A temporary public space created by Greening the Rubble. The space is on Gloucester Street and includes three giant green armchairs and a coffee table. The road has been spray-painted with daisies.
A photograph of Dog Park Art Project Space on Wilsons Road
Whole document is available to authenticated members of The University of Auckland until Feb. 2014. The increasing scale of losses from earthquake disasters has reinforced the need for property owners to become proactive in seismic risk reduction programs. However, despite advancement in seismic design methods and legislative frameworks, building owners are often reluctant to adopt mitigation measures required to reduce earthquake losses. The magnitude of building collapses from the recent Christchurch earthquakes in New Zealand shows that owners of earthquake prone buildings (EPBs) are not adopting appropriate risk mitigation measures in their buildings. Owners of EPBs are found unwilling or lack motivation to adopt adequate mitigation measures that will reduce their vulnerability to seismic risks. This research investigates how to increase the likelihood of building owners undertaking appropriate mitigation actions that will reduce their vulnerability to earthquake disaster. A sequential two-phase mixed methods approach was adopted for the research investigation. Multiple case studies approach was adopted in the first qualitative phase, followed by the second quantitative research phase that includes the development and testing of a framework. The research findings reveal four categories of critical obstacles to building owners‘ decision to adopt earthquake loss prevention measures. These obstacles include perception, sociological, economic and institutional impediments. Intrinsic and extrinsic interventions are proposed as incentives for overcoming these barriers. The intrinsic motivators include using information communication networks such as mass media, policy entrepreneurs and community engagement in risk mitigation. Extrinsic motivators comprise the use of four groups of incentives namely; financial, regulatory, technological and property market incentives. These intrinsic and extrinsic interventions are essential for enhancing property owners‘ decisions to voluntarily adopt appropriate earthquake mitigation measures. The study concludes by providing specific recommendations that earthquake risk mitigation managers, city councils and stakeholders involved in risk mitigation in New Zealand and other seismic risk vulnerable countries could consider in earthquake risk management. Local authorities could adopt the framework developed in this study to demonstrate a combination of incentives and motivators that yield best-valued outcomes. Consequently, actions can be more specific and outcomes more effective. The implementation of these recommendations could offer greater reasons for the stakeholders and public to invest in building New Zealand‘s built environment resilience to earthquake disasters.
It is well known that buildings constructed using unreinforced masonry (URM) are susceptible to damage from earthquake induced lateral forces that may result in partial or full building collapse. The 2010/2011 Canterbury earthquakes are the most recent New Zealand example of destructive earthquakes, which have drawn people's attention to the inherent seismic weaknesses of URM buildings and anchored masonry veneer systems in New Zealand. A brief review of the data collected following the 2010 Darfield earthquake and more comprehensive documentation of data that was collected following the 2011 Christchurch earthquake is presented, along with the findings from subsequent data interrogation. Large stocks of earthquake prone vintage URM buildings that remain in New Zealand and in other seismically active parts of the world result in the need for minimally invasive and cost effective seismic retrofit techniques. The principal objective of the doctoral research reported herein was to investigate the applicability of near surface mounted (NSM) carbon fibre reinforced polymer (CFRP) strips as a seismic improvement technique. A comprehensive experimental program consisting of 53 pull tests is presented and is used to assess the accuracy of existing FRP-to-masonry bond models, with a modified model being proposed. The strength characteristics of vintage clay brick URM wall panels from two existing URM buildings was established and used as a benchmark when manufacturing replica clay brick test assemblages. The applicability of using NSM CFRP strips as a retrofitting technique for improving the shear strength and the ductility capacity of multi-leaf URM walls constructed using solid clay brick masonry is investigated by varying CFRP reinforcement ratios. Lastly, an experimental program was undertaken to validate the proposed design methodology for improving the strength capacity of URM walls. The program involved testing full-scale walls in a laboratory setting and testing full-scale walls in-situ in existing vintage URM buildings. Experimental test results illustrated that the NSM CFRP technique is an effective method to seismically strengthen URM buildings.
A photograph of the Telogis Concept Christchurch project on the corner of Tuam Street and Madras Street. The project was organised by the Student Volunteer Army and Life in Vacant Spaces.
A photograph of the Telogis Concept Christchurch project on the corner of Tuam Street and Madras Street. The project was organised by the Student Volunteer Army and Life in Vacant Spaces.
In the aftermath of the 2010 and 2011 earthquakes, Christchurch, New Zealand is framed as a ‘transi- tional’ city, moving from its demolished past to a speculative future. The ADA Mesh Cities project asks what role media art and networks may play in the transitional city, and the practices of remembering, and reimagining space.
A photograph of an artwork on display at Dog Park Art Project Space on Wilsons Road.
A photograph of an artwork on display at Dog Park Art Project Space on Wilsons Road.
A panoramic photograph of the FESTA office space. On the left is FESTA director Jessica Halliday.
A PDF copy of pages 102-103 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Dog Park Art Project Space'. Photo: Stacey Weaver Photography
A close-up photograph of an artwork on display at Dog Park Art Project Space on Wilsons Road.
A photograph of an artwork on the side of a damaged building, part of the Christchurch Art Gallery's "Outer Spaces" programme.
A photograph of the large-scale puppet titled The Merchant. The puppet is in the Free Theatre warehouse space on Lismore Street.
A photograph of people gathered around Julia Morison's public sculpture, titled Tree Houses for Swamp Dwellers, during the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work and took place on site.
A photograph of people gathered around Julia Morison's public sculpture, titled Tree Houses for Swamp Dwellers, during the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work and took place on site.
A photograph of artist Julia Morison talking to another woman at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A PDF copy of pages 204-205 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Four Corners Youth Space'. Page 204 photos: Irene Boles. Page 205 photos: Peter Walker, Three Chairs Photography. With permission from Student Volunteer Army Foundation.
A photograph of artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A time-lapse video showing pedestrians using the temporary walkway through Cathedral Square. The video was filmed over the space of an hour.
A photograph of a remaining building on Bedford Row, with empty spaces on both sides. Buildings on Lichfield Street can be seen in the distance.
A photograph of a remaining building on Bedford Row, with empty spaces on both sides. Buildings on Lichfield Street can be seen in the distance.
A photograph of the head of one of the large-scale puppets titled The Friars. The puppet is in the Free Theatre warehouse space on Lismore Street.
A photograph of the head of one of the large-scale puppets titled The Friars. The puppet is in the Free Theatre warehouse space on Lismore Street.
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.
A photograph of Mike Hewson's installation, 'Government Life Suspension', on the wall of the Chancery Arcade building. The artwork depicts a reflection of the Government Life building which is visible behind the Chancery Arcade. The installation is part of a series titled 'Homage to the Lost Spaces'. The Government Life and Chancery Arcade buildings were demolished in 2014.