A scanned copy of a black and white photograph of women from a University of Canterbury hall of residence in the 1950s. The photograph was sourced from archives held at the Macmillan Brown Library.
Our poster will present on-going QuakeCoRE-founded work on strong motion seismology for Dunedin-Mosgiel area, focusing on ground motion simulations for Dunedin Central Business District (CBD). Source modelling and ground motion simulations are being carried out using the SCEC (Southern California Earthquakes Center) Broad Band simulation Platform (BBP). The platform computes broadband (0-10 Hz) seismograms for earthquakes and was first implemented at the University of Otago in 2016. As large earthquakes has not been experienced in Dunedin in the time of period of instrumental recording, user-specified scenario simulations are of great value. The Akatore Fault, the most active fault in Otago and closest major fault to Dunedin, is the source focused on in the present study. Simulations for various Akatore Fault source scenarios are run and presented. Path and site effects are key components considered in the simulation process. A 1D shear wave velocity profile is required by SCEC BBP, and this is being generated to represent the Akatore-to-CBD path and site within the BBP. A 3D shear velocity model, with high resolution within Dunedin CBD, is being developed in parallel with this study (see Sangster et al. poster). This model will be the basis for developing a 3D shear wave velocity model for greater Dunedin-Mosgiel area for future ground motion simulations, using Canterbury software (currently under development).
A scanned copy of a black and white photograph depicting University of Canterbury students aboard a float in an annual 'procesh', or capping parade. The photograph was taken during the 1960s and was sourced from archives held in Macmillan Brown Library.
Days after the city of Christchurch was devastated by a 6.3 magnitude earthquake, This Way Up's presenter Simon Morton traverses the city using the Avon River as his route. Travelling on a bicycle from the source of the Avon in the West to Heathcote Estuary in the East, where the Avon meets the Pacific, everyone has a story to tell.
Days after the city of Christchurch was devastated by a 6.3 magnitude earthquake, This Way Up's presenter Simon Morton traverses the city using the Avon River as his route. Travelling on a bicycle from the source of the Avon in the West to Heathcote Estuary in the East, where the Avon meets the Pacific, everyone has a story to tell.
A scanned copy of a black and white photograph depicting a cohort of University of Canterbury students from Bishop Julius Hall of Residence. The photograph was taken in the 1960s and was sourced from archives held in Macmillan Brown Library.
A scanned copy of a black and white photograph depicting a group of University of Canterbury students dressed up for the annual hall of residence ball. The photograph was taken in the 1950s and was sourced from archives held in Macmillan Brown Library.
A photograph of footage of Cathedral Square playing on a number of computer monitors as part of Gap Filler's ninth project, Thinking Outside the Square. The footage was sourced from the Christchurch community and cut into an hour-long video spanning 100 years.
A photograph of footage of Cathedral Square playing on a number of computer monitors as part of Gap Filler's ninth project, Thinking Outside the Square. The footage was sourced from the Christchurch community and cut into an hour-long video spanning 100 years.
A photograph of footage of Cathedral Square playing on a number of computer monitors as part of Gap Filler's ninth project, Thinking Outside the Square. The footage was sourced from the Christchurch community and cut into an hour-long video spanning 100 years.
A digital copy of a concept drawing of Crack'd for Christchurch's armchair and ottoman artworks. The drawing is of an armchair and an ottoman. A written note near the bottom of the drawing reads, "Cast iron legs sources from Victorian bath tubs".
A photograph of footage of Cathedral Square playing on a number of computer monitors as part of Gap Filler's ninth project, Thinking Outside the Square. The footage was sourced from the Christchurch community and cut into an hour-long video spanning 100 years.
A photograph of footage of Cathedral Square playing on a number of computer monitors as part of Gap Filler's ninth project, Thinking Outside the Square. The footage was sourced from the Christchurch community and cut into an hour-long video spanning 100 years.
In this paper we apply Full waveform tomography (FWT) based on the Adjoint-Wavefield (AW) method to iteratively invert a 3-D geophysical velocity model for the Canterbury region (Lee, 2017) from a simple initial model. The seismic wavefields was generated using numerical solution of the 3-D elastodynamic/ visco- elastodynamic equations (EMOD3D was adopted (Graves, 1996)), and through the AW method, gradients of model parameters (compression and shear wave velocity) were computed by implementing the cross-adjoint of forward and backward wavefields. The reversed-in-time displacement residual was utilized as the adjoint source. For inversion, we also account for the near source/ station effects, gradient precondition, smoothening (Gaussian filter in spatial domain) and optimal step length. Simulation-to-observation misfit measurements based on 191 sources at 78 seismic stations in the Canterbury region (Figure 1) were used into our inversion. The inversion process includes multiple frequency bands, starting from 0-0.05Hz, and advancing to higher frequency bands (0-0.1Hz and 0-0.2Hz). Each frequency band was used for up to 10 iterations or no optimal step length found. After 3 FWT inversion runs, the simulated seismograms computed using our final model show a good matching with the observed seismograms at frequencies from 0 - 0.2 Hz and the normalized least-squared misfit error has been significantly reduced. Over all, the synthetic study of FWT shows a good application to improve the crustal velocity models from the existed geological models and the seismic data of the different earthquake events happened in the Canterbury region.
