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Images, Alexander Turnbull Library

Photographically reproduced postcard shows a semi-humorous illustration by J L Martin of the Provincial Government buildings in Christchurch, seen looking southeast from across the intersection of Durham and Armagh Streets, imagined as warped and twisting in the Murchison Earthquake of 1929. Speech bubbles come from the mouths of some small figures: "Women & children first", "Order please", "Oh for the wings of a dove", "Stop that jazzing up there", "Wheres my puff box". The title below the picture is: "The camera cannot lie". The artist J L Martin has handwritten a message on the verso. In 1928, this building was occupied by the Commissioner of Crown Lands, the Receiver of Land Revenue, the Registrar of Deeds, the Lands Transfer Office and the Lands & Survey Department (See Wises directory 1928, page 214) Other Titles - Christchurch, Christmas Inscriptions: Verso - centre - With kind remembrances / From yours sincerely / J L Martin Quantity: 1 Other printed ephemera item(s). Physical Description: Photograph on postcard, 88 x 137 mm. Provenance: Ms McLean was the granddaughter of Arthur John Wicks, the Chief Draughtsman, Head Office, New Zealand Lands & Survey Department. He had worked with Crown Lands in Blenheim before moving to Wellington in 1917. The artist J L Martin sent the card to Mr Wicks.

Images, Alexander Turnbull Library

Two skeletal people sit in armchairs waist-deep in silt. The man is reading the newspaper and says 'The wait's over! The Land Report's due out dear!... DEAR?' He realises that his wife, whose bony hand clutches 'EQC update No. 37', is dead. Context - On Thursday 23 June Prime Minister John Key, Canterbury Earthquake Recovery Minister Gerry Brownlee and representatives from engineering consultants Tonkin & Taylor announced the first part of the Government's long-awaited land report that revealed the fate of up to 5000 quake-damaged homes. Quantity: 1 digital cartoon(s).

Images, Alexander Turnbull Library

Shows John Key phoning Canterbury Earthquake Recovery Minister Gerry Brownlee during his recent visit to China. Key tells Gerry he has found an architect friend in China who can design the new Christchurch Cathedral. Wider context refers to the debate over the 3 plans recently released for the Cathedral, but also refers to media debate concerning Key's involvement in instances of preferential appointments - in particular, his claim to have forgotten a phone call to his friend Ian Fletcher in which Key suggested Fletcher should apply to become director of the Government Communications Security Bureau. See Stuff, 3 April 2013. Colour and black and white versions available Quantity: 2 digital cartoon(s).

Images, Alexander Turnbull Library

Text reads 'Could the wrecking ball be used on structures outside Christchurch?' The cartoon shows Minister for the Reconstruction of Christchurch Gerry Brownlee as the wrecking ball on a crane; he says 'let the fun begin'. To one side is a large house crowded with people which represents 'the welfare state' and is surrounded by a barrier on which are printed the words 'Fiscal emergency'. Context - Gerry Brownlee is seen by many as rather too quick to demolish heritage buildings in his rush to rebuild Christchurch. The wrecking ball idea also suggests that the National government is likely to wreck the welfare state in its efforts to sort out economic problems. Quantity: 1 digital cartoon(s).

Research papers, Lincoln University

A city’s planted trees, the great majority of which are in private gardens, play a fundamental role in shaping a city’s wild ecology, ecosystem functioning, and ecosystem services. However, studying tree diversity across a city’s many thousands of separate private gardens is logistically challenging. After the disastrous 2010–2011 earthquakes in Christchurch, New Zealand, over 7,000 homes were abandoned and a botanical survey of these gardens was contracted by the Government’s Canterbury Earthquake Recovery Authority (CERA) prior to buildings being demolished. This unprecedented access to private gardens across the 443.9 hectares ‘Residential Red Zone’ area of eastern Christchurch is a unique opportunity to explore the composition of trees in private gardens across a large area of a New Zealand city. We analysed these survey data to describe the effects of housing age, socio-economics, human population density, and general soil quality, on tree abundance, species richness, and the proportion of indigenous and exotic species. We found that while most of the tree species were exotic, about half of the individual trees were local native species. There is an increasing realisation of the native tree species values among Christchurch citizens and gardens in more recent areas of housing had a higher proportion of smaller/younger native trees. However, the same sites had proportionately more exotic trees, by species and individuals, amongst their larger planted trees than older areas of housing. The majority of the species, and individuals, of the larger (≥10 cm DBH) trees planted in gardens still tend to be exotic species. In newer suburbs, gardens in wealthy areas had more native trees than gardens from poorer areas, while in older suburbs, poorer areas had more native big trees than wealthy areas. In combination, these describe, in detail unparalleled for at least in New Zealand, how the tree infrastructure of the city varies in space and time. This lays the groundwork for better understanding of how wildlife distribution and abundance, wild plant regeneration, and ecosystem services, are affected by the city’s trees.