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Images for plants; more images...

Images, UC QuakeStudies

Digitally manipulated image of graffiti on a brick building on St Asaph Street. The graffiti depicts a sticking plaster over a broken section of the wall, with the words "I'll kiss it better". The photographer comments, "After the 22 February 2011 earthquake in Christchurch band aid plasters starting to appear in different parts of the city on damaged buildings. A year later most can still be seen. This one was once a whole plaster, but it has slowly broken up where it crossed the gap. The red bricks seen to symbolise the terrible wounds caused to the City and it's people".

Images, UC QuakeStudies

Hand-written signs on the fence opposite the Gap Filler Pallet Pavillion advertise events at the pavillion. One advertises a plant sale on Saturday 22 December, the other high teas and cakes on Sunday 23 December.

Images, Alexander Turnbull Library

Scene set at Santa Claus' 'Online Christmas Orders Dept' at the North Pole. One elf remarks 'ANOTHER Marmite order from New Zealand'. The sole Marmite factory in New Zealand was damaged in the Christchurch Earthquake of 2011. Further aftershocks led to the shutting down of the factory until late 2012. The remaining stocks ran out, leading to panic buying at inflated prices by Marmite aficionados. Quantity: 1 digital cartoon(s).

Images, UC QuakeStudies

Plant beds made out of corrugated iron, greening the empty building sites along Colombo Street. These were placed here by Greening the Rubble, a community project in Christchurch to create temporary public parks and gardens on the sites of demolished buildings.

Images, UC QuakeStudies

A digitally manipulated image of the word 'Lyttelton' made out of damaged bricks. The photographer comments, "This shows the courage and humour of the earthquake wrecked port of Lyttelton. There is lots of little things that make you smile that the locals and volunteers from around the area have created".

Research Papers, Lincoln University

Within four weeks of the September 4 2010 Canterbury Earthquake a new, loosely-knit community group appeared in Christchurch under the banner of “Greening the Rubble.” The general aim of those who attended the first few meetings was to do something to help plug the holes that had already appeared or were likely to appear over the coming weeks in the city fabric with some temporary landscaping and planting projects. This article charts the first eighteen months of Greening the Rubble and places the initiative in a broader context to argue that although seismic events in Christchurch acted as a “call to palms,” so to speak, the city was already in need of some remedial greening. It concludes with a reflection on lessons learned to date by GTR and commentary on the likely issues ahead for this new mini-social-environmental movement in the context of a quake-affected and still quake-prone major New Zealand city. One of the key lessons for GTR and all of those involved in Christchurch recovery activities to date is that the city is still very much in the middle of the event and is to some extent a laboratory for seismic and agency management studies alike.

Research papers, University of Canterbury Library

This thesis is about many things, not least of all the September 4th 2010 and February 22nd 2011 earthquakes that shook Christchurch, New Zealand. A city was shaken, events which worked to lay open the normally invisible yet vital objects, processes and technologies which are the focus of inquiry: the sewers, pipes, pumps, the digital technologies, the land and politics which constitute the Christchurch wastewater networks. The thesis is an eclectic mix drawing together methods and concepts from Bruno Latour, John Law, Giles Deleuze and Felix Guattari, Nigel Thrift, Donna Haraway and Patrick Joyce. It is an exploration of how the technologies and objects of sanitation perform the city, and how such things which are normally hidden and obscured, are made visible. The question of visibility is also turned toward the research itself: how does one observe, and describe? How are sociological visibilities constructed? Through the research, the encountering of objects in the field, the processes of method, the pedagogy of concepts, and the construction of risk, the thesis comes to be understood as a particular kind of social scientific artefact which assembles four different accounts: the first regards the construction of visibility; the second explores Christchurch city from the control room where the urban sanitary infrastructures are monitored; the third chapter looks at the formatted and embodied practices which emerge with the correlation of the city and sanitation; the fourth looks at the changing politics of a city grappling with severely damaged essential services, land and structures. The final chapter considers how the differences between romantic and baroque sensibilities mean that these four accounts elicit knowing not through smoothness or uniformity, but in partiality and non-coherence. This thesis is about pipes, pump stations, and treatment plants; about the effluent of a city; about the messiness of social science when confronted by the equally messy world of wastewater.