An All Right? infographic designed for use as a web banner in March 2014. The infographic illustrates research carried out by All Right? about wellbeing in Canterbury.
An All Right? infographic designed for use as a web banner in March 2014. The infographic illustrates research carried out by All Right? about wellbeing in Canterbury.
An All Right? infographic designed for use as a web banner. The infographic asks a question beginning with 'What could you do', and gives three ideas for improving personal wellbeing.
An All Right? infographic designed for use as a web banner in March 2014. The infographic illustrates research carried out by All Right? about wellbeing in Canterbury.
An All Right? infographic designed for use as a web banner in March 2014. The infographic illustrates research carried out by All Right? about wellbeing in Canterbury.
An All Right? infographic designed for use as a web banner. The infographic asks a question beginning with 'What could you do', and gives three ideas for improving personal wellbeing.
An All Right? infographic designed for use as a web banner in March 2014. The infographic illustrates research carried out by All Right? about wellbeing in Canterbury.
An All Right? infographic designed for use as a web banner. The infographic asks a question beginning with 'What could you do', and gives three ideas for improving personal wellbeing.
An All Right? infographic designed for use as a web banner. The infographic asks a question beginning with 'What could you do', and gives three ideas for improving personal wellbeing.
An All Right? infographic designed for use as a web banner. The infographic asks a question beginning with 'What could you do', and gives three ideas for improving personal wellbeing.
A web image of a poster from 'Local Colour'. The image features Rita and reads, "It's a rollercoaster, isn't it? An emotional rollercoaster." 'Local Colour' was a campaign by All Right? in collaboration with photographer Neil Macbeth, which aimed to raise emotional literacy in Christchurch.
A web image of a poster from 'Local Colour'. The image features Carlo and reads, "Christchurch still has a strong sense of home. It's about the people not the place". 'Local Colour' was a campaign by All Right? in collaboration with photographer Neil Macbeth, which aimed to raise emotional literacy in Christchurch.
A web image of a poster from 'Local Colour'. The image features Andy and reads, "It's been more than three years and I'm still shell-shocked." 'Local Colour' was a campaign by All Right? in collaboration with photographer Neil Macbeth, which aimed to raise emotional literacy in Christchurch.
A web image of a poster from 'Local Colour'. The image features Wiremu and reads, "It's up to me now. It's one step forward and heaps of steps back but I'll get there." 'Local Colour' was a campaign by All Right? in collaboration with photographer Neil Macbeth, which aimed to raise emotional literacy in Christchurch.
An image used as a web tile for the All Right App launch. The image reads, "Ladi6! Check out the vids from her very All Right visit!" The image was created to promote All Right?'s 'Out and About with Ladi6' videos.
An image used as a web tile on Facebook. The image depicts an 'All Rightie' surrounded by musical notes knocking on a red door, and reads, "Knock knock. Who's there?... Click to find out and share the love!".
Cracking in the bricks of the old Civic Chamber's tower. The facade is temporarily being held in place with web strapping.
An image of a web banner used to promote the Celebrities and Coffee video. The reads, "Celebrities and coffee?! Watch Canterbury's latest 'Outrageous Burst of All Right'!" The video was one of All Right?'s 'Outrageous Bursts of All Right', which had TV3 celebrities serving customers at Under the Red Veranda.
A web image of a poster from 'Local Colour'. The image features Kent, Sarah and Sophie, and reads, "I'm taking the girls for a scoot because they'd forgotten what the city looked like." 'Local Colour' was a campaign by All Right? in collaboration with photographer Neil Macbeth, which aimed to raise emotional literacy in Christchurch.
A web image of a poster from 'Local Colour'. The image features Colleen and reads, "You don't realise how much your environment affects your mental wellbeing until it all goes to custard." 'Local Colour' was a campaign by All Right? in collaboration with photographer Neil Macbeth, which aimed to raise emotional literacy in Christchurch. The image was used as a profile picture on the All Right? Facebook page on 24 November 2014 at 3:34pm.
An image that appeared on the opening pages of the web edition of Christchurch Art Gallery's magazine Bulletin in Winter 2013 (no. 172). The image depicts an 'All Rightie' listening to music and dancing alongside Rita Angus' well-known painting 'Cass'. The image reads, "Had a good boogie lately?".
An image used as a web tile on the Stuff website. The image depicts a flower and a microphone surrounded by musical notes and reads, "Hey! What's Ladi6 doing in Canterbury?..." The image was created to promote All Right?'s 'Out and About with Ladi6's videos.
