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Images, UC QuakeStudies

A digitally manipulated image of light sculptures on Gloucester Street during the LuxCity event. The photographer comments, "This was part of the LuxCity event in Christchurch, New Zealand. It was a way of creating a city of lights on the sites of demolished buildings in the earthquake devastated red zone. 350 architecture and design students from all around New Zealand created and constructed 16 pop up spaces".

Images, eqnz.chch.2010

Sunday 25 March 2012. File reference: CCL-2012-03-27-IMG_0646 From the collection of Christchurch City Libraries. Read: www.stuff.co.nz/the-press/news/5287612/Cop-art-pops-up-in...

Images, eqnz.chch.2010

Sunday 25 March 2012. File reference: CCL-2012-03-27-IMG_0645 From the collection of Christchurch City Libraries. Read: www.stuff.co.nz/the-press/news/5287612/Cop-art-pops-up-in...

Audio, Radio New Zealand

It's hoped a new art installation in Ōtautahi Christchurch can help people talk their worries away through a series of telephones by the riverside. Twelve telephones have popped up across sites commemorating the city's devastating 2011 earthquakes. The group behind the project is Flourish Kia Puawai. Its associate director Sharon Torstonson spoke to Corin Dann.

Images, UC QuakeStudies

A photograph of the shape left on a building on the corner of Colombo Street and Gloucester Street, where the neighbouring building has been demolished. Julia Holden has termed this a 'ghost building'. In front of this is a pop-up garden and seating area, installed by Greening The Rubble.

Images, UC QuakeStudies

A photograph of the shape left on a building on the corner of Colombo Street and Gloucester Street, where the neighbouring building has been demolished. Julia Holden has termed this a 'ghost building'. In front of this is a pop-up garden and seating area, installed by Greening The Rubble.

Images, UC QuakeStudies

A photograph of the shape left on a building on the corner of Colombo Street and Gloucester Street, where the neighbouring building has been demolished. Julia Holden has termed this a 'ghost building'. In front of this is a pop-up garden and seating area, installed by Greening The Rubble.

Images, UC QuakeStudies

A photograph of the shape left on a building on the corner of Colombo Street and Gloucester Street, where the neighbouring building has been demolished. Julia Holden has termed this a 'ghost building'. In front of this is a pop-up garden and seating area, installed by Greening The Rubble.

Videos, UC QuakeStudies

A video of Ladi6 and All Right? staff member Ciaran Fox "getting out and about" in Christchurch, talking to local street artist Jacob Yikes about his work and other street art popping up around the CBD. The interview was shot in front of one of Yikes' murals on Tuam Street. All Right? uploaded the video to YouTube on 21 April 2015 and posted a link to the video ton their Facebook Timeline on 28 April 2015 at 4:00pm.

Videos, NZ On Screen

Phillip Schofield introduces The Mockers at this benefit concert at the Christchurch Town Hall, which was later broadcast on Schofield's youth music show Shazam!. Their first album has just gone straight into the Top 10 and the band are well on their way to becoming pop stars, with Andrew Fagan, resplendent in red frock coat and bare chest, very much out front as one of Kiwi music's great showmen. Six songs are featured — including the hits 'Woke Up Today', 'My Girl Thinks She's Cleopatra', 'Alvison Park' and the title track of the band's 1984 album Swear It's True.

Audio, Radio New Zealand

Kim Hill talks to Sam Crofskey, the owner of C1 Espresso in the Christchurch CBD, which reopened in 2012 after the Canterbury earthquakes and will celebrate its twentieth anniversary this year. He spoke on the WORD Christchurch panel, How Are We Doing, Christchurch?, and this week launched Let's Take a Walk, a pop-up book for children about the quakes that he created with his wife Fleur and illustrator Hannah Beehre. He is joined by Joseph Hullen (Ngai Tuahuriri, Ngai Tahu), a hunter gatherer, fisherman, explorer, kaitiaki and storyteller who has spent a lifetime gathering traditional kai and listening to stories about his hapu. He is a whakapapa researcher for Te Runanga o Ngai Tahu, and is leading three sold-out walking tours during WORD Christchurch along the banks of the Otakaro (Avon River), uncovering the city's history.

Research papers, University of Canterbury Library

This study investigates evidence for linkages and fault interactions centred on the Cust Anticline in Northwest Canterbury between Starvation Hill to the southwest and the Ashley and Loburn faults to the northeast. An integrated programme of geologic, geomorphic, paleo-seismic and geophysical analyses was undertaken owing to a lack of surface exposures and difficulty in distinguishing active tectonic features from fluvial and/or aeolian features across the low-relief Canterbury Plains. LiDAR analysis identified surface expression of several previously unrecognised active fault traces across the low-relief aggradation surfaces of the Canterbury Plains. Their presence is consistent with predictions of a fault relay exploiting the structural mesh across the region. This is characterised by interactions of northeast-striking contractional faults and a series of re-activating inherited Late Cretaceous normal faults, the latter now functioning as E–W-striking dextral transpressive faults. LiDAR also allowed for detailed analysis of the surface expression of individual faults and folds across the Cust Anticline contractional restraining bend, which is evolving as a pop-up structure within the newly established dextral shear system that is exploiting the inherited, now re-activated, basement fault zone. Paleo-seismic trenches were located on the crest of the western arm of the Cust Anticline and across a previously unrecognised E–W-striking fault trace, immediately southwest of the steeply plunging Cust Anticline termination. These studies confirmed the location and structural style of north-northeast-striking faults and an E–W-striking fault associated with the development of this structural culmination. A review of available industry seismic reflection lines emphasised the presence of a series of common structural styles having the same underlying structural drivers but with varying degrees of development and expression, both in the seismic profiles and in surface elevations across the study area. Based on LiDAR surface mapping and preliminary re-analysis of industry seismic reflection data, four fault zones are identified across the restraining bend structural culminations, which together form the proposed Oxford–Cust–Ashley Fault System. The 2010–2012 Canterbury Earthquake Sequence showed many similarities to the structural pattern established across the Oxford–Cust–Ashley Fault System, emphasising the importance of identification and characterization of presently hidden fault sources, and the understanding of fault network linkages, in order to improve constraints on earthquake source potential. Improved understanding of potentially-interactive fault sources in Northwest Canterbury, with the potential for combined initial fault rupture and spatial and temporal rupture propagation across this fault system, can be used in probabilistic seismic hazard analysis for the region, which is essential for the suitability and sustainability of future social and economic development.