Transcript of Sue French's earthquake story, captured by the UC QuakeBox project.
Transcript of Lavina's earthquake story, captured by the UC QuakeBox project.
Transcript of Ann's earthquake story, captured by the UC QuakeBox project.
Transcript of John's earthquake story, captured by the UC QuakeBox project.
Transcript of Fiona Robertson's earthquake story, captured by the UC QuakeBox project.
One landscape colour digital photograph taken on 26 May 2013 on Winchester Street, Lyttelton. The photograph is taken looking south from the site of the Catholic Church of St Joseph the Worker to the site of the Anglican Church of the Most Holy Trinity. Visible are the removed top of the bell tower and porch. The damaged vicarage is at the weste...
Passengers use the baggage carousel at the Christchurch Airport to sleep on as they are swept around. 'Such a unique concept... a revolving motel!' Shortage of accommodation in Christchurch, because of earthquake-damaged hotels and motels and workers coming in for the Rebuild, was a serious problem for travellers to Christchurch, leading many to sleep in the airport overnight. Quantity: 1 digital cartoon(s).
Shows a throng of sex workers rushing back following the announcement that 'Manchester Street's open!'. Prior to the Christchurch earthquake in February 2011 Manchester Street was the focus of street prostitution. On 13 April 2013 the Canterbury Earthquake Recovery Authority (CERA) announced: 'A temporary change to the cordon tonight sees Manchester Street open all the way through for the first time in over two years'. Quantity: 1 digital cartoon(s).
A video of an interview with Julia Morison, a Christchurch-based artist, about her sculptures in a vacant site on the Christchurch central city. The artwork, titled 'Tree Houses for Swamp Dwellers', took over a year to make and will act as a centrepiece for the Scape Public Art festival, which begins on 27 September 2013. The sculpture was designed to provide a playground for children and a shady spot for workers on their lunch breaks. Morison also talks about how the sculpture was designed to be relocated and reconfigured so that it can be moved to a new location when construction begins on the vacant site.