A video of an interview with Zac Cassels, the co-owner of the Cassels & Sons Brewery bar, about the preparations for the bar's opening. The bar is to open in a historic building on Madras Street, despite CERA's plans to demolish the building and build a stadium.
The cartoon shows an enormous ball of red tape and all around frustrated workers carry away their ladders and tools. Context - Three months after a quake that scored a direct hit under Christchurch, many residents are struggling with mountains of paperwork required to get their homes repaired and rebuilt. Reference numbers, codes and Pin numbers permeate our daily living now as we deal with the aftermath of two major earthquakes in six months. People feel they are lucky that they have the EQC pot to draw on, but there are a lot of complexities, anomalies and frustrations. (BBC News 21 May 2011) Colour and black and white versions available Quantity: 2 digital cartoon(s).
The Christchurch City Council is looking to Scandinavia for help with the earthquake re-build. Two Danish based urban design experts are working with the Council over the next four weeks to develop a draft plan for rebuilding the central city.
A video of an interview with landscape architect Di Lucas, about her vision for the Christchurch rebuild. Lucas talks about the need to build light buildings by using light materials such as timber. The video is part of The Press's 'Christchurch, one year after February 22, 2011' series.
A man labeled `rate payers' lifts an elephant labeled `convention centre' high over his head. Refers to recent calls for tenders from groups to build a new convention centre in Christchurch. Quantity: 1 digital cartoon(s).
The debt stricken state-owned enterprise Solid energy is in crisis talks with the Treasury and its banks, two years after the Christchurch earthquakes, insurance companies are blamed for delays in the rebuild, and in dateline pacific Papua New Guinea is building up its military to build roads.
A PDF copy of a poster encouraging people to try something new, one of the Five Ways to Wellbeing. The poster depicts an 'All Rightie' balancing on a yoga mat accompanied by a cat and reads, "Tried something a little different lately? Having a go at something new builds confidence and a healthy mind".
The cartoon shows a scene of rubble in central Christchurch, a workman appears to have fallen down a deep hole whilst another workman says to a man in a suit 'Your land's safe to re-build on...Geo-Tech are just finishing their in-depth report!'. Context: Refers to sceptism about rebuilding central Christchurch after earthquake damage in 2011. Quantity: 1 digital cartoon(s).
A contractor with a roller stands in an enormous hole, and shouts up to a family standing at the top that it's now ready to be built on. Refers to efforts to compact soil in Christchurch to prevent further liquefaction following the Canterbury earthquakes. Quantity: 1 digital cartoon(s).
A photograph of the south side of the building at 112 Manchester Street. A contemporary billboard for Fortis Construction reads, "Let's build our new city together - kia kaha". It partly obscures an old painted sign for Polson's Decorators and Signwriters, which reads "Protect your investment. Paint your property regularly - and save money".
A property developer says he rejected an approach from a company who went on to build a substandard multistorey building in Christchurch's central mall. The building at 230 High Street is in limbo, having finally been ruled substandard with numerous design weaknesses that are an earthquake risk. Phil Pennington reports.
An image designed for use as a downloadable screensaver. The image depicts an 'All Rightie' balancing on a yoga mat, accompanied by a cat. The image reads, "Tried something a little different lately? Having a go at something new builds confidence and a healthy mind".
A man gets a phonecall from the Earthquake Commission (EQC) informing him that he can 'remediate and build here again!' The call comes just as another aftershock happens causing the family and pets to huddle in a terrified crowd as the house collapses around them and they find themselves waist-deep in mud and water. Refers to the Canterbury earthquake of 4th September and its continuing aftershocks as well as the problems surrounding rebuilding. Quantity: 1 digital cartoon(s).
One landscape colour digital photograph taken on 19 November 2011 showing the temporary premises of the Bank of New Zealand in a relocatable building on the footpath. The sign above the tellers window read "Lyttel Bank" The Lyttelton streetscape has changed dramatically from its pre-earthquake appearance and will continue to change as new build...
