Emergency personnel searching the collapsed Canterbury Television on Madras Street building for trapped people in the aftermath of the 22 February 2011 earthquake. Smoke can be seen rising from the ruins.
Emergency personnel searching for people trapped in the collapsed Canterbury Television Building on Madras Street. Smoke can be seen rising from the ruins, which were on fire when the photograph was taken.
Emergency personnel searching for people trapped in the collapsed Canterbury Television Building on Madras Street. Smoke can be seen rising from the ruins, which were on fire when the photograph was taken.
Emergency personnel searching for people trapped in the collapsed Canterbury Television Building on Madras Street. Smoke can be seen rising from the ruins, which were on fire when the photograph was taken.
Emergency personnel searching for people trapped in the collapsed Canterbury Television Building on Madras Street. Smoke can be seen rising from the ruins, which were on fire when the photograph was taken.
Emergency personnel searching for people trapped in the collapsed Canterbury Television Building on Madras Street. Smoke can be seen rising from the ruins, which were on fire when the photograph was taken.
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Emergency personnel lifting a metal beam from the ruins of the Canterbury Television Building on Madras Street during their search for trapped people. Behind them smoke is billowing from the remains of the building.
Emergency personnel lifting a metal beam from the ruins of the Canterbury Television Building on Madras Street during their search for trapped people. Behind them smoke is billowing from the remains of the building.
Emergency personnel lifting a metal beam from the ruins of the Canterbury Television Building on Madras Street during their search for trapped people. Behind them smoke is billowing from the remains of the building.
Photograph captioned by BeckerFraserPhotos, "Durham Street Methodist Church after the excavators had dug through the ruins to find the bodies of the three workers buried when the church collapsed on February 22".
Emergency personnel lifting a metal beam from the ruins of the Canterbury Television Building on Madras Street during their search for trapped people. Behind them smoke is billowing from the remains of the building.
Photograph captioned by BeckerFraserPhotos, "Durham Street Methodist Church after the excavators had dug through the ruins to find the bodies of the three workers buried when the church collapsed on February 22".
Emergency personnel lifting a metal beam from the ruins of the Canterbury Television Building on Madras Street during their search for trapped people. Behind them smoke is billowing from the remains of the building.
Photograph captioned by BeckerFraserPhotos, "Durham Street Methodist Church after the excavators had dug through the ruins to find the bodies of the three workers buried when the church collapsed on February 22".
Emergency personnel searching for people trapped in the collapsed Canterbury Television Building on Madras Street. Smoke can be seen rising from the ruins behind them, which were on fire when the photograph was taken.
Photograph captioned by BeckerFraserPhotos, "Durham Street Methodist Church after the excavators had dug through the ruins to find the bodies of the three workers buried when the church collapsed on February 22".
This thesis considers the presence and potential readings of graffiti and street art as part of the wider creative public landscape of Christchurch in the wake of the series of earthquakes that significantly disrupted the city physically and socially. While documenting a specific and unprecedented period of time in the city’s history, the prominence of graffiti and street art throughout the constantly changing landscape has also highlighted their popularity as increasingly entrenched additions to urban and suburban settings across the globe. In post-quake Christchurch, graffiti and street art have often displayed established tactics, techniques and styles while exploring and exposing the unique issues confronting this disrupted environment, illustrating both a transposable nature and the entwined relationship with the surrounding landscape evident in the conception of these art forms. The post-quake city has afforded graffiti and street art the opportunity to engage with a range of concepts: from the re-activation and re-population of the empty and abandoned spaces of the city, to commentaries on specific social and political issues, both angry and humorous, and notably the reconsideration of entrenched and evolving traditions, including the distinction between guerrilla and sanctioned work. The examples of graffiti and street art within this work range from the more immediate post-quake appearance of art in a group of affected suburbs, including the increasingly empty residential red-zone, to the use of the undefined spaces sweeping the central city, and even inside the Canterbury Museum, which housed the significant street art exhibition Rise in 2013-2014. These settings expose a number of themes, both distinctive and shared, that relate to both the post-disaster landscape and the concerns of graffiti and street art as art movements unavoidably entangled with public space.
Emergency personnel sliding a metal beam down a sheet of corrugated plastic on the collapsed Canterbury Television Building. Smoke is billowing from the ruins, which were still partly on fire when the photograph was taken.
A couple of the most intriguing public art installations on in Christchurch. Dr Jessica Halliday discusses COCA gallery's window space project and Riki Manuel describes his art installations made from the ruins of earthquake hit buildings.
Emergency personnel helping themselves to food provided to refuel them while searching for trapped people in the ruins of the Canterbury Television Building. The remains of the building can be seen behind them, still partly on fire.
Emergency personnel helping themselves to food provided to refuel them while searching for trapped people in the ruins of the Canterbury Television Building. The remains of the building can be seen behind them, still partly on fire.
Emergency personnel helping themselves to food provided to refuel them while searching for trapped people in the ruins of the Canterbury Television Building. The remains of the building can be seen behind them, still partly on fire.
Emergency personnel helping themselves to food provided to refuel them while searching for trapped people in the ruins of the Canterbury Television Building. The remains of the building can be seen behind them, still partly on fire.
Emergency personnel searching for people trapped in the collapsed Canterbury Television Building on Madras Street. Smoke can be seen rising from the ruins. On the left is an excavator which has been used to shift the rubble.
Emergency personnel searching for people trapped in the collapsed Canterbury Television Building on Madras Street. Smoke can be seen rising from the ruins. On the left is an excavator which has been used to shift the rubble.
Emergency personnel searching for people trapped in the collapsed Canterbury Television Building on Madras Street. Smoke can be seen rising from the ruins. On the left is an excavator which has been used to shift the rubble.
St John Ambulance personnel standing over a stretcher loaded with medical supplies outside the collapsed Canterbury Television Building on Madras Street. Behind them, emergency personnel can be seen searching the ruins of the building for trapped people.
Photograph captioned by Fairfax, "Life in ruins: 27 year-old Chris Meyer, owner and operator of Federal Coffee House, which was located at 160 Manchester Street. The Heritage 1 building that he used to run his business from is being torn down tomorrow".
Photograph captioned by Fairfax, "Life in ruins: 27 year-old Chris Meyer, owner and operator of Federal Coffee House, which was located at 160 Manchester Street. The Heritage 1 building that he used to run his business from is being torn down tomorrow".