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Images, Alexander Turnbull Library

The cartoon shows a digger dredging through the rubble and digging up a red heart representing 'hope' (Tom Scott doesn't do colour so this is significant). A rescuer nearby yells 'Careful! It's still beating'. Context - on 22 February 2011 a 6.3 magnitude earthquake struck in Christchurch which has probably killed more than 200 people (at this point the number is still not known) and caused much more severe damage. There were many people trapped in collapsed buildings and it was apparent in only two or three days that in most cases they could not have survived but of course people still held out impossible hope. Quantity: 1 digital cartoon(s).

Audio, Radio New Zealand

The family of a Christchurch earthquake victim wants the Royal Commission to investigate all Search and Rescue efforts during the disaster. The Government faces a higher-than-forecast Budget deficit.

Audio, Radio New Zealand

Almost three days on from the 6 point 3 earthquake that shattered central Christchurch and Lyttleton and searchers are continuing to find more bodies but no more survivors in the rubble.

Images, eqnz.chch.2010

Now empty and soon to be demolished - sadly for the family and all the customers. Fortunately all plant and stock saved and the search to go on for another suitable space

Research papers, University of Canterbury Library

There is a now a rich literature on the connections between digital media, networked computing, and the shaping of urban material cultures. Much less has addressed the post-disaster context, like we face in Christchurch, where it is more a case of re-build rather than re-new. In what follows I suggest that Lev Manovich’s well-known distinction between narrative and database as distinct but related cultural forms is a useful framework for thinking about the Christchurch rebuild, and perhaps urbanism more generally.