A photograph captioned by BeckerFraserPhotos, "Rose and Richard in front of their house at 464 Avonside Drive. They decided to only move once, so are staying in Avonside Drive while Richard completes the build of their new home. Rose is keeping an eye on the neighbourhood during her daily walks along the river bank".
Photograph captioned by BeckerFraserPhotos, "Detail of the windows in Alice in Videoland. The building was designed with permanence and strength in mind and the new owner intends the fit out to have the same feel of permanence. His aspiration is to build the best coffee house in the world and the largest in Christchurch".
One portrait colour digital photograph taken on 25 February 2011 showing the damaged façade of a two storey shop on Norwich Quay. The brick wall has completely fallen off the top storey and crushed a car parked on the footpath outside. Damage to the Lyttelton Hotel is visible to the left of the photo. The design of many older commercial build...
A PDF copy of eight posters promoting the Five Ways to Wellbeing. Each poster contains a wellbeing question and tip, such as "When was your last moment of wonder? Sometimes the quietest moments can really change our perspective," and "Tried something a little different lately? Having a go at something new builds confidence and a healthy mind".
One landscape colour digital photograph taken on 16 June 2011 showing the partial demolition of the old Lyttelton Harbour Board Offices on the corner of Oxford Street and Norwich Quay. The photograph shows the temporary roof being constructed over the original ground floor of the building. At the time of the 22 February 2011 earthquake the build...
The Temple for Christchurch is an enormous work, representing the seismic wave of the February 22 earthquake. Made mostly from salvaged wood it's taken a team of volunteers two years to build. But it will meet a fiery end on Saturday night when it is deliberately set alight. Justin Gregory meets the designer and his volunteers with two weeks left until burn day. But when he gets there, none are to be found.
An image encouraging people to keep learning. The image depicts an 'All Rightie' balancing on a yoga mat with a cat and reads, "Tried something a little different lately? Having a go at something new builds confidence and a healthy mind." The image was from phase 2 of the All Right? campaign, promoting the Five Ways to Wellbeing. The Five Ways to Wellbeing is a simple, evidence-based approach to improving wellbeing, promoted by the Mental Health Foundation.
Text at top left reads 'Daft things our forefathers did The cartoon shows several nineteenth century gentlemen observing 'volcanic cones', a 'swamp' and 'faultlines underneath' and deciding to build a city. Context - Specifically the Christchurch earthquakes of 4 September 2010 and 22 February 2011 but generally the way many New Zealand cities are built on or near volcanoes, faultlines and swamps. Quantity: 1 digital cartoon(s).
Balloons and a sign advertising a garage sale hang from a fence. The photographer comments, "Today, 23/7/2011 the Bexley community in Christchurch got together and held a Bexley wide garage sale. You could pick up a map of the garage sales in Arncliffe St, which meant that people could find all the garage sales even if they were on the back sections. People got together with close neighbours to hold joint Garage Sales. In the area where the garage sales were held all the homes have been 'written off' by the government, as the land on which they sit is too damaged by the Christchurch earthquakes to repair. In places it looked more like a ships graveyard with the hulls of the houses sinking lopsidedly into the sand. Unfortunately for nearly everyone in the red zone they cannot rebuild a new home as sections to build on start now around $2,000 and the government is not paying them enough to buy a plot of land and build a new home. The choices for Bexley residents in most cases is to rent, buy a house at least a few years old or move to Australia to start again. I was told that up to 80% could be off to Oz".
