimed that the building could and should be restored. Discourses of history and heritage, memory, place and identity, ownership, economics and power are all identified, along with the various actors, because of their significance. However, the thesis is primarily concerned with the differing meanings given to the Cathedral. The major argument centres on the symbolic interaction between material objects and human subjects and the various ways these are interpreted. At the end of the research period, December 2015, the Christ Church Cathedral stands as a deteriorating wreck, inhabited by pigeons and rats and shielded by protective, colourfully decorated wooden fences. The decision about its future remains unresolved at the time of writing.