A photograph of graffiti on a building on the corner of Colombo Street and Peterborough Street. Originally a recruitment advertisement for the police, the image has been altered and the words, "You can paint, but we can't!" added.
A photograph of a section of a piece of street art on the side of a building between Brighton Mall and Hawke Street. The artwork includes a picture of a book, with the words "New Brighton Library" on the front.
A photograph of street art on Dyers Pass Road at the Bromley Silvan Salvage wood and demolition yard. The artwork shows a tree in front of blue waves. In the upper left corner are the words: "P.E.E.E.P Trust".
A photograph of a colourful crocheted cover for a shipping container. It has various patterns including a heart, a variety of flowers, and the words "Joe & Nat", "Mt Pleasant", and "love from Tauranga". A Nissan Caravan is parked next to the container.
A photograph of street art at the corner of Barbadoes and Kilmore streets. The artwork depicts a bandaid covering a crack in the building and the words "You poor thing" in a speech bubble. The letters are green with a black outline.
A close-up photograph of a sign about the Fisher's Building, with the words, "Making our mark. An architect's vision contributes to a transformation of the commercial heart of our city. Whether a building survives or becomes just a memory is part of the continually changing Central City. Fisher's Building".
A heart shape made from takeaway cups and a heart-shape felt piece, stitched to the wire fence in front of the Volcano Cafe and Lava Bar. On it are the words "Live. Love. Life". Behind is a pile of bricks, a broken fence and a digger can be partially seen.
A photograph of a colorful crocheted cover for a shipping container. It has various patterns including a black swan, a four leaf clover, the New Zealand flag, some heart patterns, a white house, a pair of pears, a variety of flowers, and the words "Joe & Nat", "Mt Pleasant", and "love from Tauranga".
A photograph of a detail of Mike Hewson's installation 'View from the Studio' in Re:Start Mall. An outline of the cathedral's tower is sketched on plywood, accompanied by the words, "Mike Hewson 2012. 'View From Studio'. (We should try keep some part of the cathedral rather than just demo-ing it)".
This research aims to explore how business models of SMEs revolve in the face of a crisis to be resilient. The business model canvas was used as a tool to analyse business models of SMEs in Greater Christchurch. The purpose was to evaluate the changes SMEs brought in their business models after hit by a series of earthquake in 2010 and 2011. The idea was to conduct interviews of business owners and analyse using grounded theory methods. Because this method is iterative, a tentative theoretical framework was proposed, half way through the data collection. It was realised that owner specific characteristics were more prominent in the data than the elements business model. Although, SMEs in this study experienced several operational changes in their business models such as change of location and modification of payment terms. However, the suggested framework highlights how owner specific attributes influence the survival of a small business. Small businesses and their owners are extremely interrelated that the business models personify the owner specific characteristics. In other words, the adaptation of the business model reflects the extent to which the owner possess these attributes. These attributes are (a) Mindsets – the attitude and optimism of business owner; (b) Adaptive coping – the ability of business owner to take corrective actions; and (c) Social capital – the network of a business owner, including family, friends, neighbours and business partners.
Memorial design in the West has been explored in depth (Stevens and Franck, 2016; Williams, 2007), and for landscape architects it presents opportunities and challenges. However, there is little in the English language literature about memorial design in China. How have Chinese designers responded to the commemorative settings of war and disaster? This study will adopt the method of case study to analyse two of the most representative memorials in China: Nanjing Massacre Memorial Hall (war) and Tangshan Earthquake Memorial Hall (disaster). Both landscapes have undergone three or four renovations and extensions in the last four decades, demonstrating the practical effects of the Chinese landscape theory. These examples of responses to trauma through memorial landscape interventions are testimonies to the witnesses, victims, abusers, ordinary people, youth and the place where the tragedy took place. This study will explore the reconstruction and expansion of the two memorials under the background of China's policies on memorial landscapes in different periods, as well as their functions of each stage. The research will examine how existing Chinese memorial theories exhibit unique responses at different times in response to the sadness and needs experienced by different users. Key Words:memorial landscape; memorial language; victims; descriptive; architecture; experence; disaster; memorial hall; landscape development; Chinese memorial; war.