There are many swaths of land that are deemed unsuitable to build on and occupy. These places, however, are rarely within an established city. The Canterbury earthquakes of 2010 and 2011 left areas in central Christchurch with such significant land damage that it is unlikely to be re-inhabited for a considerable period of time. These areas are commonly known as the ‘Red Zone’.This thesis explores redevelop in on volatile land through innovative solutions found and adapted from the traditional Indonesian construction techniques. Currently, Indonesia’s vernacular architecture sits on the verge of extinction after a cultural shift towards the masonry bungalow forced a rapid decline in their occupation and construction. The 2004 Indian Ocean earthquake and tsunami illustrated the bungalows’ poor performance in the face of catastrophic seismic activity, being outperformed by the traditional structures. This has been particularly evident in the Rumah Aceh construction of the Aceh province in Northern Sumatra. Within a New Zealand context an adaptation and modernisation of the Rumah Aceh construction will generate an architectural response not currently accepted under the scope of NZS 3604:2011; the standards most recent revision following the Canterbury earthquake of 2010 concerning timber-based seismic performance. This architectural exploration will further address light timber structures, their components, sustainability and seismic resilience. Improving new builds’ durability as New Zealand moves away from the previously promoted bungalow model that extends beyond residential and into all aspects of New Zealand built environment.
Ngai Tahu's property portfolio has taken a direct hit from the Christchurch earthquake - losing value and suffering damage; A Northland iwi says a decade long battle to protect a large ancient burial cave on Karikari peninsular north east of Kaitaia, has taken its toll on several hapu; A lecturer specialising in Maori criminal law is question the timing of a Maori Party co-leader's attack on the justice system; The Housing Minister, Phil Heatley, says a project to build three three bedroomed houses and two kaumatua flats on the Chatham Islands, will go some way to easing a housing issue for Maori residents.
A Northland iwi chair says a decade long battle against American owned Carrington Farms and the Far North District Council, has been financially and mentally taxing; A lecturer specialising in Maori criminal law is question the timing of a Maori Party co-leader's attack on the justice system; Ngai Tahu's property portfolio has taken a direct hit from the Christchurch earthquake - losing value and suffering damage; The Housing Minister says a project to build three three bedroomed houses and two kaumatua flats on the Chatham Islands, is a great example of iwi wanting to meet the needs of its people.
A video of Si and Gary (Simon Barnett and Gary McCormick) from MORE FM promoting the Five Ways to Wellbeing. In this video they talk about the importance of continuing to learn, and suggest ways to keep learning. The closing frames read, "Tried something a little different lately? Having a go at something new builds confidence and a healthy mind. For more tips on what makes us feel good, visit allright.org.nz."
The University of Canterbury CEISMIC Canterbury Earthquake Digital Archive draws on the example of the Centre for History and New Media’s (CHNM) September 11 Archive, which was used to collect digital artefacts after the bombing of the World Trade Centre buildings in 2001, but has gone significantly further than this project in its development as a federated digital archive. The new University of Canterbury Digital Humanities Programme – initiated to build the archive – has gathered together a Consortium of major national organizations to contribute content to a federated archive based on principles of openness and collaboration derived directly from the international digital humanities community.
1. INTRODUCTION. Earthquakes and geohazards, such as liquefaction, landslides and rock falls, constitute a major risk for New Zealand communities and can have devastating impacts as the Canterbury 2010/2011 experience shows. Development patterns expose communities to an array of natural hazards, including tsunamis, floods, droughts, and sea level rise amongst others. Fostering community resilience is therefore vitally important. As the rhetoric of resilience is mainstreamed into the statutory framework, a major challenge emerges: how can New Zealand operationalize this complex and sometimes contested concept and build ‘community capitals’? This research seeks to provide insights to this question by critically evaluating how community capitals are conceptualized and how they can contribute to community resilience in the context of the Waimakariri District earthquake recovery and regeneration process.
Shapeshifting is a conference organised by AUT featuring local and international guest speakers, academics, and innovators involved in the world of fashion and textiles. The conference is the first of its kind in the world, and its function isn't about discussing ways to build brands and to talk about trends, but a chance to think outside the box; a means to inspire, network and spark discourse. Sonia Sly talks to Christina Cie about the Christchurch Earthquake and its impact on clothing and identity for the community at large, US artist Nick Cave takes his 'body' of work into extraordinary musical and performing heights with 'Sound Suits' and Co-Director Andreas Mikellis discusses the way in which the notion of 'fashion' is changing and the importance of looking to the future.