A web image of a poster from 'Local Colour'. The image features George and reads, "I thought I wasn't affected by the quakes. But then one day I just ended up breaking down. All good now though." 'Local Colour' was a campaign by All Right? in collaboration with photographer Neil Macbeth, which aimed to raise emotional literacy in Christchurch. The image was used as a profile picture on the All Right? Facebook page on 27 August 2014 at 10:27pm.
An image used as a profile picture on the All Right? Facebook page. The image reads, "Win a Hanmer Springs getaway! We have a Family Escape ($419) or Pamper Pack ($329) to give away, along with eight Mini-Group passes to the hot pools. To be in to win, simply email a photo of something that makes you feel all right to hello@allright.org.nz. Entries close at 5pm on Thursday 21 August". All Right? posted the image on their Facebook page on 7 August 2014 at 12:29pm.
An image used as a web tile on the Stuff website. The image depicts a flower and a microphone surrounded by musical notes and reads, "Ta daaa! Check out the latest Burst of All Right!" The image was created to promote one of All Right?'s 'Out and About with Ladi6's videos.
An image used as a web tile on Facebook. The image depicts a microphone surrounded by musical notes and a sprouting flower and reads, "Ta daaa! Good things are happening here... Click to reveal our latest Burst of All Right!" The image was created to promote one of All Right?'s 'Out and About with Ladi6's videos.
An image used as a web tile on Facebook. The image depicts a microphone surrounded by musical notes and a sprouting flower and reads, "Ladi6! Good things are happening here... Click here for part one of our latest Burst of All Right!" The image was created to promote one of All Right?'s 'Out and About with Ladi6's videos.
A photograph of a mural on the side of Embassy on Colombo Street. The web address, "www.wongi.co.nz", has been incorporated on the left. The photographer that the mural was created by Wongi "Freak" Wilson, Ikarus, and Yikes.
A non-destructive hardness testing method has been developed to investigate the amount of plastic strain demand in steel elements subjected to cyclic loading. The focus of this research is on application to the active links of eccentrically braced frames (EBFs), which are a commonly used seismic-resisting system in modern steel framed buildings. The 2010/2011 Christchurch earthquake series, especially the very intense February 22 shaking, which was the first earthquake worldwide to push complete EBF systems fully into their inelastic state, generating a moderate to high level of plastic strain in EBF active links, for a range of buildings from 3 to 23 storeys in height. This raised two important questions: 1) what was the extent of plastic deformation in active links; and 2) what effect does that have to post-earthquake steel properties? This project comprised determining a robust relationship between hardness and plastic strain in order to be able to answer the first question and provide the necessary input into answering the second question. A non-destructive Leeb (portable) hardness tester (model TH170) has been used to measure the hardness, in order to determine the plastic strain, in hot rolled steel universal sections and steel plates. A bench top Rockwell B was used to compare and validated the hardness measured by the portable hardness tester. Hardness was measured from monotonically strained tensile test specimens to identify the relationship between hardness and plastic strain demand. Test results confirmed a good relationship between hardness and the amount of monotonically induced plastic strain. Surface roughness was identified as an important parameter in obtaining reliable hardness readings from a portable hardness reader. A proper surface preparation method was established by using three different cleaning methods, finished with hand sanding to achieve surface roughness coefficients sufficiently low not to distort the results. This work showed that a test surface roughness (Ra) is not more than 1.6 micron meter (μm) is required for accurate readings from the TH170 tester. A case study on an earthquake affected building was carried out to identify the relationship between hardness and amount of plastic strain demand in cyclically deformed active links. Hardness was carried out from active links shown visually to have been the most affected during one of the major earthquake events. Onsite hardness test results were then compared with laboratory hardness test results. A good relationship between hardness from onsite and laboratory was observed between the test methods; Rockwell B bench top and portable Leeb tester TH170. Manufacturing induced plastic strain in the top and bottom of the webs of hot rolled sections were discovered from this research, an important result which explains why visual effects of earthquake induced active link yielding (eg cracked or flaking paint) was typically more prevalent over the middle half depth of the active link. The extent of this was quantified. It was also evident that the hardness readings from the portable hardness tester are influenced by geometry, mass effects and rigidity of the links. The final experimental stage was application of the method to full scale cyclic inelastic tested nominally identical active links subjected to loading regimes comprising constant and variable plastic strain demands. The links were cyclically loaded to achieve different plastic strain level. A novel Digital Image Correlation (DIC) technique was incorporated during the tests of this scale, to confirm the level of plastic strain achieved. Tensile test specimens were water jet cut from cyclically deformed webs to analyse the level of plastic strain. Test results show clear evidence that cyclically deformed structural steel elements show good correlation between hardness and the amount of plastic strain demand. DIC method was found to be reliable and accurate to check the level of plastic strain within cyclically deformed structural steel elements.