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A photograph of a sign in the Canterbury Quakes exhibition at the Canterbury Museum. The sign displays information about the 22 February 2011 earthquake.
A photograph of the ChristChurch Cathedral cross and spire, on display in the Canterbury Quakes exhibition at the Canterbury Museum.
A photograph of a bell from the ChristChurch Cathedral, on display in the Canterbury Quakes exhibition at the Canterbury Museum.
A photograph of the ChristChurch Cathedral cross and spire, on display in the Canterbury Quakes exhibition at the Canterbury Museum.
A photograph of the clock from the Canterbury Provincial Chambers on display in the Canterbury Quakes exhibition at the Canterbury Museum.
Lyttelton was hit harder than most by the Christchurch earthquakes - particularly the Lyttelton Museum. But now it's back - triumphantly, we may say! - with a little help from its friends, past and present. Key historical figures in Lyttelton's history are brought back to life in a new exhibition by Julia Holden - Lyttelton Redux - which has just opened at Canterbury Museum.
At least two broken pieces from the Scott statue rest in the Canterbury Museum. The statue toppled in the 22nd February 2011 earthquake.
This thesis looks at the protocols museums and galleries adopt for the safeguarding of art, artefacts and cultural heritage. In particular, it analyses these procedures in relation to the 2010 and 2011 earthquakes in Christchurch, and considers how these events shaped the preventative conservation measures in place in museum and gallery institutions. Through gathering, assessing, and comparing this information about Christchurch’s institutions to disaster management best practices in national and international organisations, this thesis gauges the extent to which disaster management was changed in response to the events in Christchurch. This thesis first considers the growth in disaster management as a field, before examining what are considered best practices within this sector. Finally, it looks at specific institutions in Christchurch, including the Christchurch Art Gallery Te Puna o Waiwhetu, Canterbury Museum, and the Air Force Museum of New Zealand.
A photograph of a sign in the Canterbury Quakes exhibition at the Canterbury Museum. The sign displays the first Christchurch earthquake tweet on twitter, "Quake!!!!!!".
A photograph of an exhibition sign next to the ChristChurch Cathedral cross. The cross was on display in the Canterbury Quakes exhibition at the Canterbury Museum.
A photograph of an exhibition sign next to the ChristChurch Cathedral bell. The bell was on display in the Canterbury Quakes exhibition at the Canterbury Museum.
A photograph of an exhibition sign about a skateboard video filmed on Christchurch's damaged streets. The video was part of the Canterbury Quakes exhibition at the Canterbury Museum.
A photograph of 'The Snapa Crapa', a bike with a toilet for a seat. The bike was on display in the Canterbury Quakes exhibition at the Canterbury Museum.
Canterbury Museum says because of the earthquake it's likely to be weeks before they can open a sealed time capsule found under a statue brought down by the quake.
Photograph captioned by Fairfax, "Aftermath of the earthquake in Christchurch, where the clean-up has begun. Historic buildings around Christchurch received varying degrees of damage. Canterbury Museum seems unscathed".
Time stands still on the Science Museum clock tower as a poignant reminder of the moment the trembler struck Christchurch in the early hours of Saturday 4 September 2010.
Time stands still on the Science Museum clock tower as a poignant reminder of the moment the trembler struck Christchurch in the early hours of Saturday 4 September 2010.
Time stands still on the Science Museum clock tower as a poignant reminder of the moment the trembler struck Christchurch in the early hours of Saturday 4 September 2010.
German born colonist, Sir Julius von Haast, was an explorer specialising in geology. Amongst his many achievements was the founding of the Canterbury Museum. Born Johann Franz von Haast in 1822, in…
A photograph of an exhibition sign next to 'The Snapa Crapa', a bike with a toilet for a seat. 'The Snapa Crapa' was on display in the Canterbury Quakes exhibition at the Canterbury Museum.
A photograph of an exhibition sign next to 'The Snapa Crapa', a bike with a toilet for a seat. 'The Snapa Crapa' was on display in the Canterbury Quakes exhibition at the Canterbury Museum.
Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while.
Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while.
Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while.
Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while.
Another city walk around, this time with my brother-in-law from Auckland. Also went to the Quake City exhibition in the city organised by the Canterbury Museum. First fine day for a while.
This article examines the representation of Christchurch, New Zealand, student radio station RDU in the exhibition Alternative Radio at the Canterbury Museum in 2016. With the intention of ‘making visible what is invisible’ about radio broadcasting, the exhibition articulated RDU as a point of interconnection between the technical elements of broadcasting, the social and musical culture of station staff and volunteers, and the broader local and national music scenes. This paper is grounded in observations of the exhibitions and associated public programmes, and interviews with the key participants in the exhibition including the museum's exhibition designer and staff from RDU, who acted as independent practitioners in collaboration with the museum. Alternative Radio also addressed the aftermath of the major earthquake of 22 February 2011, when RDU moved into a customised horse truck after losing its broadcast studio. The exhibition came about because of the cultural resonance of the post-quake story, but also emphasised the long history of the station before that event, and located this small student radio station in the broader heritage discourse of the Canterbury museum, activating the historical, cultural, and personal memories of the station's participants and audiences.
Canterbury Museum is inviting visitors to view Quake City for free during the special exhibition's reopening this weekend, 16 & 17 September. The newly-relocated exhibition that tells stories from the Canterbury earthquakes, reopened on 14 September.
A photograph of the John Robert Godley statue on display in the Canterbury Quakes exhibition at the Canterbury Museum. The statue fell off its plinth in Cathedral Square during the 22 February 2011 earthquake, exposing two time capsules.
A photograph of an exhibition sign next to the Speaker's Chair on display in the Canterbury Quakes exhibition at the Canterbury Museum. The Speaker's Chair stood at the southern end of the Stone Chamber of the Canterbury Provincial Chambers, and survived the 22 February 2011 earthquake despite the damage to the chamber.