Photograph captioned by BeckerFraserPhotos, "The site of the old Sumner council chamber and library grassed and planted by community funds".
A photograph of street art on Welles Street. The artwork depicts flowers and birds. The artist is Flox.
A photograph of people at Agropolis just before the public launch event, which was part of FESTA 2013. Agropolis is an urban farm on the corner of High Street and Tuam Street. Organic waste from inner-city hospitality businesses is composted and used to grow food.
A photograph of people working at Agropolis before the public launch event during FESTA 2013. Agropolis is an urban farm on the corner of High Street and Tuam Street. Organic waste from inner-city hospitality businesses is composted and used to grow food.
A photograph of street art on Welles Street. The artwork depicts flowers and rabbits in shades of green. The artist is Flox.
A photograph of people working at Agropolis before the public launch event during FESTA 2013. Agropolis is an urban farm on the corner of High Street and Tuam Street. Organic waste from inner-city hospitality businesses is composted and used to grow food.
A photograph captioned by BeckerFraserPhotos, "Sunflowers planted by local school children in order to brighten up a demolition site on Ferry Road in Woolston".
A large crack in the ground at Sullivan Park in Avonside. A large deposit of liquefaction has dried around it, and plants are growing up through the crack.
A large crack in the ground at Sullivan Park in Avonside. A large deposit of liquefaction has dried around it, and plants are growing up through the crack.
A photograph captioned by BeckerFraserPhotos, "580 Ferry Road. Many demolition sites have been planted with wildflowers by local schools. This is one of the more exuberant".
A photograph captioned by BeckerFraserPhotos, "580 Ferry Road. Many demolition sites have been planted with wildflowers by local schools. This is one of the more exuberant".
A photograph captioned by BeckerFraserPhotos, "580 Ferry Road. Many demolition sites have been planted with wildflowers by local schools. This is one of the more exuberant".
An example of a SCIRT safety alert. Safety alerts were sent out to Delivery Team Health and Safety representatives after an incident who then sent or delivered them to subcontractors.
A city’s planted trees, the great majority of which are in private gardens, play a fundamental role in shaping a city’s wild ecology, ecosystem functioning, and ecosystem services. However, studying tree diversity across a city’s many thousands of separate private gardens is logistically challenging. After the disastrous 2010–2011 earthquakes in Christchurch, New Zealand, over 7,000 homes were abandoned and a botanical survey of these gardens was contracted by the Government’s Canterbury Earthquake Recovery Authority (CERA) prior to buildings being demolished. This unprecedented access to private gardens across the 443.9 hectares ‘Residential Red Zone’ area of eastern Christchurch is a unique opportunity to explore the composition of trees in private gardens across a large area of a New Zealand city. We analysed these survey data to describe the effects of housing age, socio-economics, human population density, and general soil quality, on tree abundance, species richness, and the proportion of indigenous and exotic species. We found that while most of the tree species were exotic, about half of the individual trees were local native species. There is an increasing realisation of the native tree species values among Christchurch citizens and gardens in more recent areas of housing had a higher proportion of smaller/younger native trees. However, the same sites had proportionately more exotic trees, by species and individuals, amongst their larger planted trees than older areas of housing. The majority of the species, and individuals, of the larger (≥10 cm DBH) trees planted in gardens still tend to be exotic species. In newer suburbs, gardens in wealthy areas had more native trees than gardens from poorer areas, while in older suburbs, poorer areas had more native big trees than wealthy areas. In combination, these describe, in detail unparalleled for at least in New Zealand, how the tree infrastructure of the city varies in space and time. This lays the groundwork for better understanding of how wildlife distribution and abundance, wild plant regeneration, and ecosystem services, are affected by the city’s trees.
A photograph of a stepladder resting on a wall. Artwork on the wall shows kowhai flowers and other native plants. There are broken windows on the wall to the side of the ladder.
Hand-written signs on the fence opposite the Gap Filler Pallet Pavillion advertise events at the pavillion. One advertises a plant sale on Saturday 22 December, the other high teas and cakes on Sunday 23 December.
Plant beds made out of corrugated iron, greening the empty building sites along Colombo Street. These were placed here by Greening the Rubble, a community project in Christchurch to create temporary public parks and gardens on the sites of demolished buildings.
A photograph of street art on the side of a house. The artwork shows plants, kowhai flowers, two tui, and their eggs. A woman is standing in front of the artwork and a stepladder is set up nearby.
The Gap Filler headquarters on a vacant lot on Colombo Street in Sydenham. Wheelbarrows full of new plants decorate the outside area. In the background is a mural with a poem reading, "The things which I have seen I now can see no more".
A photograph of Liv Worsnop of Plant Gang and another person shovelling compost during a composting workshop at Agropolis. Agropolis is an urban farm on the corner of High Street and Tuam Street. The workshop was part of FESTA 2013.
Damage to the garden of a house in Richmond. Liquefaction is visible among the plants and on the driveway. The photographer comments, "These photos show our old house in River Rd and recovery work around Richmond and St Albans. Back lawn under 10cm of water and silt".
A photograph of street art on the side of a house. The artwork shows plants, kowhai flowers, two tui, and their eggs. There is a stepladder on the right-hand side of the artwork and spray paint cans on the ground in front of it.
The stump of an oak tree in the Halswell Primary School grounds. The oak tree had the be cut down after it broke during the earthquake and was hanging at a angle. The person who cut down the tree has carved "1870 - 16:9:2010" into the stump, the year that the tree was planted, and then the day that it broke and fell.
Damage to the garden of a house in Richmond. Liquefaction is visible among the plants and on the driveway, and the driveway is badly cracked. The photographer comments, "These photos show our old house in River Rd. Water and silt have flattened the long grass in the back garden. The growth right of centre is suckers growing from the stump of a prunus tree we had felled last year. The section of fence between us and our neighbour fell down in the Sep 4 quake".
A scanned copy of a photograph of the garden of Di Madgin's former home in the Red Zone, taken before the earthquakes. She describes the scene in the photograph as, "This is the courtyard that we made, to have an eating place at the back of the house. The tree in the neighbours' was a tree that Pete's brother stole on a school trip up in the mountains from a national park. They planted this red beech in the garden. It became the neighbourhood bird tree and the sound was fantastic in the evenings."
An aerial photograph of Manchester Street near Cambridge Terrace. The photograph has been captioned by BeckerFraserPhotos, "The new Christchurch emerges - more colourful than before. The tree wrapped in high visibility is another project from artist Peter Majendie. The newly planted grass on the right hand side of the photo is on the PGC site and an adjoining site and is a CERA initiative. In the foreground of the photos the former site of St Luke's is now attractively laid out, while the splendour of the trees on the site can be fully appreciated".
Within four weeks of the September 4 2010 Canterbury Earthquake a new, loosely-knit community group appeared in Christchurch under the banner of “Greening the Rubble.” The general aim of those who attended the first few meetings was to do something to help plug the holes that had already appeared or were likely to appear over the coming weeks in the city fabric with some temporary landscaping and planting projects. This article charts the first eighteen months of Greening the Rubble and places the initiative in a broader context to argue that although seismic events in Christchurch acted as a “call to palms,” so to speak, the city was already in need of some remedial greening. It concludes with a reflection on lessons learned to date by GTR and commentary on the likely issues ahead for this new mini-social-environmental movement in the context of a quake-affected and still quake-prone major New Zealand city. One of the key lessons for GTR and all of those involved in Christchurch recovery activities to date is that the city is still very much in the middle of the event and is to some extent a laboratory for seismic and agency management studies alike.