A photograph captioned by Paul Corliss, "Catholic Cathedral".
A photograph captioned by Paul Corliss, "Catholic Cathedral".
A photograph captioned by Paul Corliss, "Catholic Cathedral".
A photograph captioned by Paul Corliss, "Catholic Cathedral".
A photograph captioned by Paul Corliss, "Catholic Cathedral".
A photograph captioned by Paul Corliss, "Catholic Cathedral".
A photograph captioned by Paul Corliss, "Catholic Cathedral".
Photograph captioned by BeckerFraserPhotos, "Cranmer Courts".
Photograph captioned by BeckerFraserPhotos, "The now empty site of Cranmer Centre with salvaged material (former Christchurch Girls High School)".
A photograph captioned by BeckerFraserPhotos, "Pieces of iron fretwork from the entrance of the Warners Hotel which have been carefully laid on the ground outside. This shows the careful salvaging which has taken place in order for pieces to be re-used later".
A photograph captioned by BeckerFraserPhotos, "Pieces of iron fretwork from the entrance of the Warners Hotel which have been carefully laid on the ground outside. This shows the careful salvaging which has taken place in order for pieces to be re-used later".
A photograph captioned by Paul Corliss, "Catholic Cathedral".
A photograph captioned by BeckerFraserPhotos, "Recovered masonry from the Cathedral of the Blessed Sacrament on Barbadoes Street".
A photograph of stones from the Cathedral of the Blessed Sacrament lying on pallets for preservation.
A photograph of stones from the Cathedral of the Blessed Sacrament lying on pallets for preservation.
A photograph of stones from the Cathedral of the Blessed Sacrament lying on pallets for preservation.
Photograph captioned by BeckerFraserPhotos, "The Arts Centre, Hereford Street".
A photograph captioned by BeckerFraserPhotos, "The Provincial Council Chambers on Durham Street. Materials from the building have been salvaged and placed on pallets outside".
A video of an interview with stonemason Mark Whyte, about the demolition of the Holy Trinity Church in Avonside. Whyte discusses how the building should have been deconstructed slowly in order to salvage unique heritage material such as stained-glass windows and hand-painted ceilings.