This study explicitly investigates uncertainties in physics-based ground motion simulation validation for earthquakes in the Canterbury region. The simulations utilise the Graves and Pitarka (2015) hybrid methodology, with separately quantified parametric uncertainties in the comprehensive physics and simplified physics components of the model. The study is limited to the simulation of 148 small magnitude (Mw 3.5 – 5) earthquakes, with a point source approximation for the source rupture representations, which also enables a focus on a small number of relevant uncertainties. The parametric uncertainties under consideration were selected through sensitivity analysis, and specifically include: magnitude, Brune stress parameter and high frequency rupture velocity. Twenty Monte Carlo realisations were used to sample parameter uncertainties for each of the 148 events. Residuals associated with the following intensity measures: spectral acceleration, peak ground velocity, arias intensity and significant duration, were ascertained. Using these residuals, validation was performed through assessment of systematic biases in site and source terms from mixed-effects regression. Based on the results to date, initial standard deviation recommendations for parameter uncertainties, based on the Canterbury simulations have been obtained. This work ultimately provides an initial step toward explicit incorporation of modelling uncertainty in simulated ground motion predictions for future events, which will improve the use of simulation models in seismic hazard analysis. We plan to subsequently assess uncertainties for larger magnitude events with more complex ruptures, and events across a larger geographic region, as well as uncertainties due to path attenuation, site effects, and more general model epistemic uncertainties.
This report contributes to a collaborative project between the Marlborough District Council (MDC) and University of Canterbury (UC) which aims to help protect and promote the recovery of native dune systems on the Marlborough coast. It is centred around the mapping of dune vegetation and identification of dune protection zones for old-growth seed sources of the native sand-binders spinifex (Spinifex sericeus) and pīngao (Ficinia spiralis). Both are key habitat-formers associated with nationally threatened dune ecosystems, and pīngao is an important weaving resource and Ngāi Tahu taonga species. The primary goal is to protect existing seed sources that are vital for natural regeneration following major disturbances such as the earthquake event. Several additional protection zones are also identified for areas where new dunes are successfully regenerating, including areas being actively restored in the Beach Aid project that is assisting new native dunes to become established where there is available space.
Topics - Facebook coordinates students to provide assistance after the Christchurch earthquake, the Web is dead. Long Live the Internet Bits and Bobs, parents use 'digital' grounding as a 21st century disciplinary tool, Gmail Priority Inbox Sorts Your Email For You, introducing Wikileakileaks: Your Source for Wikileaks-Related Leaks and Melbourne computer hacker turned whistleblower extraordinaire Julian Assange is under pressure from within WikiLeaks to step down.
A scanned copy of a poster produced by the University of Canterbury Drama Society in 1978. The poster is advertising a play titled 'Flint', performed at Ngaio Marsh Theatre in the UCSA building. The poster was sourced from DramaSoc archives held at Macmillan Brown Library.
A photograph taken through a window of The Burrito Company restaurant on Armagh Street. The window is broken and glass has spilled into the restaurant. The floor of the restaurant has risen in the centre. Small stones from an unknown source have scattered across the floor on the left.
A PDF copy of an article written All Right? that features Sandy Turner - "educator, clown doctor, and road cone wearing cyclist". In the article, Turner reflects on the All Right? campaign as a source of acceptance, inspiration and enjoyment. The article appears on the website for the Mental Health Foundation of New Zealand.
One landscape colour digital photograph taken on 25 February 2011 showing the temporary water tank installed on the grassy [local name for Lyttelton Main School Field] to provide drinking water for residents to collect when there was no town supply water. A temporary source of drinking water was needed following the 22 February 2011 earthquake...
Topics - Facebook coordinates students to provide assistance after the Christchurch earthquake and 'The Web Is Dead. Long Live the Internet'. Bits and Bobs - Parents use 'digital' grounding as a 21st century disciplinary tool, Gmail Priority Inbox Sorts Your Email For You, introducing Wikileakileaks: Your Source for Wikileaks-Related Leaks and Melbourne computer hacker turned whistleblower extraordinaire Julian Assange is under pressure from within WikiLeaks to step down.
A scanned copy of a poster produced by the University of Canterbury Drama Society in the 1970s. The poster is advertising a play titled 'Billy Liar', performed at Ngaio Marsh Theatre in the UCSA building. The poster was sourced from DramaSoc archives held at Macmillan Brown Library.
A scanned copy of a black and white photograph of the DramaSoc production, 'Peer Gynt'. The play was performed at James Hay Theatre in the Christchurch Town Hall in 1973. The photograph was sourced from the DramaSoc archives held at Macmillan Brown Library.
A scanned copy of a black and white photograph of the DramaSoc production, 'Peer Gynt'. The play was performed at James Hay Theatre in the Christchurch Town Hall in 1973. The photograph was sourced from the DramaSoc archives held at Macmillan Brown Library.
A scanned copy of a black and white photograph of the DramaSoc production, 'Peer Gynt'. The play was performed at James Hay Theatre in the Christchurch Town Hall in 1973. The photograph was sourced from the DramaSoc archives held at Macmillan Brown Library.
A scanned copy of a black and white photograph of the DramaSoc production, 'Peer Gynt'. The play was performed at James Hay Theatre in the Christchurch Town Hall in 1973. The photograph was sourced from the DramaSoc archives held at Macmillan Brown Library.
A scanned copy of a black and white photograph of the DramaSoc production, 'Peer Gynt'. The play was performed at James Hay Theatre in the Christchurch Town Hall in 1973. The photograph was sourced from the DramaSoc archives held at Macmillan Brown Library.
A scanned copy of a black and white photograph of the DramaSoc production, 'Peer Gynt'. The play was performed at James Hay Theatre in the Christchurch Town Hall in 1973. The photograph was sourced from the DramaSoc archives held at Macmillan Brown Library.
A scanned copy of a black and white photograph of the DramaSoc production, 'Peer Gynt'. The play was performed at James Hay Theatre in the Christchurch Town Hall in 1973. The photograph was sourced from the DramaSoc archives held at Macmillan Brown Library.